f. 


FROM    THE   LIBRARY   OF 
REV.    LOUIS    FITZGERALD    BENSON.    D.  D. 

BEQUEATHED    BY    HIM   TO 

THE    LIBRARY   OF 

PRINCETON   THEOLOGICAL   SEMINARY 

Dlrimon         tS^  & 
Section  SS^ 


.«•«•£' 


ILVER      msx*!^ 

A   NEW   SINGING    BOOK    FOR 

SCHOOLS,  ACADEMIES,  SELECT  CLASSES,  AND  THE  SOCIAL  CIRCLE, 

CONTAINING  A  CHOICE    SELECTION  OF  THE  MOST   FAVORITE 

SONGS,  DUETTS,  TRIOS,   QUARTETTES,  HYMN-TUNES,   CHANTS,   AND    PIECES    FOR    CONCERTS  AND    EXHIBITIONS, 

ARRANGED    WITH     PIA1YO-FORTE     ACCOMPANIMENT, 

ALSO,  A  COMPLETE  COURSE  OF 

(SHemmtarg  (Instruction,  foitlj  a  large  number  of  fcrcises  suitable  for  practice. 


BY    CHARLES    BUTLER, 

Teacher  of  Music  in  the  Sigh  and  Grammar  Schools  of  Boston  and  vicinity,  and  author  of  the  Seminary  Bell, 

School  Bell,  Musical  Text  Book,  &c 


BOSTON: 

PUBLISHED    IB^ST    lEHEHNT-R/Y    TOX.]^-A.lSr    Sc    CO, 

391    WASHINGTON    STREET. 


' 


aceording  to  Art  of  Congress,  A.  D    1866,  by  HKXKY  TOLMAN  *  00., 
in  the  C'Irrk"8  Office  of  the  District  Court  of  M;i.*sachu.-ett« 


I   L.  Balch,  Music  Typographic. 


PREFACE.  3 

The  author,  in  presenting  this  volume  to  the  public,  desires  to  mention  some  of  its  prominent  features,  and 
the  reasons  which  prompted  him  to  begin  the  work  of  preparation.  It  is  obvious  that  Vocal  Music,  as  an  ap- 
proved branch  of  common  education,  is  rapidly  making  its  way  into  the  schools  and  academies  of  our  country, 
eventually  to  become  one  of  the  educational  habits  of  the  mass.  The  number  of  schools  among  us  in  which 
music  is  made  one  of  the  regular  branches  of  elementary  instruction  is  already  great,  and  is  constantly  increasing. 
We  have  heard  of  no  case  in  which  with  proper  training  every  pupil  has  not  been  found  capable  of  acquiring 
the  rudiments  of  the  art,  and  of  interpreting  music  of  ordinary  complexity.  It  has  long  been  supposed  that  in 
order  to  learn  to  sing,  a  pupil  must  be  endowed  with  what  is  sometimes  called  a  "  musical  ear."  That  this, 
however,  is  an  error,  is  evident  from  experiments  which  have  been  made  in  Germany,  and  which  are  being 
made  in  this  country.  The  result  is,  that  in  this  respect,  as  in  many  others,  there  is  a  great  difference  in  the 
natural  aptitude  of  scholars.  Still  all  who  "can  learn  to  read,  can  also  learn  to  sing"  The  knowledge  of 
music  therefore  must  prevail  where  there  are  industrious,  earnest  and  intelligent  teachers,  and  the  work  will  be 
hastened  in  proportion  to  the  improvement  of  teachers  and  text-books.  In  arranging  the  elementary  portion  of 
this  book,  the  author's  desire  has  been  to  prepare  a  work,  which  in  its  construction,  would  be  theoretic,  lucid, 
useful,  and  instructive  to  pupils.  Care  has  been  taken  to  treat  the  various  topics,  briefly  perhaps,  but  with  ade- 
quate clearness,  accompanied  by  examples,  sufficient  to  elucidate  the  rules  and  directions  of  the  text.  In  the 
various  paragraphs  no  claim  is  laid  to  any  new  discoveries,  but  only  to  the  merit  of  a  consistent  and  correct 
classification  of  "  Musical  terms,"  together  with  a  large  number  of  exercises,  arranged  in  such  a  progressive 
manner   as  very  materially  to  lessen  the  labors  of  both  teacher  and  pupil. 

In  singing  the  exercises,  (or  solfaing,)  the  syllables  need  not  necessarily  he  changed,  inasmuch  as  the  one 
adaptation  (Do  always  to  C,  Re  to  D.,  &c,  regardless  of  the  keynote,)  is  considered  the  best  system. 

The  music  throughout  the  work  has  been  selected  from  a  great  variety  of  sources,  the  character  of  which  it  is 
hoped  will  lead  pupils  onward  to  the  appreciation  of  a  higher  class  of  music  that  is  now  generally  used  in  our 
Schools,  and  to  form  a  correct  taste  and  pure  style.  Most  of  the  pieces  are  so  arranged  as  to  be  played  with 
piano  accompaniment,  a  feature  which  will  commend  itself  to  all,  and  make  the  work  especially  welcome  to  the 
social  circle.  Care  has  been  taken  that  the  words  accompanying  the  music  should  offer  no  suggestions  or  asso- 
ciations objectionable  to  the  most  fastidious.  The  publishers  would  embrace  this  opportunity  of  returning  thanks 
to  Messrs.  Root  &  Cady,  and  Messrs.  W.  A.  Pond  &,  Co.,  for  permission  to  use  some  of  their  valuable  copyrights 


Digitized  by  the  Internet  Archive 

in  2012  with  funding  from 

Princeton  Theological  Seminary  Library 


http://archive.org/details/silverinOObutl 


RUDIMENTS     OF     MUSIC. 


-*5ES§- 


DI  VISION   I. 

NOTES,  STAFF,  LETTERS   AND  CLEFS. 

Section  1.  Music  is  represented  by  certain  characters  called  notes* 
§  2.   Notes  are  used  to  indicate  the  length  and  pitch  of  tones 

Note —Tone  is  a  given,  fixed  sound,  of  certain  pitch,  and  the  word  cannot  properly  be  used  to  express  the  difference  of  pitch  between  the  first 
an  J  second  tones  of  the  scale. 

§  3.   Each  note  has  its  corresponding  rest. 

§  4.  Rests  are  employed  to  indicate  periods  of  silence. 

§  5.  There  are  six  principal  notes  and  rests. 

Diagram  of  Notes  and  Rests. 

§  6.  The  whole  note  is  written  thus  : o     The  whole  rest,  thus  : w 

§  7.  The  half  note  is  written  thus  : P     The  half  rest,  thus  : ■— ■ 

§8.  The  quarter  note  is  written  thus  : f       The  quarter  rest,  thus  : \* 

§  9.   The  eighth  note  is  written  thus: J       The  eighth  rest,  thus: - V 

§  10.  The  sixteenth  note  is  written  thus  : 5       The  sixteenth  rest,  thus  : 2 

§11.  The  thirty-second  note  is  written  flius: ^       The  thirty-secon<||rest,  thus : 3 


RUDIMENTS    OF    MCSIC. 


£  12.  The  value  of  notes  and  rests  is  relative.  Long  ana  snort  tones  may  be  represented  according  to  the 
fractional  or  relative  value  of  notes. 

§  13.   The  pitch  of  tones  is  represented  by  writing  notes  upon  the  staff. 

§  14.  The  staff  consists  of  five  parallel  horizontal  lines,  with  the  four  intervening  spaces,  each  of  which  is 
called  a  dejrree. 


Bth  line 

4tli  line 

I'.XAMPLE.     3d     line 

ltd     line 

i-t   line 


— *th  spare. 
"—3d  space, 
[—'-ill  spare. 
.—  1st    space. 


§  15.  The  staff  is  sometimes  extended  by  adiling  short  (or  leger)  lines  either  above  or  below. 
§  1 G.  The  degrees  of  the  staff  are  named  after  the  first  seven  letters  of  alphabet,  to  determine  the  pitch  of  tones 
represented  thereon. 

§  17.  The  arrangement  of  letters  upon  the  staff  is  determined  by  a  sign  called  a  clef. 

§  18.  There  are  two  clefs  in  common  use,  viz  :  the  G  clef,  F/fe-^-f  and  the  Fclef,  H?'zrf 

§  19.   The  G  clef  s:gnifies  that  the  letter  G  is  written  upon  the  second  line  of  the  staff,  while  the  others  follow 
upwards  in  alphabetical  order,  and  downwards  by  reversing  the  order. 


1 


Arrangement  of  Letters   with  the  G  clef. 

_ f Q 


-a. 


w- 


— G- 


~5~ 


ZP  *•  w 


-*-  "*  -A 


S  20.  The  F  clef  signifies  that  the  letter  F  is  written  upon  the  fourth  line. 


I 


RUDIMENTS    OF    MUSIC. 

Arrangement  of  Letters   witii  the  F  clef. 

d         -E- 


Eii 


-F— 


-A- 


I! 


-C- 


-u- 


c 


-B- 


Note. — The  0  clef  represents  tones  one  octave  higher  than  the  F  clef 
Note. — Each  pupil  should  learn  the  arrangements  of  letters  perfectly. 

DIVISION    II. 

THE    MAJOR    SCALE. 

§  21.  The  major  scale  is  composed  of  eight  progressive  tones,  occurring  one  after  another  in  a  particular  order 
as  they  are  numbered. 

§  22.  According  to  the  "  universal  system  "  the  first  tone  of  the  scale  is  represented  upon  the  letter  C, 
(added  line  below,  G  clef,)  the  second  on  D,  the  third  on  E,  and  so  on. 

§  23.   The  interval  between  the  tones  of  the  scale  is  called  a  second. 

§  24.  There  are  two  kinds  of  second,  viz  : — the  major  (large)  second,  and  the  minor  (small)  second. 

§  25.  The  Latin  syllables,  Do,  Re,  Mi,  Fa,  Sol,  La,  <Si,  and  Do,  are  applied  to  the  scale. 

Diagram  of  the  Major  Scale. 

With  Letters,  Sy'lables,  and  Numerals  applied,  and  also  the  order  of  Seconds  represented 


Q  Clef. 


RUDIMENTS    Of    MUSIC. 


P   Clef. 


Mi  Re  Do 

E  D  C 

3  2  1 


Note. — The  pupil  should  make  this  scale  an  exercise  of  daily  practice,  but  should  first  become  familiar  with  the  syllables,  letters,  and  numerals 
corresponding  to  the  notes,  and  also  the  order  of  seconds.        • 

Note. — The  following  exercises  should  first  be  sung  by  the  teacher  in  a  slow  and  careful  manner.  Great  care  should  be  taken  that  the  pnpils  tii 
ertct  and  sing  with  correct  intonation.     Care  should  aiso  be  taken  that  the  pupils  siug  without  changing  the  vowel  sounds  of  the  syllables 


Exercise  1.     Key  of  C,  (blank  signature.) 


«— a— a — ®— o — ®— o —j, 


•#■    ■#■ 


RUDIMENTS    OF    MUSIC 


DIVISION    III 

MEASURES,    BARS,  AND  ACCENT. 

§  25.  Rhythm  is  the  measured  outline  of  music,  and  determines  the  periodical  recurrence  of  accent. 

§  26.  The  notes  of  a  melody  are  divided  into  sections  called  measures. 

§  27.  A  measure  is  tue  quantity  and  value  of  notes  between  every  two  bars. 

§  28.  A  bar  is  a  short  perpendicular  hue  drawn  across  the  staff. 

§  29.  A  measure  having  two  parts,  or  counts,  is  called  Double  Measure, 
and  is  indicated  by  the  numeral  2.  placed  next  after  the  clef,  on  the  upper 
part  of  the  staff,  which  corresponds  to  the  number  of  parts,  or  counts. 


Double  Measure 


§  30.  The  first  part  of  Double  Measure  is  accented,  the  second  is  unac- 
cented. 

§  31.  In  Double  Measure  a  downward  motion  of  the  right  hand  is  made  to 
the  first  part,  and  an  upward  motion  to  the  second  part,  (sometimes  called 
"  beating  time,"  or  marking  time.) 

Note. — The  motions  should  be  made  promptly  and  at  equal  intervals  of  time 

§  32.  The  numeral  standing  for  the  fractional  name   of  tho  note  representing  each   part  of  the  measure,    is 
placed  next  after  the  clef,  on  the  lower  part  of  the  staff. 

Note. — The  numerator  indicates  the  kind  of  measure,  (i.e.,  the  number  of  counts,)  and  the  denominator  the  kind  of  notes  with  which  each  part 
is  filled. 


§  33.  The  numeral  2.  below,  indicates  half  notes  in  the  measure, 
one  at  a  count. 


1  2 

Half  Notes. 


2 


Half  Notes. 


10 


RUDIMENTS    Of    MTJS1U. 


*SwE 


Exuaciss  6. 


3^3 


si 


ST0-\-9-0-  ; 


o  -v 


^3:  go    -  :j3_z>. 


t\*j  \AA..\ 


55 


zsLsziEgg: 


fell 


-- — rl >si — -1--  O r>— ' — <S> ^ — -1 L x— ^ ©— l— ra ri^-1 — 3 


Praise     to 


TO 
Him    who 


high, 


-© — O 

earth,  and    framed    the 

a 


§  34.  The  numeral  4,  below,  indicates  quarter  notes  in  the  measure, 
one  at  a  count. 

Exercise  7. 

i 


Quarter  Notes. 


j§l 


Here  we  meet  with  joy  together,  Here  to  learn  our  songs  to  raise ;     0,  how  sweet  the  hoar  of  singing.  Hearts  and  veices  joined  in  praise/ 


Note.— Music  is  no*  to  be  performed  faster  merely  because  each  count  is  represented  by  a  quarter  note  instead  of  a  half;  for  the  duration  of  tones 
as  represented  by  notes  is  not  absolute,  excepting  so  far  as  they  may  belong  to  the  same  melody  or  exercise. 

§  35.   A  measure  having  three  counts  is  called  Triple  Measure,  and  is  indicated  by  the  numeral  3 
§  36.  The  first  count  is  accented. 

Triple  MlAMJM. 

§  37.   The  motion  of  the  hand  is  down  for  the»  first  count,  left  for  the  seoond,  and     F/  3     jj 

up  for  the  third.  ivy*     5 

r  *J  1  2  3 

Down        Left.         Up. 


-    O — — e> \ 


RUDIMENTS    OF     MUSIC. 


ElBBCTSE  9 


tS s>— 


3 ri 3 — ri O 


-Si O    "  sh~l 


LlSfc 


=M= 


— * — »- 


:3=p: 


11 


:t=t 


^z^rz 


i^z^sLzLiziia!: 


Exercise  10. 


^    *-• 


*=*=? 


■-* — * 


-j — 3 1 A —  # 

~X M M * 


e — i       _g — o-_  c_e — ^ — ^— c-© — ^ — ?— c-s — _i — H     ^zr — 

-F — i 1 — P— r— ^ 


^=m 


jr=^4i 


i*^.*.- 


:?=£ 


*   i  .  u 


-f — #- 


^s—p- 


EeH 


§  38.  The  numeral  87  below,  indicates  eighth  notes  in  the  measure, 
one  at  a  count. 

Exercise  11. 


Eighth  Notes. 


■0- 


m 


1  2 


1_2  3 


— d — e — 3.        * — * *~     *  —  *~ — ^ "V — if &—*—* ■ 


£=p — ?: 


Exercise  12 

is 


P^^H^ll^ii^lIfe^i^ilip^l^3 


11 


ROTIMENT6    OF    MT7SIC. 


Exercise  13 


t — L — 0 9 L_  .g. 


re    -     turn  ing ;     Bloom    -    ing 


flow 


•- 

-    ers 


— 0- 
ZZ 


3^ 


en 


the 


And         with    -    in  her         leaf     -      y  bow     -    ere,         Plain    -    tive        sings        the         Night 

§  39.  A  measure  having  four  counts  is  called  quadruple  measure,  and  is  indicated  by  the  numeral  4 
§  40.  The  first  and  third  counts  are  accented. 


§  41.  The  motions  of  the  hand  are  down,  left,  right,  and  up. 


Example. 


-<s — a 


m 


Down.  Lett.  Right.  Up. 
18        8        4 


(±\ 


Note— The  letter  C  \\Zt )  is  sometimes  used  to  express  the  same  kind  of  measure  and  notes  as  the  numerals  \-fal  i  and  the  same  letter,  with  a 

line  drawn  through  it,  \*P)  the  same  as  the  numerals  \  •)  )• 
_    Exercise  14. 


Exercise  15. 


l^a3e_#_# — * — #  '  J — ^    #    4  J  #— # — #-#J-#  -J — i— • #— ' #— L  0— 0— w—  *J-w — g-  A 

1.  Bounding  billows,  cease  thy  motion,     Bear  me  not  so   swiftly    o'er;  Ce&M  thy  motion    foaming   ocein,      I  will  tempt  thy  ra-c  i  o  mora. 

2.  Far     1    go  where  du  -  ty  leads  me ;     Far  across  the  troubled  deep,  Where  no  stranger's  ear  can  heed  me.  Where  no  eye  for  mc  shall  weep. 


Exercise  16. 


^#^^^S3^^S3i 


—*-■-#— I-  -*— *    *-*—  *• 


zfZ-0.  a 


RUDIMENTS     OF    MTJ!  10. 


lO 


i — I 1— 1 3 ' * '-*•  — -* — 0 — gJ~0--0-0 — 4—  0J-0—  ,  -j— 0— *J— J 


§  42.  A  measure  having  six  counts  is  called  Sextuple  Measure,  and  is  indicated  by  the  numeral  6- 
§  43.  The  first  and  fourth  counts  are  accented.  Example. 

§  44.  The  motion  of  the  hand  is  down  for  the  first  three  counts ,  and  up    p^y~jjc^:^g£rz3cr~* — 
for  the  last  three.  i      ~h ~~ 


Exercise  17. 


4       5         6 
Up. 


F$=,. 

> — !*- 

•  — 0  — 

— t1- — h S 

-*— 1— £ 

"T— > l~ 

— H 

m=k 

-J— f 

» 0 

^SS= 

•_P"    »    5—^ 

=*— ^t^ 

— fc-J; 

_U~| 

DIVISION    IV. 

DOTTED  NOTES  AND  RESTS,  TEE,  AND  TRIPLET. 
§  45.  A  dot  adds  one  half  to  the  original  value  of  the  note  or  rest  after  which  it  is  written 
§  46.  A  dotted  whole  note,  FctvzE#EI:E3  equals  a  whole  and  half  h/H— g~~!5 


§  47.  A  dotted  half  note, 


-G--- 

t= 


equals  a  half  and  quarter  F< 


-G 0— 

-r- r~ 


unitod. 
united. 


§  48.  A  dotted  whole  rest, 


c— ■—■-. —  equals  a  whole  and  half  rfe-- — J*—  united,  &c,  4c 


14 


ErDiMrxTS  of  jrtrsie. 


§  49.  The  second  of  two  dots  adds  one  quarter  to  the  original  value  of  a  note  or  rest. 

§  50.  A  double  dotted  whole  note,  "">  •  •    equals  a  whole,  half,  and  quarter,  0^&^s  united. 

§  51.  A  double  coned  quarter  rest  *  *  *    equals  a  quarter,  eighth  and  sixteenth  *~*7— Z  united,  &c.,  &a 

ElEBClSK  18. 


food,    Come,    mer  -  ri  -  ly        now,       Where  rip  -  pie  sweet  fountains, 


Come*   come  to      the    greenwood,    Come,    mer  -  ri  -  ly        now,       Where  rip  -  pie  sweet  fountains,      Where  tremble*    the    bough. 


ESS 


rV      r» 


II 


When  pass  -  eth  young    lephyr,      Light    dan  -  cing     a    -    long,        There  rus  -  ties     the      as      pen,        Soft      to      his    sweet    song. 

§  52.  A  tie  (- — ■)  (when  drawn  over  or  under  two  or  more  notes,  not  upon  the  same  degree  of  the  staff,)  in- 
dicates that  one  word,  or  syllable  of  a  word  is  to  be  sung  to  all  such  notes. 

Exercise  20. 

1 — It 


See    my  shepherd  gently    guide,    To    the  rich  and  verdant  meads,  Where  tUe  cooling    waters  glide"  Where  thy  flock  in     safety  feeds. 

§  53.  There  may  be  one,  two,  three,  or  more  notes  performed  at  one  part  of  a  measure. 

§  54.   A  triplet,  is  a  group  of  three  equal  notes,  (with  the  figure  three  and  a  curved  line,  either  over  or 
under  it.)  ~~  3  ~~ 

§  55.  A  triplet  is  reduced  in  value  to  two  notes  of  the  same  cA — #"_T^rq^p_—-— j 

denomination.  ExampU-  1  (fo      •  *  fcEfc£=!E£3 


BUDIMENTS     OF     MUSIC. 


15 


§  56.  A  melody  may  commence  with   either  part  of  a  measure ;  and  when  there  is  a  deficiency  in  the  first 
measure,  it  must  be  made  up  in  the  last. 


ggpS^fepj 


i 


1.  Rise  up '  ay  Jeai      yfing    people,  And  ope  jour  sleepy  eyes;    The  clock  from   yonder    steeple,  Pro- claims  the  hour     to     rise. 

2.  Au  -  ro  -  ra's  tears  are    guttering,     Like  diamond  sparks  around  ;  The  waking  birds'  soft  t^itt'ring,  From  tree     to  tree       re  -  sound. 

3.  Al  -  rea  -  dy  gai  -  ly    h-^mmirir      The  ear  -  ly  wak  -  ing   bees,      Are  la  -  den  home  -  ward  coming,  From  yonder  lin  -  den     trees. 

4.  Then  come !  obey  the  warn  •  ing,      *j!sie  cap  ant1  hat  in  hand :    And  meet  the  sun's  first  dawning,    From  yonder  ris  -  ing     land. 

§  57.  A  duet  is  a  composition  ot  twc  p&ris ;  *he  upper  Dart  is  caller!   Sopnrao,  (or  Treble,)  and  the  lowei 
part  Alto. 

_     Exebcise  23.    DUET. 


mp 

1.  When  the  rose   is  blushing,  Pure,  and  sweet,  and  fair,  Joy  with -in    us   gushing, 

2.  In    the  san  -  dy  des  -  ert,  Birds,  of  plumage  rare,  Shed  around   the  traveller 

3.  Ev'ry  prospect  show    ers  Something  rich  and  rare ;  Aud  the  true   heart  tindeth 

Exercise  24     DUET 


Greeteth  beauty  there, 
Beauty  e  -  ven  there, 
Beauty  ev'  -  ry  where, 


Greeteth  beauty  there. 
Beauty  e  -  ven  thnre. 
Beauty    ev'  -  ry  where. 


^^S^^^^^fe^ 


1  Crack !  crack !  crack  the  whip ! 
S.  AU  this  world's  a  ftage) 
i-  Crack !  crack  1  crack    a  -  way  ' 


With  a  migh  -  ty  clat  -  ter,  Crack '  crack '  Thro'  the  streets,  Dash  we  on  our  way 
Whirl  -  ing  on  for  -  ev  -  er.  Far.  far.  far  a  -  wav,  On  the  milk  -  y  way. 
Thro'      the        bu    -    sy     ci  -  ty.       Crack '  crack '  crack    a      wav.      0  -  ver     hill    and    Taia. 


RUDIMENTS    OF    MCSm. 


Hi !  ha !  int-r  -  rl  -  I  y,  Roll  we  through  the  world  a  •  way ;  Roll,  roll,  roll  -  Inz  on,  Swift  -  ly  all  the  day. 
Miil,  still,  still  and  fast,  And  the  moon  comes  roll  -  ing  past,  And  the  pla  ■  net  train  Roll  -  ing  oo  a  -  main. 
Thus      my      stage    doth    run,     Like     the    pla  -  nets    and     the    sun,       Roll,    roll,        all    the      day,      On      the      dus  -  ty     way. 

DIVISION   V. 
THE  CHROMATIC  SCALE. 

§  58.  The  tones  of  the  scale  forming  the  major  second,  (i.  e.,  the  first  and  second,  second  and  third,  &c.,) 
admit  of  an  intermediate  tone ;  but  those  forming  the  minor  second, (i.  e.,  the  third  and  fourth,  &c.,)  do  not. 

§  59.  The  chromatic  signs,  viz:  sharp,  ($,)  fiat,  ([>,)  and  natural,  (Jj,)  are  employed  to  indicate  intermediate 
tones. 

§  60.  The  sharp  elevates  the  pitch  of  a  note  before  which  it  is  written. 

§  61.   The  flat  depresses  the  pitch  of  a  note. 

§  62    The  natural  restores  a  note  to  its  original  pitch.  RrampUs  ofiht  chromatic  change. 

§  63.   An  interval  formed  by  the  use  of  a  sharp  or  flat,  (i.  e.,  from  C  F^-a&F^T^^f  jt 
to  C  sharp ;  or  from  B  to  B  flat,  &c.,)  is  called  a  "  chromatic  change."  | 


f^Mgggp 


Note — Chromatic  change  implies  a  difference  of  pitch  between  two  notes,  written  upon  the  satue  degree  of  the  staff 
Note  — The  pitch  of  0  sharp  is  midway  between  that  of  C  and  D  ;  and  B  flat  midway  between  B  and  A. 

The  Chromatic  Scale.— (0  Clef.) 


Tie 


^a-j^j^^^^gg^^^nr^ w  J  iwLs 


J         D  1-J  t         F  FJ  0°$  A  AgBO  OB  B>  A  A? 

1        |1  !       |l  3       4        (4  &        (5  S        &S        7       8  8       7        B7         6       p8 


RCDTMENTS    OF     MDSIC. 
Thz  Chromatic  scale.— (K  Ulef.) 


17 


laaayfefeg^E^i^i^B^ 


dar 


~ojF       D        I>«        ■      P         FJl 

H*     i     (f     i    i    H     i 


EE 


^JSL^iC 


-«9— K»*— g<- 


6        |8 


A? 

8       1,6 


5       f5 

Examples. 


F         E  II 

4       3        b3 


D  D?       0 

2        |;2       1 


§  64.  The  vowel  element  of  a  syllable,  corresponding  to    Rjp-  Ff}: — 3   riprr^rrg^: 

a  note  before  which  there  is  a  sharp,   is  changed  to   the    Fffp-— -j ~~n~|~ i ~~'~i;?::'  r^-~ ^  fT-l-T— ^— 
Italian  I,  (ej.                                                                                                &   ${£     ^   ^  Do      Di     Fa     Fi 

Examples. 


§  65.  A  flat  changes  the  vowel  sound  to  the       p^b — |  — -- 1— j— , ,— 3       PQI— ^-^ h 

ilian  «,  faj.  Efc?=Wd=3— ^~J       L==fct=dEi=5 


Italian 


Sol         Se         Mi        Me  Mi        Me 

Tai  Chromatic  Scale,  (With  Syllables.) 


Re         Re 


Do       Di      Re      Ri      Ml    Fa      Fi      Sol      Si        U      Li       81    Do      Do    Si       Se      La      Le      Sol      Be      Fa    Ml      Me      Re     Re    Do 

§  66.  A  sharp  or  flat  always  extends  its  influence  through  the  measure  where  it  occurs,  unless  contradicted  by 
a  natural  (hj),  which  restores  a  note  to  its  original  pitch. 

3=£ 


Exercise  25. 


— fc — 4—3' 


lb 


RUDIMENTS    OF    MUSIC. 


mfz$^^&FSf=f&=pt^u-*frii**f& 


Eikrcise  26. 


Soft  -  ly     now  the  light  of     day,  Fades  upon  our  sight  &  -  way  ;  Free  from  care,  from  labor  free,     Lord,  we  would  commune  with  the*. 


DIVISION    VI. 
FIRST  TRANSPOSITION  OF  THE  SCALE  (BY  SHARPS.) 

Notb — In  all  of  the  precedins  Exercises.  C  has  been  token  as  the  first  tone  of  the  scale.  The  note  which  represents  the  first  tone,  is  called  the 
"  keynote,"  regardless  of  tUe  letter  upon  which  it  may  be  written. 

§  67.  When  any  other  letter  than  C  is  taken  as  the  key-note,  the  Scale  is  said  to  be  "  transposed." 
§  68.   In  order  to  render  Transposition  perfect,  all  the  intervals  of  the  original  (major)  scale  must  be  exactly 
preserved  ;   (i.  e.,  the  interval  between  the  third  and  fourth  ;  seventh  and  eighth  tones,  must  be  a  minor  second  ;) 
which  can  only  be  secured  by  the  use  of  sharps  or  flats,  proper  tu  the  adopted  (or  new)  key. 

Note      Xlie  Letters,  (as  arranged  with  the  0  and  F  clefs,)  are  never  changed. 

§  69.  Transposition  of  the  male  is  effected  Ly  counting  up  from  the  first  (C),  to  the  fifth  (G),  inclusive,  and 
changing  it  to  the  first;   G  will  then  become  a  new  key-note,  (one.) 

§  70  To  preserve  the  original  order  of  the  tones,  (or  intervals,)  the  letter  to  which  the  numeral  7  correa 
ponds,  (F),  must  be  sharped. 


RUDIMENTS    OP     MUSIC 


19 


i 


Key  of  C. 


DIAGRAM  ILLUSTRATING  THE  TRANSPOSITION  OP  THE  MAJOR  SCALE  FR»M  C  TO  G. 


0 

1 


:gr3c 


.2,(3 

7,i 


K  P 

3        4 

3  a        .2,  a 
.5  g        5"g 


as 


ra 


£8 


B  0 

7         8 

18 


.2  o 


SJ 


B;8 


.£,  a         .2.  a 


Scaie  transposed  into  the  key  of  G. 


i-ac 


T=Z&^. 


m 


a 
13  34  5678  87  6  543  3  1 

•Note. — In  the  above  diagram,  we  sharp  F,  to  make  a  major  second  between  E  and  F  sharp,  (sixth  and  seventh  tones,)  and  a  minor  second  between 
F  sharp  ana.  ij,  (seventh  and  eighth  tones.) 

§  71.  The  sharps  and  flats  made  use  of  in  Transposition,  are  written  immediately  after  the  clef,  and  form  the 
Signature. 

Note. — By  the  signature,  we  know  the  letter  taken  as  the  key-note. 

§  72.   Sharps  and  flats  in  the  signature  affect  every  note  written  on  corresponding  letters  throughout  a  melody  ; 
but  they  do  not  change  the  vowel  element  of  syllables. 

Exercise  27. 
i 


^dzA— *"fiizrr2±«— *-h*— H-«—  +j — i — F-] — *-£-&+* -m:\ gH^— fTF— Xi+~F  n — -+-«— ^g- 


Do,  or  Sol.    See  preface. 
Exercise  28. 


eEe 


w^m 


m 


-?-*- 


HHH 


li 


RUDIMENTS    OF    MUSIC 


1.  All    earthly  joys  may    pass   away,         All   earthly  hopes  de  -  part,    Rut  thoughts  of  thee  will  hold  their  sway,  And  cheer  my  lonely 

2  In   childhood    oft  I  climb'd  thy  knee.      To  take  the   prolfered   ki«s:        You'd   whisper  words  of    love    to    me,       And  fold  me  to  your 

3  My  mother  dear,  how  sweet  the  name!    Methiuks  I    hear  thy  Toice,  In     gen  -  tie  tones,  as    oft      a  ■  gain     It  made  my  heart  re- 


mmmmmmm^gmm^mm?.  -i 


->>— i — u-i v 

heart.     On    evVy  footprint  time  hath  made,   Since  first  my   life     be  -  gan.       Thy  love  hath  never  known  a  shade.  Nor  aught  hut  kindly  nn. 

breast.  You*d  gently  stroke  my  boyish  head,  While  tears  be  limm'd  thine  eye,    I  then  would  wonder  why  you  shed    Such  tears  when  I  was  uigb. 

joice.      A    mother's   love   is   heaven-born,  'Tis    fed     by    heavenly  showers,  'lis  bright  at  noon,  at  night,  at  morn,  And  sweetly  gilds  the  hours. 

Eieecisk  30.     ROUND. 

-Erf,^    |.     -A, .  -     n.    r.  ■*- 


—  I'  I  ~^~~l~~^^^      ~\  ~F~ — v~f~#~* ~f — f  — * — f  — #~~l~~*  — »* — '     -j~T — I 


gone, 


Night 


is        come,    When     the      day      of 


gone,  .......    lleav'u  be    our      borne. 


DIVISION   VII. 
SECOND  TRANSPOSITION  OF  THE  SCALE. 

Note.— The  sharps  and  flats  are  retained  in  the  Signature  as  they  are  used  in  transposing  from  one  key  to  another. 

§  73.  Transposition  of  the  scale  from  G  to  the  next  regular  key,  is  effected  by  counting   up  a  fifth   (D), 
and  sharping  the  seventh,  (C). 


Example. —  Stair  in  the  Key  of  D. 

k 


4    1    3 


BUDIMENTS     OF    MUSIC. 


Exehcisb  81. 


21 


ISCT- 


113: 


=H 


1.  Lord,         be    -     fore  thy 

2.  Wan  -  d'ring    thoughts    and 


rg-t-g- 


prea 
laa 


ence      come,      Bow 
guid    pow'rs,      Come 


we 

not 


down 

where 


with 
De 


r  r   r  t-j 

ho      -     ly  fear ; 

to    -    tion       kneels ; 


^_pzj 


Call         our 
Let  the 

Exercise  32. 


er    -    ring  foot    -    steps 

soul  ex    -    pand         her 


home, 
stores, 


r 

Let 
Glow 


f 

us 
ing 


1 


feel 
with 


that 
the 


thou 
joy 


art 
she 


near, 
feels. 


__a: — ^-J--^ — « — « #_j._#._« 1 » € — #-J—« — #—  « — ©— *-J— * — * — * *-c 


1.  A  hun  -  gry    fox      in        pass  -  ing      by, 

2.  The      fox        he    tried,  and      tried      in    vain, 


Fa     la    la 
Fa    la    la 


la    la      la 
la    la      la 


la    la      la      la,     Saw    some    ripe  grapes  that 
la    la      la      la,      The     tempt  -  ing  mouthful 


a^ 


ep 


-l-j 1 j — l-l 


hung 
to 


on      high ; 
ob  -  tain ; 


Fa 
Fa 


la      la 
la      la 


la, 
la, 


And, 
He 


as        they    hung    ap  -  peared 
licked    his      chaps    for        near 


to      say,        In 
an      hour,     But 


CW c* ' d-».-tt-s 3— *-"-*-$— * #-J— #  -* ■» * «— •lata,  JJ 


BALL 

their      in  -  vit  -  ing        qui     ■ 
fiua  -  ing    them    be  -  yond 
Exercise  83. 


et 
his 


way, 
power, 


If       you    can      eat         us,        sir,      you      may.      Fa    la    la     la      la    la    laT" 
lie      went    and  vowed      the      grapes   were    sour !      Fa    la    ia      la      la    la    la. 


-*-      •#-. 


ifcs= 


#=*- 


lS=£g^EEES 


0 0-m-  _p- 

t— :tb±: 


«-T-F 0- 


-'~£~~£fEJ-fV— »— 


22 


RUDIMENTS    OF    MUSIC 


DIVISION   VIII. 

THIRD  TRANSPOSITION  OF  THE  SCALE. 

§  74.  Transposition  of  the  scale  from  D  to  the  next  regular  key,  is  effected  by  counting  up  a  fifth  (A),  and 
sharping  the  seventh,  (G). 


Esatnplt. — Kty  of  A. 

v- 


9be 


-=cp?: 


-fc-g-fe- 


if 


Exkrcise  34. 


3     £  4 
OS  |  D 

a 


6 


7   S  8  s  < 

GllASOl 

z    z 


fi 


4   t  8 

7. 


dE3E 


Exercise  35. 

^ft~'  C'lr  fir  fW  ^lr  r|T_r^£^£ 


§  75.   ZVi  Ca^o,  abbreviated  D.  C,  indicates  a  repeat  from  the  beginning  of  a  melody,  and  ending  at  the  word 
Fine,  (end). 


Exkrcise  36. 


HJk 


.r 


££^mm^^^^^E^£  ■  ■ 


1  Woa  -  ry  winds  are  hu-ti  1  to  sleep,  Up  -  on  the  deep: 
2.  Rright  -  ly  shine  the  stars  a  -  bovr,  lint  those  we  love, 
8.  Lull t    the    Fish  -  er     Boy    will    sleep.  Up  -  on     the  deep ; 


O'er    the  smooth  and    glass  -  y     tide,     We  slow  •  ly    glide. 

Watch  us        OB      our  homeward  way,    With  brighter     my, — 

Tempest,     wind,  and     dashing     wave,     lie      til  doth  br»T». 


RUDIMENTS    OF    HTTSTO 


■> 


r^TZI 1—4- \  ^ H 1^- — 

:V_±_5_  _jb ±_ * — =£ * — zzpzi 


bend  lng 
bend  -  ing 
bend  -  ing 


oar, 
oar, 
Oar, 


Soon 
Soon 
Now 


we 
we 
we 


touch 
touch 
touch 


=w 


-*- 


m^m 


the 
the 
the 


wel  -  come  shore, 
wel  -  come  shore, 
wel  •  come    shore. 


the 
the 
the 


S- 

wel  -  come  shore, 
wel  -  come  shore, 
wel    -    come       shore. 


DIVISION  IX. 

FOURTH  TRANSPOSITION  OF  THE  SCALE. 

§  76.  Transposition  of  the  scale  from  A  to  the  next  regular  key,  is  effected  by  counting  up  a  fifth  (E),  and 
sharping  the  seventh,  (D). 

Example. — Key  of  E. 

F/fcfft-ff 


-gzz&zzzzu?.: 


iE=*S5 


-CC-s?—    —er~ 


1 
B 

Exercise  37. 


2 
J* 


3    S   4 


c? 


7    §    8    S    7 
BJfa    E   2    Djf 


6 


4    §  3 

a  a  «? 


2 

FS 


iff^—- 4— •-•t-*— ^— •-T-€i-«-o-^i-^-^— *-FV-| — 3+-*-*^-*— »  f^-»  -  s>4  ^-^—»,-# — =p- 


Peace  to  the  dead,  the  Patriot  brave,  Tranquil  may  thy  slumbers  be;  Calm  sleeping  in  thy  hillside  grave,  Brother,  peace  to  thee. 

§  77.  A  hold  (/t*)  placed  over  or  under  a  note,  indicates  that  the  tone  is  to  be  prolonged  at  the  discretion  of 
the  performer. 

Exekcibe  38. 


9m^^^tEX=titi-ffS 


eeSee^S 


24 


RUDIMENTS    OF    Mt'?IC. 


9-fe^ 


; 


P=: 


y—t= 


feUtf=E 


F.XERC1BE  39. 


— s_# — * — 0 — j— J— j — # — f — i — = — * — * — *— ' — # — , — j— J *-*— •— <s — ; — L 

I      i 

1.  To    the    earth     the      seed    I      gave —        Laid    it       in      the        pi  -  lent      grave,      In       the       old      earth's      bo  •  som ; 

2.  Knowest    thou      the    thing    I      do?  Were    a      Ian  -  guage    giv   -  en      you,    Thou  wouldst  say,      with         sor  -  row, 

3.  Grieve  no    more,    my      lit  -  tie    seed,  For      of     rest      we        all     have    need ;      Soon    thou    Shalt     a    -    -    was.  -  en ; 


And    this      re    •  qui    -  em       I       said, 
I      shall     see      the     sun      no     more, 
goon    a   -  bove    the    grave  shall   rise, 


O'er     the    seed  -  ling    that    was    laid 

All     my    plea  -  saut    days    are      o'er, 

Blooming       as      the       suin-iner    skies. 


In      its 

mo 

ther's 

bo 

-  som 

There    is 

DO 

to   - 

mor 

-  row. 

Darkness 

all 

for  - 

sak 

-  en. 

DIVISION    X. 

FIRST  TRANSPOSITION  OF  THE  SCALE  BY  FLATS. 

§  78.  Transposition  of  the  scale  (by  flats),  is  effected  by  counting  up  from  the  first,  (C),  to  the  fourth,  (F), 
and  changing  it  to  the  first;  F  then  will  become  a  new  key.note. 

§  79.  To  preserve  the  original  order  of  tones,  (or  intervals,)  the  letter  to  which  the  numeral  4   correspond* 
(11)  must  be  flatted. 


RUDIMENTS    OF    MUSIC. 


25 


I 


A«y  ef  C. 


mA(3TKAM  ILLUSTRATING  THE  TRANSPOSITION  OF  THE  MAJOR  SCALE  FROM  C  TO  F. 


s 


:^S: 


o^=a- 


-C~© — I 


J. -3 

•Si  3 


■£>a 


as 


a  j 


s"3 

.2,3 

«?p 


.2.  s 
*  P 


.2  o 


•2,3 


S"cak  transposed  into  the  key  of  F. 


-fro—'e 


4 


12  345  678  87  6  5  4'        3  2  1 

•Note. — In  the  above  diagram,  we  flat  B  to  make  a  minor  second  between  A  and  B  flat,  and  a  major  second  between  B  flat  and  C. 


Exercise  40. 


33=  -e 


Se 


ElEECISE  41. 


— r»Tp~B- 


§  80.  A  column  of  dots  before  a  double  bar  t :41  indicates  a  repeat  of  the  previous  strain. 


Exercise  42. 


\=3=*=  ^=qqz=srr=2=  z^c^qp^g^    J>  f   U;^^.l_££ 


j    ( As  the  gold  -  en    stars  of 

'  \  As  the  ro    -    ey     light  of 

o    (  As  the  rain  -  bow  shinty  re    -    fleet 

'  I  As  the  moon  ■  light      is  de 


-a- 


a=s^a 


heav  -  en  Love    their    a  -  zure  home    a  -  bove,  | 

ev     -     ea  Greets     the     wea    -    ry  world     in      love,  J 

ed  In        the      glas  •   sy  lake      be  -  low,    j 

tect    -   ed,  Shi  -  ning      in      the  streamlet's  glow,  j 


As      the     (bun  - 
As     the     pur  • 


tains  bless    the 
pie  clouds    give 


RUDIMENTS    Otf    MUSI'J. 


flow  -  er.      As    the      son  -  light    loves    the    bow  -  er,      So    all    things  of    good    that    be  Look  in     pear*  and  loTe  on  Thee, 

warn  -  ing      Of   the      sua       be  •  fore     the     dawn  -  ing,     So    all     things  of    good    that    be  Are    re  •  licet  -  ed  back  in  Thee. 

DIVISION    XI. 
SECOND  TRANSPOSITION  OF  THE  SCALE. 

§81.   Transposition  of  the  Scale  from  F  to  the  next  regular  key,  is  effected  by  counting  up  a  fourth  (B  flat,) 
and  flatting  the  fourth,  (E.) 


Example. — Key  of  B  flat 


Exercise  43. 


lleav'nly  Father,  Sovereign  Lord,  lie  thy  glorious  name  adored !        Lord,  thy  mercies  nev  -  er  fail —    Hail,  ce  -  les  -  tial  goodness,  hail ! 
Exehuise  44. 


0.-0—0—0  IT     /     <>     7T-*-. A-* 


-X^Z 


BUDIMENTS    OF    MUSIC. 


27 


fcz: 


£ 


-Jt 9 f— 


fend,      Of 


all 


-*  — 
had, 


0 
-#■ 

the 


iru 


chief. 


-p *-. — e 0— 


Exercise  46. 


§Hgi 


2  A  Friend  who,  watching  from  abov» 

Whene'er  in  error's  path  we  roam, 
Still  seeks  us  with  his  tender  love, 
And  points  us  to  our  heavenly  home. 

3  A  parent's  care  may  guard  our  way, 
A  faithful  teacher  o'er  us  bend, 

But  none  can  guard  and  none  can  save 
Like  Christ,  our  best,  our  truest  Friend. 


1.  Sweet  summer  crowns  the  smiling  earth  With   beauty,    light, 

2.  How    gen  -  tie     is     her     queenly  step,  liow     peaceful     is 


and 
her 


love  ; 
brow! 


joy    like 
bright  lip 


that      s^  -    bove,  Of    joy    like    that         a    -    bove. 

wear  -  eth         now,        Her    bright  lip  wear  -  eth       now. 


rtwv    I   y    itr 

O'er        all     our  hearts     she  breathes  her  breath  Of 
And      beau  -  ti  -  ful        the        liv  -  ing  smile    Her 

3'/  verse. 
The  music  of  all  happy  hearts 

Attends  her  every  where  ; 
And  beautiful  the  lilies  hend, 

Meet  homage  to  prepare, 

Meet  homage  to  prepare. 


flat) 


DIVISION  XII. 

THIRD  TRANSPOSITION  OF  THE  SCALE. 

82.  Transposition  of  the  Scale  from  B  flat  to  the  nest  regular  key,  is  effected  by  counting  up  a  fourth  (E 
,  and  flatting  the  fourth,  (A). 

Example. — Key  of  E  flat. 


RUDIMENTS    OF    MUSIC. 


Exercise  4«. 


MfM^m^m^m^^ 


mmm 


Exercise  47 


1.  Gai-ly  our  boat  glides  o'er  the  sea,  And  light  the  oar  we  ply  ;        Mer-ri-ly   ring  our  songs  so  gay,     As   sea -birds  round  us  fly. 

2.  Here  on  the  billows,  as   we  go,     A  -  way  from  care  and  strife     Health  is  in  store  for  us,  we  know,      0,    who  would  flee  this  life. 

3.  Bend  to  the  oar,  nor  fear  the  storm,  Away,  a  -  way  we  glide  ;        Mer  -  ri  -  ly   sing,  nor  sit  forlorn,      As  glides  the  homeward  train. 


-    -#T 


«. 


Tra      la 

Exercise  48. 


la      la, 


Mer  -  ri  -  ly     row      a  -  long,  a  -  long,    Tra    la 


111111111111 


la       la,     Mer  -  ri  -  ly      row 


long. 


1.  How    I      love 
2    Sweetly     thou 


see 

call 


thee,     Gold -en    eve-ning    gun!        How    I      love 
est      Childhood's  joy  -  ous    days  ;     Hours  when     I 


see    thee,     When  the     day      Is    done, 
fond  -  ly     Watch'd  thy  evening   blaze. 


DIVISION  XIII. 

FOURTH  TRANSPOSITION  OF  THE  SCALE. 

83.  Transposition  of  the  scale  from  E  flat  to  the  next  regular  key,  is  effected  by  counting  up  a  fourth, 
flat),  and  flatting  the  fourth,  (D). 

Example. — Key  of  A  flatx 

sV  p — g Q 


fe 


m 


2 
Ba 


8    S4 

3 


6 
E9 


O    SA;5  Q 

s    i 


6 


4^3 


2 


1 
All 


. 


RUDIMENTS    OP    MTJ8IO 


Bracisi  «v. 


29 


S 


I    f  Lord,      we       come      to        bless    thy      good  -  ness,  "  Thoa      to    whom    all 
'  |  Thou    hast       fa    •    vored     us      in        kind  -  ness,      With    this     pleasant 


£&££=* 


i^i? 


w 


Still        to      praise  thee,    May     we       er  •  er 

* »— *-!— fr  h_  J 1 


wish 


to        come. 


xr=t 


flesh    must  come;") 
Sab  -  bath    home.    J  Still 


2. 


♦ * *— 

to      praise    thee, 


blessed  is  the  man  thou  choosest 
To  approach  thy  mercy  seat ; 

In  thy  courts  his  dwelling  keepest, 
"Tis  a  safe  and  sure  retreat. 

Blessed  covert,  blessed  covert, 
Is  thy  holy  mercy  seat. 


DIVISION  XIV. 
THE  MINOR  SCALE. 

Note. — In  addition  to  the  Major  and  Chromatic  Scales  (already  explained)  there  is  still  another,  called  the  Minor  Scale ;  differing  from  the  Major* 
not  in  respect  to  the  number  of  tones,  but  to  the  order  as  well  as  to  the  kind  of  seconds. 

§  84.  The  minor  scale  consists  of  eight  tones,  and  seven  seconds,  three  of  which  are  major,  three  minor,  and 
one  augmented,  (or  extended.) 

§  85.  The  minor  seconds  occur  between  the  second  and  third,  fifth  and  sixth,  seventh  and  eighth  tones. 

§  86.  The  augmented  second  occurs  between  the  sixth  and  seventh  tones.  — * 

§  87.  The  letter  A  is  taken  as  the  first  tone  of  the  minor  scale,  and  is  said  to  be  relative  to  C  major,  as  they 
bear  the  game  signature,  and  the  syllables  are  applied  the  same  to  corresponding  letters  With  both  scales. 


KCDIMENTS    OF    HCflC 


ExampU. — Key  of  A  minor 


tz=z$  *==EE±=ii=& 


i^—^, 


m 


A       u 

"    s 

o    * 

i) 

h 

1      3 

2      S 

3     "I? 

4 

■3 

i*  a 

si  a 

do  a 

lie 

a 

D       fe         C       fe       B 

4    -|      3     §     2 
He     a     Do    s    Si 


6     §       6  il    7      i      8  8     §    7    4»1     6     §     6    £ 

Mi  a     *'»  <  S   Si     S     La  La    a   Si    \  f     Fa  a     Mi  a 

a  a 

Note.— !□  the  abort  diagram,  0  Is  sharped,  to  form  an  augmented  second  between  the  sixth  and  serenth  tones,  (F  and  G^i.) 

§  88.  The  major  and  minor  scales  are  transposed  in  the  same  manner. 

Kxibusi  60. 

3-T=3=j=I—  #-t._J_L_ 


S      A 
a     La 


EilHii^ 


^^N^t=EE=-||-#      J-fe^ 


I 


Kibecisk  M. 


HERMAN.    7s. 


E|il£iiSiiigllsi:^Iiilliilflilil&1i 


v  -      -r-     -r-      -v-    -*• 

-" ** 

High  In    jon-der  realms  of  light  Dwell  the  raptur  J  saints    a  •  bore,  Far  be  -  yond  our    be  •  ble  sight,  liap  -  pj  in    Immanuel's  lure. 

DIVISION  XV. 

TERMS  AND  SIGNS  OF  EXPRESSION. 

§  89.  There  are  five  principal  dynamic  degrees,  technically  termed  piano,  pianissimo,  mezzo,  forte  and  for 
tissimo. 

§  00.  Piano,  or  its  abbreviation,  p,  signifies  a  soft  tone. 

§  Ml.  Pianiuimo,  or  jrp.  signifies  a  very  soft,  yet  audible  tone. 

§  92.  Mezzo,  (pronounced  metzo)  or  m,  signifies  a  medium  force  of  tone. 

§  !)5J.  Forte,  or  f,  signifies  a  louil  tone. 

S  1)4.  FortUsiiho,  orjf,  signifies  a  very  loud  tone. 


RUDIMENTS    OP    MUSIC. 


EXAMPLE. 

VP~=zP- 


mfz 


31 


Von. — Other  terms  are  used,  u : — 

§  95.   Mezzo  piano,  or  rnp,  a  degree  of  force  between  piano  and  mezzo. 
§  06.   Mezzo  forte,  or  mf,  a  degree  of  force  between  mezzo  and  forte. 

§  97.   A  gradual   increase  in   the  force  of  tone   is   indicated  l»y  the  word  crescendo,  abbreviated  cre$.,  or  the 
sign,  — =C! ;  and  a  diminution  of  tone,  hy  the  word  diminuendo.,  abbreviated  dim.,  or  the  si<£ii.  Z^=— 
§  98.   A  swell  is  the  union  of  crescendo  and  diminuendo,  the  sign  of  which  is  thus:  — =C^=— 
§  99.   Sforzando,  abbreviated  s/z,  or  the  signs,  >,  V,  A,  signifies  a  sudden  increase  or  force  of  tone. 


mp- 


'mwmtmmmmimmmmmwm 


A  SWELL. 


S  100.  The  word  staccato,  or  sign,  thus,  ( t )  over  or  under  notes,  indicates  a  short,  detached  performance. 


(W) 


Sa¥ 


Abaoio 


CALM  ON  THE  LISTENING  EAR. 


1.  Calm  on 

2.  Ce    -  Ie8 

3.  The  joy 

4.  O'er  the 


Si8il3 


the       list  -  'ning  ear  of      night, 

tial  choirs,  from  courts  a    -    bove, 

■    ous  hills       of  Pal    -  es    -    tine 

blue  depths    of  Gal    -  i  lee, 


w— -r 

Come  heav'n's  me  -  lo  -  dious  strains ; 

Shed      sa  -  cred     glo  -  ries  there ; 

Send     back,    the     glad    re     -  ply ; 

There    comes     a       ho    -    lier  caim, 


:}=3^^ES 


m 


a 


=t 


pv-l 


d^:=i=±=S 


n    U       BOLO. 


m 


Where  wild  Ju 
And  an  -  gels, 
And  jr*«f>t.  fnm 
And       Sim  -  run 


-i  ■ 


-    de    -    a 

with     their 
all       the 
waves,    in 


stretch    -    es        far 
spark  -  ling       lyres 
ho    -    -    ly     heights, 
sol      -      emn  praise. 


■K 1 1 


Her  sil     - 

Make  mu    - 

The  day  - 

Her  si     - 


mmm 


ver       man  • 
sic        on 
spring    from 
lent       sroves 


.£    ~ 


ANNIE  LAWRIE. 


33 


1.  Max  -  wel  -  ton's  banks  are  bon  -  nie,     Where  ear  -  ly     falls    the     dew.     And  'twas  there    that    An  -  nie 

2.  Her    brow    is    like      the    snow-drift,  Her   throat    is    like     the    swan,     Her  face        is        as        the 

3.  Like    dew  on  the    gow  -  an     ly  -  ing    Is  the  fa'     o'her    fai  -  ry    feet,     And    like   winds    in    sum  -  mer 


ne'er    for  -  get    will     I, 

dark    blue     is     her     e'e, 

a'      the  world    to     me, 

1.-J 


But  for  bon  -  nie  An  -  nie  Law  -  rie,  fd 
And  for  bon  -  nie  An  -  nie  Law  -  rie,  I'd 
And    for     bon  -  nie     An  -  nie      Law  -  rie,       I'd 


lay  me  down  and  die. 
lay  me  down  and  die. 
lay      me     down    and    die. 


34 


1st  r M>«. 


TELL  ME,  WHERE  DO  FAIRIES  DWELL? 


—  4~* — *.*— — 


11  ?   Where  they  work  each  mystic  spell  ?  Till  me 
sifi-fcxr!  -2  S-r* — » — » — * — r* — fi — tJ   i  i — $- 


Tell  me,  where  do  fai  -  ries  dwell  ?   Where  they  work  each  mystic  spell  ?  Till  me  where  their  home  can  be. 


*_ 


ittfc= 


2d  roic«. 


Sgj^E^^^r^^S^y^^^^L^JJ.^  J  I 


Where  they  sport  in      fan  -  ta  -  sie  ?   Where  they  sport  in      fan    -    ta  -  sie  ?  Far  removed  from   human  eyes, 


=U 


: 


3^E 


S3: 


Yet  their  home  is  'neath  the  skies. 


On  the  greenwood,  in   the  dell,.. 

8»» 


. .  There  the  fai-ry   creatures  dwell  ! 
8»» 


ag^ 


«ir      fr      f"    T    *    T      \  T    T    t      \      T 


Tell  me,  Where  do  Fairies  dwell? 


3d 


Both. 


On  the  greenwood,  in   the  dell. .         There  the  fai  -  ry  creatures  dwell !  There  the  fai  -  ry  creatures  dwell ! 

f-zr-*-±^E-=-tr--,   7— -£— — ±f=zr-ir^1 — ' — -^ — -J- — *-*&'—*■ 
I    ti    t   r    t   1     r    I    t   1     7"    !     ti 


-8a— " 


Sing  -  ing  so    cheer  -  i  -  ly,     Fai  -  ry  -  like    song,     Dan  -  cing    so     mer  -  ri  -  ly,       all      the   night     long  ; 


=E3a£33=aB 


j>—f>->-^H=A=J;=a 


3==S== 


-#;- 


fcijfes    i  =fi~t~ F=T- 

— N K- ^ 1 — »!  * 

— ^ — \ — ±- 

m           —            to 

1-+ 

Sing  -  ing      so        cheer  -  i    -    ly, 

*):|&-f* 1 1" * * — F- 

— #: — s — &«  2  — *.-7h-i-* — - — 

m- —  S* — 3 •  —   *• — * — 

fai    -    ry   -    like     song,         Dan  -  cing 

— =f* k — 1 i— *=! — =] 4t- 

— j— ••- #s— 

— « ^^ 0  — 

so        mer    -    ri    - 

— ff V h- 

— f. 

1     f  •*■  y * 1 jn ; — _. 

-0. *' # rf.-H--* 0 — 

0          0.         /   - 

—1- 

36 


Tell  me,  Where  do  Fairies  dwell? 


%i  voice. 


1  s:  newt 


V  «"»'« 


•y      \  "      -      '     «y 

all   the   night   long  ;     Dancing   so   mer  -  ri  -  ly,      Singing     so     cheer  -  i  -  ly,     Dancing     so     mer  -  ri  -  ly, 


#»#•#•— 0*—0* 


TO 


0 — 0 — # — tP^A-T-^--' — z  — m — m — «^q_  0  -, 


0*0*0*-0*—0*-0*-0*0*^ 

0    0 0 0—0 fc? 


l.if  voice 


y 


*=j 


n^rt 


!W. 


lit. 


2J. 


1st. 


2d. 


*•>: 


Sing-ing     so      cheer  -  i  -  ly,         Sing  -  ing,     Dancing,        Singing,        Dancing,       Singing,        Dancing, 

—  }F#— 0  0-0 — -0         ;  1 ^-r— 


■0—0 0    0-0-0 0-0 

-0 0 0-0-0-0 0-0 


-0    0-0-0 0    0 


—TJl-0-0.0 0    0  T*-# 

#      0      0-0-0.M M.M 


w-w w—w—w—w w— *-i- 

0-0 0-0-0-0 0-0-Y- 

•   0  —  0-0    0-0 0-0\- 


Motk. 


ie      night     long. 

f °-t-°- — n 


Sing  -  ing,         Dancing,    Singing,     Dan  -  ring,      Sing  -  ing,       Dan  -  cing,       all       the      night    long. 


m 


??=-=■- 


eee: 


ODE  TO  FREEDOM. 


With  Spibit 


3? 


rzjv — -p — d^ad— #v — a        i     3~  —  tij. — jtzESzzqir 
— « 5 0 #— ' — #J — 0 »- ^ — -1- — *i — = *^i 


-H -r 


3 


fefe; 


1.  Freedom  calls  you;    quick,  be     rea  •  dy,     Rouse    ye       in       the    name     of    God;     On  -  ward,    on  -  ward, 

2.  Grasp  the  sword,  the    edge      is      keen,  Seize     the     gun,     its      ball      is      true ;     Sweep  your  land  from 

3.  Freedom  calls  you  ;    quick,  be    rea  -  dy,     Think   of    what  your    sires  have  been  ;     On  -  ward,    on  -  ward, 


ii* 


£= 


m 


T--£ 


:*: 


m 


I — \-J~v- 

strong  and  stea  -  dy,     Dash  to    earth  th'op- pres  -  sor's  rod.    Onward,  On,  ye  brave,  onward,     On, 
trai  -  tors    clean,         Haste  and  sweep  it  through  and  through.  Onward,  On,  ye  brave,  &c. 
strong  and  stea  -  dy,     Drive  the  trai  -  tor      to      his      den.      Onward,  On,  ye  brave,  &c. 


ye    brave, 


§h 


--,—*- 


3E3E 


mm 


m 


ii 


On,  and  let  your  watchword  be,  Country,     home    and    lib  -  er  -  ty, 

I  I    J5     i      JS     I 

&—T-0- ff-T-l S-T 


Country,     home  and    lib  -  er  •  ty. 


=* 


■E: 


^- *W-  V  '■      ■»■  T—  1—  T^  ^"  "W  ^~  "^"  A* 


58 


MODEIATO. 


THE  LAND  BEYOND  THE  RIVER. 


Wordj  u.d  Music  t>»  H    L.  FtJ8»i» 


^-rS-  »»-s — *~L  * — # — * — »  ^  -».—»—» — »~    ^~"»    £   *•  -••-  * — » 

1.  Xo  mor  -  tal     eye  that     land  hath  seen,     Be  -  yond,  be  -  yond  the  Riv  -  er.       Its  snii  -ling  val  -  leys, 

2.  No  cankering  care  nor    mor  -  tal     strife,     Be  -  yond,  be  -  yond  the  Riv  -  er,      But  hap  -  py,     nev  -  er 

3.  That  glorious  day  will    ne'er    be     done,    Be  -  yond,  be  -  yond  the  Riv-er,  'When  we've  the  crown  and 


-0 £ «_J_#! * 0 


'— i — 0\ — d* — 0 0— r—+ — 9— i—  J-r— : — m » = — r 


-v- 


— » — 0- 

green,     Be  -  yond,  be  -  yond 

life,        Be  -  yond,  be  -  yond 

king  -  dom     won,      Be  -  yond,  be  -  yond 


ppPPililill; 


the  Riv  -  er.  Its  shores  are  com  -  ing  near  -  w,  The 
the  Riv  -  er.  Through  the  e  -  ter  -  nal  hours,  God's 
the    Riv  -  er.     There     an  -  gels  bright  are     sing  -  ing,    Where 


SifiE* 


3^E 


sg~ — i — ^=^^-=3=72=r^i=l===^=0=z^--^-0'—: — i-i  j=*=±=i=f=i 


skies  are  gTow  -  ing  clear  -  er, 
love^  in  heaven  -  ly  show-ers, 
joys  that  none  can     mea  -  sure, 


Each  day  it  seem  -  eth  dear  -  er,  That  land 
Shall  wa  -  ter  Faith's  fair  flowers,  In  the  land 
For  those  who   have   their  treasure    In  the    land 


be  -  yond  the  Riv  -  er. 
be  -  yond  the  Kiv  -  er. 
be  -  vond  the  Riv  •  er 


XSFRATX 


The  Land  beyond  the  Kiver. 


39 


4=R-i-- -*- 


We'll  stand  the  storm,  we'll  stand  the  storm,     Its 

*-'       ■*•         -*-         M-         *>      *-         M.         4L 

J 1 — J , 1 1 1 — 


q=t 


J^rt- 


is     al 

*■       4 


mm 


_„ a^t 


We'll  an  -  chor    in    the 

0-   I — • Si— i — «7T T— 4 » T 


— 0 
most 


o  -  ver,    We'll  an  -  chor    in    the 


=1= 

—* — y^^*- 

har  -  bor    soon, 


a=-j;— -fcq— i — h>— J 


In     the 


^^ is 1 ;q===:n 


land 

■*■' 


be  -  yond 


the    Riv  -  er. 


=ftq~p 


^r: 


s>  — 

-t — p- 


.When  shall  we  look  from  Zion's  hill. 

Beyond,  beyond  the  River, 
With  endless  bliss  our  hearts  shall  thrill, 

Beyond,  beyond  the  River. 
There  angels  bright  are  singing, 
Where  golden  harps  are  ringing, 
We  ne'er  shall  cease  our  singing, 

In  the  land  beyond  the  river. 


HEARTS  AND  HOMES. 

-=h — 


IlEI 


1.  Hearts  and  home*!  sweet  words  of  pleasure,    Music  brtath  -  ing  'as     j'e 

2.  Hearts  and  homes !  sweet  words  revealing,      All  most  good  and  fair    to 


p±m=£gm. 


=3— 


*~±: 


id— it 


"#T 


fall, 
see, 


Making 
Fit  -  tine 


each  the     oth  -  er's 
shrines  for  pur  -  est 


Hearts  and  Homes, 


*  T?  °        j0-        •*• 


treasure,  Once  di  -  vid  -  ed,  I09  -  ing  all.    Homes  !  ye  may  be   high   or   low  -  ly,  Hearts  a  -  lone  ca.     iake  you 
feeling,  Tern  -  pies  meet  to  bend  the  knee  ;  In  -  fant  hands  bright  garlands  wreathing,  Happy    voices  iu  -  cense 


1B^? 


-#_q — #-- — # — 0 — #J_  # 


-t*>       V 


holy ;  Be  the  dwelling  e'er  so  small,  Having  love,  it  boasteth  aH.  Hearts  and  homes  !  sweet  words  of  pleasure,  Music 
breathing,  Emblems  fair  of  realms  above,  Love  is  heav'n,  and  heav'n  is  love.  Hearts  and  homes,  &c. 

>-— 0 0— 0— i— rs\ 


^f—f—r-fAif—f—r-t 


-+-+ 


+-+- 


-*—•*- 


&E& 


^=^=v-^4=j?' 


+  — ** * *— 5- 


1 3 


^^=^T=^— = 


pppppp 


-»'- 


— * 0'- h 


*^i 


effi 


-i-^~ 


^u 


breathing  as  ye  fall,  Making  each  the  other's  treasure,  Once  di  -vid-ed,  losing  all !  Hearts  an  J  homes,  hearts  and  homes! 


V-V- 


-N— *+ 


iZZ2±=t 


£^= 


^dtiti 


-—0—0—0 


■Tt—t-f. 


.a — c. 


^      _, 


£=* 


3:1 


WHEN  THE  SWALLOWS  HOMEWARD  FLY. 


41 


i^iii^il^i 


3333] 


SWfc 


~*"V 


1.  When  the  swallows  homeward  fly,  When  the  ro  -  ses  scattered  lie,  When  from  neither  hill  nor  dale,  Chants  the 
1.  When  the  white  swan  southward  roves,  To  seek  at  noon  the  orange  groves,  When  the  red  tints  of  the  West  Prove  the 
3.  Hush,  my  heart !  why  thus  complain,  Thou  must  too  thy  woes  contain,  Tho'  on  earth  no  more  we  rove,  Loud  -  ly 


m 


Ej— ?f iji— — 


silvery  night  -  in  -  gale,  Li  these  words  my  bleeding  heart  Would  to  thee  its  grief  impart,  When  I. . . .   thus 


sun  has  gone  to  rest,      In  these  words,  &c. 
breathing  vows  of  love,  Thou,  my  heart,  must  find  relief,  Yielding  to  these  words  belief; 


^i:— t?-  'S   ^ — I — fcf~»-g-»-— 0-1-0'—  » — 0 — 0-\-g — #i— 0- 


us  thy 
I      shall      see    thy 

3=S 


J^N 


::*-*- 


3=£=* 


t=3fe 


— #- 


I  5-  > 

im     -     age      lose,    Can  I,     ah,  can    I    e'er    know  re  -  pose,     Can    I,    ah,    can    I     e'er    know  re  -  pose, 
form        a  -  gain,     Though  to     day        we      part    a  -  gain,    Though    to      day  we     part      a  -  gain. 


1 


QfVs 0- 


m 


42 


MARSEILLES  HYMN. 


p^g^i^sp^e^ir^^e^^^ 


1.  Ye    sons    of     Freedom,  wake    to  glo  -   -  ry  !    Hark!   hark!  what  myriads  bid  you  ri<e  ; 

2.  O     Lib  -  er  -  ty  !     can  man   re  -  sign    thee  ?     Once  hav  -  ing     felt     thy  gen'-rous  flame, 


:) 


*= 


Your  children, 
Can  dungeons, 


& 


-i 1_> — i    r  . — -j — 


— n£3=3 


wives  and     grand 
bolts    and     bars 


sires    hoa  -  ry,       Behold   their     tears,     and       hear    their 
con  -  fine     thee,       Or  whips  thy    no    -    ble        spi    -    rit 


Behold   their 
Or  whips  thy 


JLjij^JLJ 


h F f 


tears,  and  hear   their     cries  !     Shall  hate  -  ful     tyrants  mis  -  chief    breeding,  With  hireling     host,  a    ruf  -  fian 
no  -  ble     spi  -  rit       tame?     Too    long  our     country  wept,  be  -  wail -ing,  The  blood-stain'd  sword  our  conq'rori 


$£=* 


m. 


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— -1-.-J  >_ 


mmm 


Marseilles  Hymn. 


43 


£^===^3==*=* 


-«j — >—\-br |J 


to 


=d=*! 


g^^ 


band,.  Af  -  fright  and     de  -   so  -  late     the    land,         While   peace  and     lib  -  er    -    ty       lie    bleed  -  ing ; 

wield ;  But  free  -  dom     is      our    sword  and  shield,        And     all     their     arts     are      un    -    a  -  vail  -  ing  ; 


— ©  — 


-=-•—#- 
-?--#—#- 


=d=^5^~t 


To       arms,         to 

VOIOE.         ^  &.—-£. 


arms,       ye        brave, 


— — — ©—».•-»-—#-  r1 — 


Th'  a  -  veug   -    ing       swo*  J      un  -  sheath  ; 


t—T- 


■V-  -v- 


— »-■* — i 

-©—»-*»- — i 


^~ 


CHORUS. 


March  on,  march     on, 


4^= 


?=3e 


emir 


all    hearts        re  -  solved.     On    vie 


-     -     to  -  ry       or       death. 


?=^Ff 


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3£=?i->=5= 


mm 


\snvw-Ui-rf 


at 


death. 


44 


SAY,  WHAT  SHALL  MY  SONG  BE  TO-NIGHT? 


mM^^m^mmmmm^^im^i 


1.  Say,     what  shall  my  song    be     to-night  ?    And  the   strain,  at  your  bid  -  ding     shall  flow  ;     Shall  the 

2.  There  are  times  when  the  heart  will    re  -  fuse     On   the    past    and     its     plea  -  sures     to     dwell;  There  are 


1l—*  —  5 — - — y-:l--«£=gr=gdE 


iiii^liglp^PPii^ii^l^ 


measure    be  sportive    and  light.  Or   its   murmurs  be  mournful  and  low  ?  Shall  the  days  that  are  gone  flit  be- 
moments  which  niem'ry  imbues  With  a  gloom  which  it  can  -  not  dis  -  pel ;  But  the  charm  that  enthrals  them  is 


y*= 


^S 


*^ 


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mfrr++*-* 


^=$ 


i — »-i — *-A  -h* -J  -         — *■- — g*'  k 


fore  thee  ?  The         fresh  -  ness  of    child  -  hood  come  o'er  thee  ?  Shall  tne    past   yield     its    smiles  and     its 
hro  -  ken,  With  the  first  word  of    song     that      is      spo  -  ken ;     For  there    is      not       a      feel  -  ing,       or 


Say,  What  shall  my  Song  be  to-night? 


tears  ?     Or  the    fu  -  ture,     its    hopes  and    its    fears  ?  Say,  what  shall  my    song      be      to-night  ?  And  the 
tone,      In    the  heart,    but    to      mu  -  sic    is  known.    Say,  what  shall  my    song      be,  &c. 


n£i 


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tf F- #-- '—  hi- 

strain    at    your    bid  -  ding    shall    flow ;     Shall  the    mea  -  sure       be     sport  -  ive     and     light  ?      Or    its 


§& 


fcfcz" 


^/_z^c 


£ee£eeEEE$! 


3E 


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FTT7  j  J;  t\  i*¥*t*&$£&^&& 


mur  -  murs  be     mournful     and    low  ?         Say,     say, 


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say,     what  shall  my    song      be    to-night  i 

— h 


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46 


FAREWELL  TO  AMERICA. 


Words  by  C.  P.  Ceahch. 


Sung  by  Mme.  Goldschhidt,  Late  Jrirn  Lm>. 


^mmm^^^m^m^ 


1.  Young  land  of  hope,  fair  Western  star !     Whose  light  I  hailed  from  climes  a  -  far,  ) 

I    leave  thee  now,  but  twine  for  thee     One  part  -  ing  wreath  of    mcl  -  o  -  dy.  )      O 


take     this      offering 


lis 


-0. - 


SZ^i 


p 


*pfe 


m^m 


3$ 


^—-^r 


3S=J: 


3^3 


of    the    heart,  From  one  who  feels  'tis     sad     to 


§i 


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part,       O     take     this    offer -ing 


of      the    heart  From 


-*- 


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=£=£ 


one  who  feels  'tis     sad    to    part. 


3,T 


-*— *- 


2. 
And  if  it  be  that  strains  of  mine 
Have  glided  from  my  heart  to  thine, 
My  Toice  was  but  the  breeze  that  swept 
The  spirit  chords  that  in  thee  slept, 
o :  The  music  was  not  all  my  own, 
Thou  gavest  back  ths  answering  tone.  :  0 


S. 

Farewell,  when  parted  from  thy  shore, 
Long  absent  scenes  return  once  more  ; 
Wnere'er  the  wanderer's  home  may  be, 
Still,  still  will  memory  turn  to  thee  ! 
|| :  Bright  Freedom's  clime,  I  feel  thy  spell, 
But  X  nun  say,  fan  w«U— tan  wail ! :  I 


REJOICE  EVERMORE. 


4/ 


9igjfa^ — j_    i — r 


^ 


1.    When  the  glo  -  rious  mom  -  ing  break  -  eth     O'er  the  hills  with  cheer  -  ing  glow,  ) 

And    on      eve  -  ry    spray    a  -  wale  -  e.h    All    the  songs    of    earth    be  -  low ;  J  Catch  the    notes    of 


gg^lS 


FI-++-* 


J J ±z  -* — « — * — »;-  -_E?r«=2EM=*- 


■n  i  —         —         —         --  -^-w-    3         -- 

dawn  -  ing    beau  -  ty,     As    like    in  -  cense    they    a  -  rise,     And    on    wings    of    love     and      du  -  ty, 


m 


te 


-^33= : 


2. 

While  the  glorious  daylight  burneth, 

From  the  tides  of  lofty  noon, 
Till  earth's  golden  axle  turneth 

Toward  the  chambers  of  the  moon  ; 
When  the  quiet,  velvet  even 

Noiseless  trips  along  the  lee, 
Let  thy  soul,  to  musing  given, 

Of  a  joyous  tenor  be. 


8. 

If  in  gratitude  abounding, 

Shall  thy  heart  find  sweet  employ ; 
Every  tuneful  chord  resounding, 

With  the  notes  of  constant  joy. 
E'en  the  tear  of  human  sorrow 

Still  through  skies  of  mercy  fail; 
And  fresh  tints  of  glory  borrow, 

And  to  fresh  rejoicing  call. 


48 


Allzomtto. 


OUR   COUNTRY. 


nv- U  dj  STrt.  E.  A.  Ctihw* 


1.  From  the  Pir.e  of  the     North     to      the     South -em  Sa  -  vanna,  From  these  dark  sounding  shores    to     the 

2.  It      is      not    thy  mountains     in     gran  -  deur     up  -  rear  -  ing       Their     cloud  -  eov  -  ered     sum  -  mits  un- 

3.  'Tis  the     spi  -  rit  that  breathes  from  each  ver  -  dure-cloth'd  valley,    And       Lib  -  er  -  ty     shouts    on    the 

m * 


ii^ii^gi^i 


bright    West  -  era     tide,         How       glo  -  rious     the  sweep  of      the     Star  -  Spangled     Ban  -  ner,      How 
shat  -  tered      by      time ;  It  is      not      thy      riv  -  ers       and    broad  lakes  ap  -  pear  -  ing,        Like 

cold    win  -  ter's     blast,     'Tis   the   hearts   that   a  -  round   thee     that  watchword  will    ral    -    ly,     And  for 


vast  thy  do  -  min  -  ion,  O  land  of  our  pride, 
in  -  land  At  -  Ian  -  tics,  that  make  thee  sublime. 
freedom  will  stand,  or    will    per  -  ish    at    last. 


That  Freedom  the  fathers  from  heaven  receiving, 

Preserved  unpolluted  by  Tyranny's  breath, 
And  bequeathed  to  their  children  the  birthright,  believing 

It  hallowed  the  mora  bv  their  lives  and  their  death. 
5. 
While  the  sun  pours  his  bright  beams  on  flower  and  fountain, 

While  the  breeze  sweeps  in  gladness  o'er  land  and  o'er  sea. 
While  the  dew  tails  in  silence  en  valley  and  mountain, 

M»y  happiness  dwell  in  the  homos  of  the  free  ! 


ALL  TOGETHER  AGAIN. 


Mosziato. 


Gecnas  F.  Boot. 


49 


--         j # 1—1 — Si — # - 5IJ— a #-s L — : — ' — i m — *-#-*^P-£t — 0 — * — SIC 


1.  All"    to  -  geth  -  er, "    all  to  -  geth  -  er,  Once,  once  a  -  gain  ;  Hearts  and  voi  -  ces  light  as    ev  -  er, 
Friendship's   link    is     still  un  -  bro  -  ken,  Bright  is     its  chain  ;  Where  the  part  -  ing  word  was  spoken, 

2.  While  the    ab  -  sent    we  are    greet  -  ing,     Let    us     for  -  get,  In     this    hour    of    so  -  cial  meeting, 
Since    the  pre  -  sent,    full  of    glad  -  ness,     Bids  us    be    gay,  Ba  -  nish    eve  -  ry   cloud  of    sadness, 


^i-fjjfF^ — ^ — |s — r 


-JjZ 


& 


3a 


-* — * — *- 


-»•- 


'  -0-  -0-  -*■,••*■•  • 


Now    in    smiles    we    meet    a  -  gain 


in.) 
•    5     o 


M* 


0 — i — «- — s — *     4-^ 

— * 0 * 0 — l 


Eve  -  ry  thought    of     past      re  -  gret,     > 

And      be      hap  -  py  while    we    may.    $      O     could    we,  &c. 


could    we      ev  -  er    Dwell  in  so  -  cial    plea  -  suae  here, 


Alzj-J--^ 


l=3t 


Ml 9 — Le 1 — I S 0 * #-»I i  JJ 


No    more  to  sev  -  er 


From  the  friends  we  love  so  dear. 


4=t 


-*H — •- 


^=^ 


3 .  When  the  warning, — we  must  sever,  - 
Comes  once  again, 
Yet  in  feeling  true  as  ever, 

Shall  our  faithful  hearts  remain. 
Oft  shall  memory  breathing  o'er  us, 

Sweet  friendship's  strain, 
Bring  this  happy  time  before  us, 
Till  we  all  shall  meet  again. 
O  could  we  ever,  &c. 


w 


ALLMMRTt 


ADIEU. 


Efe 


* • • * #— I — J J- J 0-L-0--0  --•— 0— L T- 


sK     5     £     5     *  '      '     —  b 

1.    My  school  com  -  pan  -  ions,     I      love     so      well,     a-  dieu  !  Your  sports  -with  mine  have  oft  combined  To 


mfe 


'• ** Ft: 


£ 


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-«    i   i    i  \=i=t—i— i^=p 


?-S 


cheer  the    pro  -  gress     of     the    mind ;  Ah,  now     one    fond     a  -  dieu !     Ah,  now  one    fond    a  -  dieu  ! 


^E5 


T^T- 


-^ 


-*.-- 


-*v 


HE 


CHEER!    BOYS,  CHEER! 


&=£=&ri&£=zmm 


1.  Cheer,  boys,  cheer!  no  more  of      i  -  die      sor  -  row;  Courage,  tnie  hearts,  shall  bear  us  on    our  way. 

2.  Cheer,  boys,  cheer  !  the  steady  breeze    is    blow  -  ing,  Float -ing    us    free  -  ly    o'er  the    ocean's  breast ;  The 


ffi 


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Cheer!  Boys,  Cheer  I 


51 


FINB. 


£=T 


~N-rt- 


-*j- 


5     $     *  P  L 

Hope  points  be  -  fore,  and  shows  the  light  to-morrow  ;     Let      us      for  -  get      the 
world    all    shall    fol  -  low    in    the  track  we're  going,  For  the  star    of     em  -  pire 


jBE£EiE£l 


£E 


S 


±=± 


4- 


-l 


darkness    of    to  -  day, 
glitters      u.    the  West. 


"-3: 


a=a 


1 — -- , 


£3= 


=£ 


=t 


3^1 


iN  w;  ;  rflf^^^fejaM^^^P 


§% 


So    fare  -  well,   New  England,  much  as  we  may  love  thee,  We'll  dry  the    tears  that  we  have  shed  be  -  fore. 
Here   we    had    toil,     and    lit  -  tie    to     reward      us,     But    there  shall  plen  -  ty  smile  up  -  on    our  pain. 

T 1 


5 


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D.  C.  to  1st  verso. 


to 


3¥ 


Why  should  we  weep  to    sail    in  search  of   for  -  tune  ?  So  fare  -  well,  New  England,  farewell   for    ev  -  er  -  more. 
And  ours   shall  be    the    prai  -  rie  and  the  for  -  est,  And  boundless    mea  -  dows     ripe  with  golden  grain. 


o2 


OFT  IN  THE  STILLY  NIUHr. 

— r — =?> 3r 


m^LM=ht=£ 


• — 0 — a. — w- 

1.     Oft    in      trie      stil  -  ly  night,  ere     slum  -  ber's  chain  hath  bound  me,  Fond  mem'-ry  brings  the 
d.  c.  Thus  in      the      stil  -  ly  night,  ere     slum  -  ber's  chain  hath  bound  me,    Sad    mem'-  ry  brings  the  light   of 


FINE 


-*.- 


J\    h 


-V — 


oth -er  days  a-  ronnd  me,     The  smiles,  the    tears     of  childhood's  years,  The  words  of  love  theen  spoken,  The 
oth  -  er  days  a  -  round  me. 
-* g;     g.;.     ft.-.-* ? 1T^-,-#t P-r-01 ^ —  — #i—  —  *- 


-— —_ — p- p.- — p.-. — — —  _^ r .-m— r — i— r- z 


eyes  that  shone,  now  dimmed  and  gone,  The  cheerftil  hearts  now  bro  -  ken. 


-I.  r  r  I  I  ^  ^a 


2.  When  I  remember  all 

The  friends  so  linked  together, 
I've  seen  around  me  fall, 

Like  leaves  in  wintry  weather  : 
I  feel  like  one  who  treads  alone 

Some  banquet  hall  deserted,      (dead. 
Whose  lights  are   fled,   whose   garlan<fc 
And  all  but  he  departed. 
Thus  in  the  stilly  night,  fee. 


SKATER'S  SONG. 


53 


3 


A-±z 


±Z 


H-—  rs: — dv- 


H— g1 — * * — 


3— ^#==5==^ 


-*— 


1.     O  !  the    day    is     bright    and     eold,     Crys  -  tal,  clear  De  -  cem  -  ber  !     And  it    bids    the    ska  -  ter  bold, 

* #— , — a - 1 — 0 - — -, ,— - P- 0- 


-t 


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mm 


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-*- — 0 


£=^r= 


FINE. 


=t 


fe 


Gold  -  en    sports  re  -  member  !     Wei  -  come,  bra  -  cing     win  •  ter  times,  When  the    frosts     do     glit  -  ter ! 


E^^3EBSE 


^ 
£ 


^=t 


§i 


*=£ 


fefc* 


D.  C. 


ffi^ 


i 


And  the  mer  -  ry  Christmas  chimes,    Could  a  day  be  fitter  ? 


m 


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!=BEHS 


»-?-#- 


*=?: 


tr 


Come,  it  is  our  holiday, 

In-door  tasks  are  ended ; 
Healthy  life  wants  hearty  play, 

With  still  study  blended  ! 
On  the  frozen  lake  we  wheel, 

Each  the  other  chasing  j 
On  the  ice  with  shining  steel, 

Many  a  eircle  tracing. 


54 


THE  HUMMING  BIRD. 


ALLEOBETTO. 


Arranged  from  Ronm. 


I     come  whew   the    hare  -  bell   and     vio  -  let      lie     sleep  -  ing,   And   sip    -with     the   wild  bee  their 
I     come   with    soft    mu  -  sic      my      in  -  cense   de  -  light  -  ed,      To    him   who      in   mer  -  cy    hath 


gg 


_T — g— *— »Lgdnjz=gdz:rr—        J-Ln: 


S 


S. 


"^— 3=  i~t 


o  -  dors     a  -  way  ;  I     come  where   the   buds  of  the   musk-rose   are    peep  -  ing,  'Till  they  thrill  in  -  to 
taught  me   to   soar  ;  Trust  thou  in       his   love  when  thy  blossoms    are      blighted,  When  thv  flowers     are 


± 


S=* 


.Q  Jy-b  -7""*   -rT~ftr  *^   «N      \v~\ — -in 


=fc 


-b— : 1— 

-Jj# # 3- 


bloom   at     the  sound   of      my   lay  ;    I   come  where   the    jas  -  mine    the    wil  -  lew   is     wreathing,  And 
■with  -  ercd  the  spring   is       no  more;  I   come  where   all   lull'd    by       the   gush   of    the   foun  -  tain,   The 


m& 


$-:*: 


2=£ 


I=^5r:3==f5 


1 


he  Humming  Bird. 


55 


cool  rippling    wa  -  ters   glide  murm'ring  a  -  long ;  Where   summer       its       spi  -  ci   -   est      fragrance      is 
wood-turtle   dreams   thro'  the  long   summer   day ;     Now    loit'ring    o'er      val  -  ley,     now     wheeling    o'er 


»fet^=" 


3^— i—  5=5-JZ-> 


-V- — lv- 


-s 


ItE 


» 


— »•- — »- 
*-*- — »■- 


& 


^ 


US 


breathing,  And  turf,  stream  and  valley  break  out   in  -  to   song,  Break   out  in  -  to  song,  break  out  in  -  to  song, 
mountain, 'Till  my  flowers  have  faded      in   beau  -  ty    a  -  way,     In      beauty     a  -  way,   in      beauty     away. 

-, , , _T-*-  _.._,-T-.- 


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=£ 


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s±Ei=^gi=E 


tz 


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te 


MAESTOSO. 


P 


GARIBALDI     HYMN. 


■W-M— P 

it 


V— C 


1.  All    for  -  ward    to      bat  -  tie  !       the      trumpets    are       cry  -  ing, 


^a^i 


=a=i 


Forward !     all        forward !     our 


.:£=* 


T 


56 


Garibaldi     Hymn. 


<Pe£ 


. 


-0 P jj n^— \ 

kj  ■* f — J      I     * 


T- 


3^E* 


I§ 


old      flag      is 


fly 


S 


uig. 


When      lib 


er 


ty     calls       us      we      lin  -  ger      no       Ion  -  ger ; 


1 : 


i^i' 


— >r 


in^fef^fe^fe-^; 


&=#* 


glo   -   ri  -  ous,    Un  -  der     thy      banner    thy   sons   are    vie  -  to  -  rious,       Free   souls   are      valian*      and 


S>=6 


*■ 


Jk- 


* 


=t=fc 


gsp=g§s 


-0'-    0 0- 


J(_l_! 


Garibaldi    Hymn. 


57 


— # — >- 


^^n 


strong  arms   are    strong  -  er — God     shall     go     with      us,     and     bat  -  tie      be     won.     Hur  -  rah      for      the 

=l~~ -wzzzzzzizfzzzzi*. — ;-* — V q— * — V q— *-> q-h-T^-^q-^a- 


-y 


Hf^EE 


S^ee^eIS 


1 e. — 1 1 I-*} L_ 


ban  -  ner  !    Hur  -  rah    for      the      ban  -  ner  !   Hur  -  rah    for      our    ban  -  ner,    the 


,   %^fzzz%zzz- 

zz*zzzzz\?zzz-. 


F?=^^3HE^E 


All  forward  !  all  forward  ! 
All  forward  for  Freedom  !  in  terrible  splendor 
She  comes  to  the  loyal  who  die  to  defend  her : 
Her  stars  and  stripes  o'er  the  wild  wave  of  battle 

Shall  float  in  the  heavens  to  welcome  us  on. 
All  forward  !  to  glory,  though  life-blood  is  pouring, 
Where  bright  swords  are  flashing,  and  cannon  are  roaring, 
"Welcome  to  death  in  the  bullet's  quick  rattle — 

Fighting  or  falling  shall  Freedom  be  won. 
Hurrah  for  the  banner,  &c. 


All  forward  !  all  forward  ! 

All  forward  to  conquer  !  where  free  hearts  are  beating, 

Death  to  the  coward  who  dreams  of  retreating ! 

Liberty  calls  us  from  mountain  and  valley  ; 
Waving  her  banner  she  leads  to  the  fight. 

Forward  !  all  forward  !  the  trumpets  are  crying  ; 

The  drum  beats  to  arms,  our  old  flag  is  flying ; 

Stout  hearts  and  strong  hands  around  it  shall  rally- 
Forward  to  battle  for  God  and  the  right ! 
Hurrah  for  the  banner,  &c. 


58 


WARBLINGS  AT  EVE. 


1.  When   soft     -     -     ly      falls the    twi     -     -     light    shade,         O'er  flow'     -     -     ry     field and 

2.  When   win    -     -     ter's  snow is       on the      ground,      And  eve       -     -  ning  sha     -     -     dowj 


ver     - 

gadi  - 


dant    glade, . .       A       blithe  -     -  some,  wel     -     -     come  song 
er       round,..     Then,  warm. .. .     and    close at    home, 


I        hear, . . .     From 
I         hear, ...  A 


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out the    fra     -     -     grant     wood     -     -    lands    near, The     rob     -     -     in's     cheer     -     -     ful 

song that  more de  -  lights my      ear; A    voice I         love that 


WarbRngs  at  Eve. 

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notes a    -    nse, . , 

wakes my     heart, . 


The    swal     - 
And    soothes. 


low      twit    -     -    ters,    twit  -  ters  as . 
,   me      with its      gen  -  tie,  gen 


he     flies, 
tie      art. 


THE  SILVER  CHIME. 


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p £ 1 #-- 1— « * *         #   ■*■  g^-— 


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1.  Ring 
Your 
With 


out,  ring  out,  sweet  sil  -  ver  bells,     A  joy  -  ous,  joy  -  ous  chime,  ) 

welcome  mu  -  sic     ev  -  er     tells      A  Saviour's  love  di  -  vine.    )  Thrice  blessed  is  the  gladsome  sound  Nott 

willing  hearts  and  feet  we  bound    To  God's  own  house  of  prayer. 

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2  Ring  out,  sweet  bells,  a  happy  strain, 

Awake  each  tuneful  voice 
To  praise  His  dear  and  holy  name, 

In  Him  let  ail  rejoice. 
We  are  the  children  of  His  love, 

United  may  we  live ; 
He  stoops  from  His  bright  throne  above, 

To  pity  and  forgive. 


3  Ring  out  your  free,  inspiring  eall, 

Sweet  bells  of  silver  tongne, 
Before  His  footstool  here  we  fail, 

And  breathe  our  grateful  song  ; 
To  us  ye  speak  of  joys  unseen, 

Immortal  life  and  light, 
A  world  of  purity  serene, 

Where  faith  is  changed  to  aight. 


60 


lit  roue. 


THE  MIDNIGHT  MOON. 


1.  The   midnight   moon  is  beau  -  ti  -  ful,     "When   rising   from     the     sea She  guides  the     wan  -  d'ring 

2.  There  is    no     voice  or  language  heard  Those  ra  -  diant  orbs  a  -  mong And  yet     they    breathe     at 


sat 


SEE 


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2d  foi«. 


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ma  -  ri  -  ner,      A  -  cross    the    wa  -  ters    free, The     shi  -  ning    stars    are      el  -  o  -  quent,  With 

midnight  hour,     In    sweet  and    6ol  -  emn    song To      earth    and     sea's    re  -  mot  -  est   shores,  They 

g2      rtl     d    r5? 


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in       their    gold  -  en     spheres, ....  When  oft     be  -  fore  the    mu  -  sing    mind,     They  bring   the    lost    of 
tell     the    power    di  -  vine Thatlaunch'd  them  thro'  the  realms  of  night,     In     boundless     space    to 


The  Midnight  Moon. 


61 


OHft.  A    TtMTO. 


V^^^ml^pW0n^^m^m^ 


years.      The  midnight  moon  is  beau  -  ti  -  ful,       When  rising  from  the    sea, 
shine.       The  midnight  moon,  &c. 


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She  guides  the  wand'ring 


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ma  -  ri    -    ner,      A  -  cross  the     wa  -  ters        free Th 


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The  mid  -  night   moon      is    beau  •  ti  -  ful,  'When 


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ris  -  ing     from  the      sea, . 


The  m.d  -  night    moon    is      beau  -  ti  -  ful,  When  rising    o'er    the    sea ! 


C2 


i  WANDERED  BY  THE  BROOK-SIDE. 


§S3 


1.  I     wan     -     dered     by  the  brook- side, 

2.  I    sat be-neaththe   elm  tree, 


-ft. 


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I    wan     -     dered    by   the    mill ;  1       could  not  lK-ar  the 

I     watch'd...  the  long,  long  shade,       And     as      it    grew    still 


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brook     flow,     The      noi    -    sy    wheel  was  still, 
long    -    er,         I         did        not    feel     a  -  fraid  ; 


There    was      no      burr      of    grass  -  hop  -  per,      No 
For  I    lis  -  tened      for        a       foot     -     fall,  I 


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chirp   of      a  -  ny       bird —  But  the     beat  -  ing     of      my     own     heart       was       all      the  sound  1  heard, 
lis  -  tened  for     a      word —  But  the     beat  -  in<*     of      mr     own     heart       was       all      the  sound  I  heard. 


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BONNIE  DUNDEE. 


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1.  To  the  Lords  of  Convention  'twas  Claverhouse  spoke :  "Ere  the  King's  crown  go  down  there  are  crowns  to  be  broke, 

2.  Dun  -  dee,    he  is  mounted,   he  rides  up   the  street,   The  bells  they  ring  backward,  the  drums  they  are  beat ; 


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So     each  Ca  -  va  -  lier  who  loves  ho  -  nor  and  me,  Let  him  fol  -  low    the  bonnets  o'     Bon  -  nie  Dundee. 

But  the  Provost  (douce  man)  said:  "Just  e'en  let  it  be,    For  the  town    is    weel   rid     o'  that    ev  -  il  Dundee. 

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Come,  fill  up    my  cup,    come,   fill    up    my    can,   Come,  saddle    my    hor  -  ses,   and  call    out  my  men  ;  Un 


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Bonnie  Dundee. 


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hook    the    West    port,  and     let   us     gae  free,     For    it's     up    wi 


the  bon  -  nets  o'     Bon  -  nie 


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4 


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3. 
There  are  hills  beyond  Pentland,  and  lands  beyond  Forth, 
If  there's  Lords  in  the  South,  there  are  Chiefs  in  the  North  ; 
There  are  brave  Duinhe  wassels,  three  thousand  times  three, 
Will  cry  "  Hey  !  for  the  bonnets  o'  Bonnie  Dundee  !  " 
Come,  fill  up  my  cup,  &c. 


Then  awa'  to  the  hills,  to  the  lea,  to  the  rocks  I 
Ere  I  own  a  usurper,  I'll  crouch  wi'  the  fox  ; 
And  tremble,  false  Whigs,  in  the  midst  o'  your  glee, 
Ye  hae  nae  seen  the  last  o'  my  bonnet  and  me  ! 
Come,  fill  up  my  cup,  &c. 


MARY  OF  ARGYLE. 


I 


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1.  I  have  heard  the  ma -vis  singing       His....     love-song   to  the  mom,  I  have    seen  the  dew-drop  clinging 

2.  Tho'  thy  voice  may  lose  its  sweetness,  And  thine  eye  its  brightness  too,  Tho'  thy  step  may  lack  its  fketness. 


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Mary  of  Argyle. 


65 


To   the    rose  just  new  -  ly  born  ;  But  a 
And  thy  hair  its  sun  -  ny  hue,    Still  to 


sweet  -  er  song  has  cheer'd  me,  At    the 
me  wilt  thou  be  dear  -  er         Than 


eve  -  ning's  gen  -  tie  close, 
all     the  world  shall  own ; 


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And  I've  seen  an  eye  still  brighter    Than  the  dew-drop  on  the  rose —  'Twas  thy  voice,  my  gen  -  tie  Ma  -  ry, 
I  have  lov'd  thee  for  thy  beau  -  ty,     But....  not    for    that   a  -  lone  ;       I  have  watch'd  thy  heart,  dear  Mary, 

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And  thine  art -less  winning  smile,  That...  made  this  world  an    E  -  den,  Bon-ny  Ma  -  ry       of. 
And  its    goodness  was  the  wile  That  has  made  thee  mine  for  ev  -  er,      Bon  -  ny  Ma  -  ry       of. 

<£       mf  AD  LIB. 


Ar  -  gyle. 
Ar  -  gyle. 


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I'D  BE  A  STAR. 


be      a     star, 
be   the    wind, 


a 

the 


lit 
sum 


Sft^ 


tie     star, 
mer  wind, 


To   shine  in 

That   wanders  o'er 


yon  dark  vault  above  ; 
thy    yd  -  vet         cheek  ; 


A   sin  -  gle 
So     I   might 


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Mz* ,l_  J Lzdta=r-^-qz=i^rr3=zJS_  J  ._JU.E 


ray 
leave 


to   gleam    a  -  far, 
a      kiss      behind, 


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Or     any  thing  that  thou  would'st  love  ; 
And  hear  thy  voice  in  kindness  speak; 


A 

So 


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sin  -  gle   ray     to     gleam    a  - 
I   might  leave     a     kiss    be  - 


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ny    thing  that  thou  would'st  love. 
thy  voice        in    kindness  speak. 


1. 


I'd  be  a  flow'r,  a  little  flow'r, 

And  only  bloom  to  wor>hip  thee  ; 

Content  if  "thou  for  one  short  hour 

■Would'st  deign  to  look  and  smile  on  me.  :f 

I  would  be  thine,  1  worship  thee, 

By  all  that  is  earthly,  divine  ! 
My  cv'ry  pulse  beats  but  for  thee : 

1  would  be  thine,  1  would  be  ihiaa.  :| 


THE  VACANT  CHAIR. 


With  expussivm. 


G.  F.  Root.    By  permission. 


67 


#. — 0-j—0^ — #- 


-#. 0~i--0-i — 

1.  We     shall   meet,   but    we     shall  miss   him,  There   will      be 

2.  At      our     fire   -  side,    sad     and  lone  -  ly,  Of  -  ten     will 

3.  True,  they   tell        us    wreaths    of  glo  -  ry  Ev  -  er  -  more 


one  va  -  cant  chair  ; 
the  bo  -  som  swell 
will    deck     his   brow, 


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We     shall 

At      re 

But     this 


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lin   -    ger    to     ca  -  ress   him,    While   we  breathe  our   eve  -  ning  prayer.     When  a      year 
membrance   of    the      sto  -  ry      How     our      no    -    ble    Wil  -  lie     fell  ;         How    he    strove 
soothes    the     anguish      on  -  ly        Sweeping     o'er      our  heartstrings  now.        Sleep    to  -  day. 


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gathered,      Joy     was   in  his   mild  blue   eye, 

banner       Thro'  the    thick  -  est      of      the    fight, 
fall  -  en,      In      thy    green    and    nar  -  row     bed. 


£ 


But    a     gold    -    en     cord     is     severed,      And     our 

And   up  -  hold      our   country's    honor,         In      the 

Dirges    from         the    pine    and    cypress         Mir.  -  gle 


m 


68 


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The  Vacant  Chah*. 

CHORUS 


3-— 


hopes  in        ru     -     in       lie. 

strength       of        manhood's    might 

with  the     tears        we     shed. 


We     shall     meet,    but     we       shall      miss      him,   There     will 


J^- 


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•        I/         '     0 

er. 

1 


be    one    vacant   chair ;    We  shall  lin  -  ger       to       ca  -  ress     him   When   we  breathe  our     evening  prayer. 
«•—  *— * — *■_->*■ — ** — ^-r^v — *s — A — *S— » »- — »* — p  ■■  T' — ? * — !*■■  at- 


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Kdjoiobo. 


THE  MAIDEN'S  PRAYER. 


mi 


— ^ —  * ' > — ' — i/ » : — J  —  # « 

* 


1.  The   hour   of    eve       its   shade      around    me  throws.  The  time  draws  near  when    I   must   seek    repose; 

2.  When  but    a    child,       I     roam'd     a  -  mid    the    flow'rs,  Time  then  had  wings,  all  heedless    flew  the  hours. 


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The  Maiden's  Prayer. 


69 


ltO 

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Into   thy  hands  my   soul   I       dcTcommend,  Father, watch  o'er  me.guide  and  defend. 
Visions  that  were,  have  now  no  charms  for  me,    Sorrow  has  chastened,  trusting  in  Thee. 


Ho 
For 


ii£ 


ly    thoughts,    with    thoughts 
my      home,       my  home 


of  Thee, 
in   Heav'n. 


-F 


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O,  may  my  future  be  consign'd  to  Thee, 
Safe  in  Thy  care,  from  ev'ry  sorrow  free  ; 
In  thy  protection,  doubt  and  fear  have  flown, 
Father  in  heaven,  make  me  thine  own. 

And  when  is  broken 

Life's  golden  circle, 

Then,  Father,  take  me 

To  Thy  home  in  Beav'ft. 


70 


THE  COTTAGE  BY  THE  SEA. 


J.  R.  Thomas.    By  pennlsnoa. 


1.  Childhood's  days   now    pass     before     me,  Forms  and  scenes  of  long   a  -  eo  ;       Like   a    dream  they     hov  -  er 

2.  Fan  -  cy     sees     the      rose-trees   twining  'Round  the   old   and  rus  -  tic  door,     And,  be  -  low,  the"  white  beach 


_4i: 


«• 


i 


/     ^    *    ^ 

o'er    me,    Calm    and   bright    as      evening's   glow. 
shin  -  ing,  Where    I       gathered   shells     of      yore, 


Days 
Hears 


that     know     no    shade     of 
my  ,    mother's       gen  -  tie 


s 


A \- 


Tzw^' 


tt^n^^i=i-j;  7-Tf^f^-^tT^^-a-j-^  j  j^e 


sor  -  row. 
warning, 

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When    my    young  heart,  pure  and     free. 
As     she     took     me       on      her   knee  ; 


Joy  -  ful     hailed     each  com  -  ing 
And     I  feel         a  -  gain    life's 


:^f 


:g       -       Izzk 


The  Cottage  by  the  Sea. 


71 


mor  -  row 

morning 


In 
In 


the 
the 


cot  -  tage    by 
cot  -  tage     by 


the 
the 


sea,      Joy  -  ful     hailed   each     coming       morrow        In     the 
sea,     And       I        feel        a  -  gain   life's   morning        In     the 


1 1 1 * # 5 • -L 1 IJ 

-#■-*♦  *        ♦       -9-       ■*■ 


P=z1 


cot  -  tage,      the      cot  -  tage 
S 


by 


the      sea ! 


tf # — i 1  j 


What  though  years  have  rolled  above  me, 
Though  mid  fairer  scenes  I  roam, 
Yet  I  ne'er  shall  cease  to  love  thee, 
Childhood's  dear  and  happy  home  ! 
And  when  life's  long  day  is  closing, 
O  !  how  pleasant  it  would  be, 
Ob  some  faithful  breast  reposing, 
In  the  cottage  by  the  sea.  :|| 


WHEN  JOHNNY  COMES  MARCHING  HOME. 


SOLO. 


Louis  Lambert. 


S=^5EzzHE^ 


CHORUS. 


SOLO. 


1.  When    Johnny  comes   marohing   home     a  -  gain,  Hur  -  rah,     Hur  -  rah,    We'll    give  him  a     heart  -  y 

2.  The     old  church-bell    will   peal   with  joy,  Hur  -  rah,     Hur  -  rah,      To      wel  -  come  home   our 
SIS                    S         I  S         I      I  II  s  * 

4_4_4 4_4  4    4^__   -i-i  iL>_4_,. 


72 


When  Johnny  comes  marching  horn*. 


CHORDS. 


— j«_ 


SOLO. 


H-+-I    ft 


welcome     then,    Ilur  -  rah,         Ilur  -  rah  ; 
darling      boy,     Ilur  -  rah,         Hur  -  rah ; 

4-     4-     *»     'J.    J       /     ■*   ■< 


3n 


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The  men       will     cheer,     the    boys     will     shout,     The 
The     vil    -    lage      lads      and    las   -   sies       sav,     With 
*  i  v  I 


-ft— 


-S T- 


3Er: 


CHORUS.     Repeat  ad  lb. 


•'—*. 


** 


mm 


la  -  dies  they  will   all      turn  out,     And   we'll    all     feel    gay   when  Johnny  comes  marching    home, 
ros  -  es  *they  will  strew  the    way,    And  we'll    all,  &c. 


itMiii 


Get  ready  for  the  jubilee,  Hurrah,  Hurrah, 

We'll  £ive  the  hero  three  times  three,  Hurrah,  Hurrah, 

The  laurel  wreath  is  ready  now 

To  place  upon  his  loyal  brow, 
And  we'll  all  feel  gay 
|.  When  Johnny  comes  marching  home.  :g 


Let  love  and  friendship  on  that  day,  Hurrah,  Hurrah, 
Their  choicest  treasures  then  display,  Hurrah,  Humh, 
And  let  each  one  perform  some  part, 
To  fill  with  joy  the  warrior's  heart, 
And  we'll  all  feel  gay 
|j:  When  Johnny  comes  marching  home.  :| 


ANNIE  OF  THE  VALE. 


J.  ft  Thomas.    By  permission. 


73 


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— t-  — i_ • 1 1- _* 0 w--t- 

1.  The  young  stars  are  glowing,  Their  clear  light   bestowing!   Their  radiance  fills   the   calm,    clear    summei 

2.  The  world   we      in  -  her  -  it      Is  charmed  by    thy   spi  -  rit.    As     radiant      as     the   mild,  warm     summer 

«4t  4  4      ~   444     jZ'Sr'S:     „    ♦S* 

i  4  f  4    i    f    i  ? 

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1000       i     000 

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1 — | 1 

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night! 


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Come    forth       like      a        fai  -  ry,        So      blithe  -  some    and      air  -  y,       And 
The    watch  -  dog      is      snarl  -  ing,     For      fear,         An  -  nie,    dar  -  ling,      His 


— —  [~  m  "i-M-^-n-M-T-^ 1 — »—l — ' — — ' -p — -1— h 

-—  -U-fi .-I  «_#  -i-.SJ-., 0 e> 0 0 0 0 a 0 


m 


ramble    in     their   soft   and    mystic   light. 
beauti  -  ful  voung  friend  I'd  steal   away  ! 

r™~^^  S  J\  I     S     I 


Come,     come,  come,love,  come  !  Come,ere  the  night-torches 
Come,  &c. 


£ 


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74 


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Annie  of  the  Vale. 
^-r—? — i — =^353— ■* — js— A- 


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pale ;      O     come    in     thy     beauty,    Thou     marvel       of    du  -  tv,     Dear     Annie,      deal     Annie      of    the 


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f    •*  *  4    9- 

*       — -y—   —  fc 


*    •»  -a- 


_  T~3n  J  «n     i  *»      J     d  i  J      J^    J1    J     >^    J  i  ,J  j 

Vale.  Come,     come,         come,     love,    come.    Come      ere    the    ni<rht-torch  -  es    Dale ! 


Come,     come,         come,     love,    come,    Come      ere    the    night-torch  -  es    pale !  O 

-* -r-» # a — . * # 0 It 1 (L- 


come,     in     thy    beauty,     Thou   mar  -  vel       of    du  -  ty, 

*--c=2Ei-  — * ft— *- 


- 


r=t- 


b     '        b  y 

Come,  come,      come,     come,     Come,    come, 


b       b  b 


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h-  *    J>     hz^a 


V   °' 


b      '    b 

come,     come,  Dear   Annie,    dear   Annie      of    the   "N  ale, 


lSgia^^fc|£^^L§E|El^i^£HM^=^g 


THE  HOUR  OF  PARTING. 


75 


ANDANTE  CON  EXPRESSIONS. 


Bellini. 


j 1 F l-"**«»l ^ — P1 1 J-* *I * ^ — — ] * * * * 


t 


Sad  hour  of  parting !         too        quickly  here !  Spi  -  rits      to      sev  -  er,       link'd      by   each  thought ; 

O,  thou  blest  Spirit  !         bend       kindly   down,         Drooping,     be  -  hold   us  !     'neath       adverse     fate. 


*=* 


5 — £ — " 1  —  ^ — /  —  S^^^ 


Bring  -  ing     thy      an  -  guish  ! 
Shel    -    ter      us     from       its 


thy      bit  -  ter 
with  -  er  -  in 


tear 
frown, 


thy     bit  -  ter    tear ! 
its    withering    frown. 


S:— S— *-*-S-*:l-g;; — S— g— -;— ^-H-S-— S:--S— «-*-8=*+g-;-; — I— g— - ;3L-S--»-F 


we'll   wander  through 
pro  -  tec     tion   now 


±rj=^==z: 


the   day,  Hope  -  less   must  weep  thro'  night's   delay  ; 

we   flee,  Safe        in       thy     shadow     let  us     be ! 

rTTH 


a M 


76 


The  Hour  of  Parting. 


^ 


3:: 


Our        hearts   are   break     -     ing, 
In  sor  -  row     part     -     ed, 


well  ! 
well! 

g-£ i 


O,      must     we         say,     fare  -  well !         Fare  -  well !     0,      must      we         say,      fare  -  well ! 
It  is       our        last      fare  -  well !         Fare  -  well !     It  is        our       last       fare  -  well ! 


4    J,  1 


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iilii 


MARYLAND,  MY  MARYLAND. 


1.  The   traitor's    foot      is       on     thy     soil,     Ma  -  ry  -  land,    my       Ma  -  ryland !     Let   not     his   touch    thy 

2.  Dear  Mother,     be      thy  -  self     a  -  gain,     Ma  -  ry  -  land,    my       Ma  -  ryland !     The   Un  -  ion   shall     not 


ifc^ 


:fc=£ 


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f— Ft? 


t=r 


Maryland,  my  Maryland. 


7? 


hon  -  o 
call    in 


-^-r 


^^M 


hon  -  or    spoil,    Ma  -  ry  •  land,   my      Ma  -  ry  -  land  !    Wipe   out    the       un  -  pa  -  triot  -  ic    gore     That, 
call    in    vain,      Ma  -  ry  -  land,   my      Ma  -  ry  -  land  !    She   wants   to      meet  you      in       the   field,     Our 


V> 


-£ 


fe^^l^Efe 


fleck'd   the  streets     of     Bal  -  timore,    And   be   the    loy  -  al    State  of  yore,    Ma  -  ryland,    my   Ma  -  ryland  ! 
country's    flag    and    laws   to  shield,  We    never    can    to     treason     yield.  Ma  -  ryland,    my   Ma  -  ryland ! 


^=p==* 


3. 

Thou  wilt  not  yield  the  rebel  toll, 

Maryland,  my  Maryland  ! 
Thou  wilt  not  bend  to  his  control, 

Maryland,  my  Maryland  ! 

Better  the  fire  upon  thee  roll. 

Better  the  blade,  the  shot,  the  bowl, 

Than  degradation  of  the  soul, 

Maryland,  my  Maryland  ! 


Hark  to  a  wand'ring  son's  appeal, 

Maryland,  my  Maryland  ! 
My  Mother  State,  to  thee  I  kneel, 

Maryland,  my  Maryland  ! 
For  Liberty,  and  Truth  and  Right, 
Let  all  your  loyal  sons  unite, 
Drive  all  invaders  from  thy  sight, 
Maryland,  my  Maryland  1 


I  hear  the  distant  cannon's  roar, 

Maryland,  my  Maryland  ! 
The  fife  and  drum  of  Baltimore, 

Maryland,  my  Maryland  ! 
Huzza  !  she  comes  to  help  restore 
The  Union  as  it  was  before, 
And  honored  be  thou  evermore, 
Maryland,  my  Maryland  1 


78 


MORNING  AND  EVENING. 


fon, 


fe* 


-^mmm^ktE^g^^^^^m 


(Morning.)  When  the  sun         glo  -  rious  -  ly     comes  forth   from     the  o     -     cean,  Ma  -  king     earth 

{Evening.)   When     o'er  the     west  -  ern     hills  the       sun  -  set       tints,       blend  -  ing,  Show     us      how 


9iSi^ 


^-¥±4 


T-t        I  ^-q     qli   — Fh — I 


beau  -  ti  -  ful,         chas 
quick  -  ly    fades        all 


-g:- 


ing       sha  -  dows       a    -    way, 
that    on     earth     seems     bright, 


.-  — ■ © < 


Thus 
When 


do 
to 


it 


m 


we       of 
un  -  fad 


fer         thee       our 
•    ing    realms  our 


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fe 


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prayer    of 
prayer    is 


T 

de    -    vo  -  tion, 
as  -  cend  -  ing, 


— r* 
Z9TJ. 

-0 


God     of 
God    of 


the 
the 


fa  -  ther  -  less,     guide       us,     guard     us      to 
fa  -  ther  -  less,     guide       us,     guard     us      to 


day. 

night. 


W$=*=f=^ 


& 


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m 


ALL-HAIL!   PLEASANT  MORNING. 


79 


*= 


-i-*P4-0.3—a #-4-i *.#-  s j-4— i-*— e #.— i1 — i 1 h«*-^-#:s— a •— h 


1.  All  hail!  plea  -  sant  morning,     All    hope-ful     and    cheering,      In    the    bright  halls    of    learning,     With 


4—* 


3: 


c> a1 *-.—*- 


—* s< w — 


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hearts  ap  -  pear  -  ing,     From  the  treasures       of      Wis  -  dom     our     off -'rings    we      bring. 


To  the 


feaa^ 


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J — # ^ « — I — # s g — I 0 — 1_  g        _s< 


-It— m~ 


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-*£ C ^—•Z} a- p=3-  -o— i-pi— C 1 ^-^ * — * #— 


kind  friends  who    greet     us,       we       joy    -    ful    -    ly      sing.       All    hail !  plea   -   sant      meet  -  ing,     fair 


9:=  I       J_jjE3=i=j: 


. *- 


"#~: 


80 


All  Hail!  Pleasant  Morniru 


FINK. 


mdrning  !     Kind  greeting  ! 


I^l|i^ 


so     fear  -  ful     and     hope-ful,     we     wel  -  come  the  day.  2.  The  (  year  that's  now 

I  work  we've  ac- 


'^^^Tl—^^ 


*_;•_*: 


m 


D.  C.  from  the  ^ 


i^^^^^m^^^^m^^m 


o  -  ver       re  -  turn  -  eth, 
complished  re  -  main  -  eth 


O     nev  -  er,    With  days  mixed    of    plea  -  sure,  and  care,     and 
for  -  ev  -  er,     The  hours    we    have     was  -  ted     re  -  turn      not 


of    pain.    The ) 
a  -  gain.     Yet  ) 


JEMMY  BOKER. 

DIRECTIONS.— Sing  to  the  1st  D.  C,  then  repeat  from  the  beginning,  omitting  the  part  marked  1st  time,  passing  to  part  marked  2d  time,  con- 
tinue on  to  D.  0.  of  thin  (2d  part,)  then  repeat  again  from  the  beginning,  omitting  both  1st  and  2d  time  parts,  passing  to  3d  time  or  new  part,  and  »o 
on  Observe  that  the  motions  are  made  only  when  the  words  describing  the  instruments  are  sung,  as  for  example,  at  '*  Hub  a  dub,"  the  roll  of  the 
drum  is  imitated,  before  and  alter  which  the  arms  and  bauds  are  motionless.     At  every  D.  C.  let  the  arms  fall. 

Words  by  N.  Demcs.  Arranged  by  C.  Bctlih, 

-i  — r —  -. 1 1 dr Ik-, 1 Jy \T 


m  z 


II 


*»l  i 


Jem  -  my     Bo  -  ker,  Jem  -  my  Bo-ker,    kannst  du  sin  -  ger,  kannst  auch  spielen?    Ich  kann  spielen  auf  der 


ova-,-        ^~T~* * # TT        |         '  — r~i 1 — t~ ; <~t~#;  — * — f      m    \ 

{-}'*£*•-—•-■  ~* — * — * — *-. -*      *    -» — f  F~ — : — ^ — m  "* — *~~f — t~\~*'~* — b  — r~ " 

«l Zti±=Z £3_£ + + 7~T  I  i / ^-* • f *yJ- 1 * ^"E g       *       g^X 


lit  tima. 


Jemmy  Boker. 


V7     —i — *JXXS-ft — s — j — i — i — * — « — -s^-J. — * — h**-.5 — * 


^14=^ 


B.C. 


81 

id  tima. 


Trom  -  mel. 


Rub      a 


die     Trom  -  mel. 


Fi    -    fey. 


£=^1— '*=»:=^Z:  «^=^=#  — F 

-K r-12 1 ill-3 — N K * K K ' V r-1-2 1 ~F 


fly.    ,*     S     ?» — j*    J'      < 

±zi—i—i—i—i — • 

p  Wit  -  ty  -wit  -  ty  wink,    das     ist      die       Fi  -  fey.      /  Rub    a    dub     a    dub,  das  ist    die    Trommel,  Mien 


^—y — $—y — * — +- 


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■*-*-*— ir-*^—C 


-1 rf-jf-J 


— S 8       9 5 5 — •J31-5 — S 5 5 i * * — $:      ■£ — * —         . £ — * 

~lub      a      dub      a      dub,  Mien     wit  -  ty      wit  -  ty     wink,     das      ist      die        Fi  -  fey.            Triangle. 
0 0 0 0 0 —       0 0 , 0 0 0 0 — — ^ ^ — 

P h 1 1 1 •— 1-$--' 1 1 1 1 i 1 " — -2—" — '-sH  Hi — ' * — H 


^ 


8d  time.— Triangle 
J>  B  :Ting  ting  ting,  daa  ist  Triangle.  :  (J 
|>      Witty  wifty  wink,  das  ist  die  Fifey. 
J       Ku!1  •  lub  a  dub,  das  1st  die  Trommel. 
f      Mien  rub  a  dub  a  dub,  mien  witty  witty  wiuk, 
f      liien  ting  ting  ting,  das  ist  Triangle. 
(D.  C.  Jemmy  Boker,  for  itii  time.) 


I 


4th  time. — Trombone. 
/0 :  Boom  boom  boom,  das  ist  die  Trombone. 
6tb  time.— Cymbal. 
1 :  Zim  cim  zini,  das  ist  dit  Cymbal. :  | 
Gth  time  —Viol. 
j>  0  :  Voom  room  room,  das  1st  die  Tiol. :  I 
7th  time. — Toodelsaek. 
I :  Tnack  twack  twaek.  da*  lit  die  Toodoback. :  |    (TUQjIil  ) 


92 


W»rd»  by  W.  D.  Smith. 


READ  ME  A  LETTER  FROM  HOME. 


ALrXID    BlETOI. 


^h^j^=^=it^=i^^^^T=aj=^^m 


1,  Readme  a    let  -  ter     from  home         to  -  night,       O     read     nie     a 

2.  Read  me  the  kind  words  of     mo  -  ther     dear,       So     lov  -  ing,     to 

„      •»     -»    "«,        ■*(•     -«l-         „-•■■#■         „    -W- 


letter      from  home, . 
ten  -  der  and     true, . 


7    " 


^_4 f5^7 


"-4-. 


C   ■ 


-fca 


g  • 


tT 


«    i  JL_ 
~»~*  r~ ?   ■   ■«— t 


Falling    like    rays   of  sweet  sun  -  shine  bright, 
Sweet  as  a     voice   from  a    heaven  -  ly    sphere, 


_fiLHZ 


*    7 


-ft-5-  : 

-I 


O'er  paths  I  so  drear-  i  -  ly  roam. 
And  bringing  her  loved  form  to  view. 
-*■        „         I        I         „         I        I 

*i- -. '-  —i  - 


tr 


T 


~7—  ttTE 

fg-^— — F 


It     will     be     precious     as     morn  -  ing's    glow,     When  night's  hours  of  sorrow     are     past. 
Once  more  I     gaze   on    her     smile     so      sweet,         A  -  gain    I       am     happy      and    free, . 


-0-r 


^mm 


T 


A    1±± 


r3: 


Twill 


i 


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Read  me  a  Letter  from  Home. 


fn^; 


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3= 


S3 


-*-ry--ir  t- 


bring      me  scenes  that  no      more    I'll       know,     And  hours  which  were  too  bright  to  last. 
Stopping   the   progress  of    Time's  swift     feet,        Oh!     blissful  were  those  days  to       me.. 


-r 


m 


4>  '  f 


SeEEE 


i 


-^=?=?=c 


-0- 


Read  me    a 
Head  me    a 


let  -  ter  from     home 
let  -  ter   from     home 


to  -  night — 
to  -   nitrht — 


O,     read     me 
O,     read    me 


let  -  ter  from  home, 
let  -  ter  from  home 


3==im 


CHORUS,  Ad  Lib 

3— *-it 


Read     me 


XI  J     ^£a 


let 


ter    from     home, 
Read 


f 


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from      bro  -  ther 


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ter 

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3=t=^£sr::E 


84 


Read  me  a  Letter  from  Home. 


VPPT. 


home. 


Ere     death    with    its 


sum  -  mons  shall  come. 


J-| ? 1— "-p p 1— H- 


O,     read  me 


a       let  -  ter    from     home. 

±         JL         *.         £      4.   .* 


r-r-r-r- r 


ii^J] 


Dirge.—"  PEACE  TO  THE  BRAVE." 

Words  by  Wm.  T.  Apams,  Esq.,  (Oliver  Optic.) 


i — it-* — #;— # — ; — #— •— #- — # — ©— i — %. — j — £ — j— j — « — 0 


Peace  to  the    brave  who    no  -  bly  fell     'Neath  our  flag,  their  hope  and  pride  !   They  fought  like  he  -  roes 

a. 


i*£ 


ZfTZZW- 

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P1B 


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iilll 


long  and  well,      Then  like    he  -  roes     died. 


m 


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r-3: 


-•— 


fought  Uk» 

Hallowed  forever  be  the  graves 

Where  our  martyrs  dreamless  sleep  ! 
Columbia,  weep  thy  fallen  braves, 
era.     But  triumphant  weep  ! 

Nobly  they  died  in  Freedom's  name — 
Died  our  country's  flag  to  gave ; 

Forever  sacred  *>e  their  fame. 
Green  their  nonorea  gray*  I 


WE'RE  TENTING  ON  THE  OLD  CAMP  GROUND. 


85 


:Jri^n-1 1 1     J1»_J — J ! Vi_| N^=q^_4>i-4=3===-i-    f—  :=3j= 

3== -=j # *.—  0  J~0 0 0 — *~J    J..     J.     j.— ^.— j. — *     "^r- ■*■" J*-1-^ » * 

.  We're  tenting  on  the  Old  Camp  Ground,  C 
.  We're  tenting  on  the  Old  Camp  Ground,  '. 

sy|^r^zq=^ — « — *•._*_!_,•_* — pv=^ 


1.  We're  tenting  on  the  Old  Camp  Ground,  Our  hearts  are  light  and  joyous  ev  -  er  ;         We  think  of  home,  we 

2.  We're  tenting  on  the  Old  Camp  Ground,  From  it  we  soon  may  have  to  sev  -  er ;    Though  we  should  leave  the 


^fefefete 


**=* 


^zq^^:^,^ 1_4— JiLj-JS-ft,)—^ 


-& — I — -M: 


=$^=2=r=3.z-i^-t=3: 
■*■.-*■*••■*■■*■ 

talk  of  friends,  And  happy  times  we've  had  to  -  geth  -  er.       The  dear  old  spot  has    ma  -  ny     a    charm  That 
dear  old  spot,     We    ne  -  ver    can  for  -  get    it,    ne  -  ver  !      In    hap  -  py    days,  in     joy  -  -  ous  nights,  We've 


s=i=i^5^ 


I 


9: 


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45J-4     Ji—f=£=£=p: 


33— r?-^-g: 


:3 1      I— 4Nj 

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3=3: 


^^=3>==3=3=3^fIHS-3   »  '  I  M— 3=J-^^=3===te— ===5===F 
— *T-*-g3_ 3._,_q-t-J=* *Jr*^e=^,=3_^_.T^-±p=Z5_#_g3-g3==-t: 


gives  the  sol  -  dier  joy  and  pleasure ;     'Mid  all  the  scenes  of  war  and  strife,  Old  Camp,  thou  art  the  sol  -  dier's 
min  -  gled  oft  with  one  an  -  oth  -  er  ;      'Mid  all  the  scenes  of  war  and  strife,  Old  Camp,  thou  art  the  sol  -  dier's 


Sfe 


-* — J— *— i— ■'-£ 


3=3: 


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fc; 


;=F^=iFf 


86 


We're  Tenting  on  the  Old  Camp  Ground. 

chosts.  . 

if*"      I 

treasure.             We're  tent  -  ing     to-day      on  the     Old  Camp  Ground,  Our  hearts   are  light  and    joy  -  mi* 

treasure.              We're  tent  -  ing     to  -  day      on  the     Old  Camp  Ground,   Our  hearts  are    light  and     joy  -  ou- 

_      *-     *--    +.    a-     a  a     2:     2:     *.:    a     a-    a     jl  m.     a '.a 


w 


« — i w-J H^* — * — v  —  »-J— #.  — # — # — ; — #»—  S3^-* — #:— 3J 


I 

ev  -  er ;     A\  e     think     of    home,    we     talk     of    friends,  And  hap  -  py     times  we've  ha'd     to  -  geth  -  e». 
ev  -  er ;     We     think     of    home,    we     talk     of    friends,   Old  Camp,  thou  art    the    sol  -  dier's   trea  -  sure. 


-W  m  m  - 1 T _  -W-  -W-  "W  -W  Ma  m 

—f— * J J-i 1 1 — iF1— ' /- 


» — #. — u 


'TIS  GROWING  VERY  DARK,  MOTHER. 

n      ■     ■         ,-t .       h      N 


V 

Y.   BtCKLET. 


^S^^g^a^'^^^-^^^3FfF^^i^^P 


1.     Tis    growing  ve  -  ry  dark,  mother,      I  can  -  not     see  the  light;     The  sun  be  -  hind  the  pur- pie  hill*  Iiks 


A      JL     A 


1 


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Tis  growing  very  dark,  Mother. 


it 


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sunk  too  soon  to  -  night. 


The  gath'ring  gloom  falls  like  a  veil,      I     can  -  not    see   the    stars,  I 

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can  -  not     see     your    face,     Yet  I  know  that  you  are  kneeling    In  your   old   fa  -  mil  -  iar  place  ;  And  the 

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Tis  growing  very  dark,  Mother. 


A.  -j&— I ^==qirr=: 


low  tones  of  your  voice,  mother,  Come  thro'  the  dark'ning  air,  As  you   bow  be  -  side   my  va-  cant  bed,  And 

•?  S  £  v  i_£jl\  _i  4*jLA*  3  353    •?  ♦  ♦  *   «?    J    r  ■» 


CHORDS. 


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pray  your  evening  prayer.  'Tis  grow  -  ing    ve  -  ry     dark,     mo  -  ther,     A    haze  comes  o'er    my  sight,      I 

^      .  Yes,  mu  -  sic    from    im  -  mor  -  tal    lips,      Is      soft  -  ly    float  -  ing  down,  And 

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k— — 0—w--9—0 — 


wait  in  vain  for  day  to  dawn,    and  bless  me  with  the  sight. 
One  whose  head  a  halo  wears  holds  out  a  victor's  crown. 


■*-     -0- 


N^TfffP 


Tis  growing  Tery  dark,  mother,  would  God  that  you  were  here, 
For  by  the  chill  which  o"er  me  steal*.  I  know  that  death  if  near. 
Yet  darker,  darker  falls  the  gloom,  but  there  is  peace  within, 
For  ere  the  morn  those  nearly  gates  will  ope  to  let  me  in. 
'Tis  growing  very  tight*  mother,  I  see  the  angels'  wings; 
No  more  the  startling  cry,  '  To  arms,'  out  on  the  still  air  rings, 
But  music  from  immortal  lips  is  softly  floating  aown, 
And  One  whose  head  a  halo  wears,  holds  forth  a  victor's  crown. 
Cho. — Yes,  music  from  immortal  lips  is  softly  floating  down, 
And  One  whose  head  a  halo  wears,  hold*  out  a  victor's  orowo 


SWEET  DREAMS. 


8D 


feq=i==— : 


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1.  Sweet    dreams        are       flit  -  ting     soft  -  ly    o'er      me 

2.  The  twi     -     light  shades  are     drooping  round    me, 


Or     joys       now     bur 
I         am  a  -  lone 


■  iea       in      tne 

with    those     I 


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past; 
love, 


The       forms     of    those   we  loved   so      fondly, 
Their        voic  -  es    gent  -  ly  soothe  my   spi  -  rit, 


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Rise  now,       in       all 
I      feel  as      one 


their      beauty 
of    those    a  • 


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But      O,      why      fa  -  vor      useless     dream     -    ing  ?  Those   forms      will   nev  -  er    mora    re  ■ 
But      O,  &c. 


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stay,     thy  time  will  not    be 

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CHORUS. 


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long." 


But     O,     why     fa  -  vor    use  -  less     dreaming  ?     Those  forms  will    ne  -  ver    mors    re- 


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turn.      I       hear  their    spi  -  rits      gen  -  tly 

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SOFTLY  NOW  THE  LIGHT. 


91 


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DONIEETC 


■f- — ? — *1H> — g-8— f  *--rJ-  ~*-a — *-2 — a — * — *:§^-S — 7^ 


1.  Soft   -   ly      now      the    light     of    day    Fades   up  -  on       my 

2.  Soon    for      me       the    light    of    day     Shall   for  -  ev   -   er 


sight 
pass 


a  -  way  ;   Free    from   care,  from 
a  -  way  ;    Then,  from     sin     and 


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la     -     bor    free,     Lord,     I     would    commune    with  thee.  Thou,  whose   all       per   -   vad  -  ing        eye 
sor   -  row     free,     Take    me,   Lord,     to     dwell   with  thee.  Thou   who,     sin   -   less,       yet'     hast  known 


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Naught   escapes,    with  -  out,     within,    Par  -  don    each     infirm  -  i    -   ty,     O    -    pen   fault,    and    se  -  cret  sin. 
All      of  man's    in  -  firm   -   i  -  ty,  Then,  from  thine  e  -  ter  -  nal  throne,  Je  -  sus,   look   with  pity  -  ing  eye. 


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FAREWELL,  GOOD  NIGHT. 


Ei     ;  I  ^- 


1.  Kind  friends,  we    meet      again,      Too   soon     to     part ;  May  friendship  bless  each  hour,  And  warm  t*cn  heart ; 

2.  Then,  friends,  once  more  farewell,  Time   bids     us     part,    Fond  mem'ry  long  shall  dwell  Around   each  heart  : 

J      I     J     J      h        h   *.    *     «.  lJJ^l^ 


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Tones  that  we  love  to   hear  Shall  dwell  up  -  on   the   ear,    As      we    in     accents  clear,  'Re  -  peat,  Good  night  ! 
May  heav'n  its  blessing  send,  And  peace  your  path  attend,  Un  •  til   we   meet  again,     Farewell,    Good  night ! 

«  .    J, J 


mmmmmmi 


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HOME,  FARE  THEE  WELL. 

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%. 


1.  Home,  fare  thee    well,     the     ocean's   storm   is         o'er  j     The    wea  -  ry      pen  -  non  woos  the  seaward  wind  ; 


Home,  fare  thee  well. 


S3 


Fast  speeds  the  bark,  and   now  the      less'ning     shore 


Sinks   in   the     wave,  with  those  we  leave  behind. 


■#•- 


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3=3^^3! 


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Fare,  fere  thee  well,        Land   of    the    free ! 


No    tongue  can    tell 


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Fare,  fare  thee  well, 


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Land  of  the  free  !  No  tongue  can  tell  The  love    I       bear     to      thee 

M. X_C g — Z a. 


:=t 


We  wreathe  no  bowl  to  drink  a  gay  good-bye, 
For  tears  would  fall  unbidden  in  the  wine  ; 
And.  while  reflected  was  the  mournful  eye. 

The  sparkling  surface  e'en  would  cease  to  shine. 
Then  fare,  fare  well ; 

Once  more,  once  more 
The  ocean's  swell 

Now  hides  my  native  show. 


3. 

See  where  yon  star  its  diamond  light  displays, 

Now  seen,  now  hid  behind  the  swelling  sail  ; 
Hope  rides  in  gladness  on  its  streaming  rays, 
And  bids  us  on,  and  bribes  the  fav'ring  gale. 
Then,  hope,  we  bend 

In  joy  to  thee  ; 
And  careless  wend 

Our  way  across  the  sea. 


94 


KATHLEEN  MAVOURNEEN. 


^m 


V  -a  — 


1.  Kath   -   leen   flavour  -  neen  !  the   grey     dawn   is  break  -  ing, 

2.  Kath    -   leen    Mavour  -  neen  !    awake        from    thy   slumbers, 


M 


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1  *      *    ! 


The  horn  of    the    hunter 

The     blue    mountains  glow   in 


is 
the 


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1— x 


© — 


heard 
sun's 


on  the  hill, 
golden    light, 

>    rat 


The    lark 
Ah  !    where 


-  r 

from   her 
is     the 


g: 


3S 


light 

spell 


wing   the     bright 
that    once     hun» 


dew 

on 


thy 


shak     -     ing, 
num     -     hers, 


;-"»* 


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Kath  -  leen 
Arise  in 


Mavour  - 
thy     beau 


neen 

-  tv. 


!      what, 
thou 


slum 
star 


-    b'ring 

of    mv 


I 
still. 

night. 

I 


*  a  •     ~  A*'  ^  " 


Kathleen  Mavourneen. 


95 


W  #  •*»■  %■    -0-    -0-  -0-.        -0- 


hast        thou   for  -  got  -  ten       how      soon  we  must  sev  -  er,        O         hast        thou     forgotten         this 

vour    -    neen.    Mavourneen,         my         sad         tears     are    falling,         To      think         that  from  Erin         and 

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V4-  14  I      I  W  ■  W  I  J  I   !   I 


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day 
thee 


we  must  part ;  It  may            be  for  years, 
I  must  part ;  It  may,  &c. 


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why 


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si  -  lent,     thou  voicek  of        my    heart, 


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may         be     for   years,  and      it      may     be         for  - 

H"iT"i    1    .  rr?~TiH      '>     '*j7j 


Kathleen  Mavourneen. 
:te£ 


ever,        Then         why     art  thou  silent, Kathleen  Mavourneen.    ^|       ^^_^     h  |       [  | 


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BIRD  OF  BEAUTY. 


-0--0--0-    ■#-■#-     *--*--#-     ■•-*-    ■*■* 

Ui   i »     Ul   


MiM  M.  B  Scon. 


1.  Bird        of      beauty,  whose  bright  plum  -  age 

2.  Com'st  thou     to     me     in     the      si      -      lence 

3.  Where     the   southern   ros  -  es      bios     -     som, 


Spar  -  kles  with  a  thousand  dyes, 
Of  my  snow-clad  home  to  cheer, 
Bv       the     prairie's  spreading  plain, 


Soft        thy   notes,  and  gay  thy     ca 
Dost     thou   bear    a    message      to 


rol, 

me, 


Tho' 
From 


winter  rules  the     skies, 


mmmm 


have     listen'd     to      thy     war     -     blinsr, 


stem 
the  friends  belov'd  and    dear  ? 
Charm  -  ed       bv     the     masic     strain, 


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Bird  of  Beauty. 


97 


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Soft       thy    notes, 
Dost    thou    bear 
I        have      lis  - 


and      gay       thy         ca      -      rol, 

a        mes  -  sage        to  me, 

ten'd       to        thy      war    -     bling, 


Tho'  stern  win  -  ter  rules 
From  the  friends  be  -  lov'd 
Charmed       by       the       ma 


'\     T 

the  skies, 
and  dear  ? 
gic   strain. 


sgi^t? 


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La.        la,   la,   la, 


la,   la.  la,   la,  la,  la,     la, 


la! 


3: 


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La,       la,  la,    la,  la,   la,    la  ! 


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la,     la,    la,     la,     la,    la,   la,     la,    la,     la, 


98 


THE  EXILE. 


fjjjfejfosr 


-i I 1 0- 

* —  m — # — 


/>  1.  Swift  fades  the  land  I    love    be   -   hind...   me,  The    ra  -  ;,-ing    sea    be  -  fore    me     lies, 
2.  Where'er  my  cru  -  el    fate    shall     guide.,   me.  My     heart     lor  thee  shall  ev  -  er     burn. 


The 
In 


m^^m 


Tjutp-t^tzl,  HP-  m 


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# 0-S-  s* #— I- 


-A._. 


i#~l  —  t 


drea  -  ry  wind  so     cold  -  ly     blow  -  ing    But  e  -  chos     back     my  mournful     sighs, 
mem'  -  ry  though  I     )ft  may     see       thee,     A  -  las !  for  me     there's     no     re  -  turn. 

IT"*  j"j    T~*     T»T    j  -j    HT*-  •*  J-  -A 

f^rjt— *--* — — 1— ^*# 1 — -J-*  — ±2  — *  —  — 1 — hj- *  — ** -3— * 

"1*1 z^ — =5_g— g-=— M L lUt»-— 

r      r  r   r    1 


* 


g^^=^g|^=g^EJ^gp^Eg=3=E 


May     heaven     watch  o'er         thee,     while     far, 


•while 


1 — — —  — —  -1     -— »---pf; 


far       from     thee      I        roam.  Fare- 


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■well,  thou  land  where  hope  is  blight  -  ed, 


Fare  -  well,     my  Fath  -  er  -  land,  my  home. 


Fart- 


lip  j-zt* 


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well,  thou  land  where  hope    is    blight -ed,      Fare -well,         my    Fa  -  ther  -  land,  my     home. 


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well,     mv       Fa  -  ther  -  land,  my  home. 

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Farewell,  my     Fath  -  er  -  land, my    home. 


f 


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100 


WHY  DO  SUMMER  ROSES  FADE? 


1.  "Why  do  sum  -  mer  ro  -  ses  fade  ?     If    not     to    show  how    fleeting     All  things  bright  and  fair  arc  made,     i'o 

2.  Then  while  summer  ro  -   es  last,       O  !  let's  be  friends  to  -  geth  -  a,     Sum  -  mer  time  «  ill  soon  be  pa»t.  When 

3.  But  tho' sura  -  mer  ro  -  ses  die,     And  love  gives  place  to   rea  -  son,  Friendship  page  without     a     sign,     And 


OH 

bloom  a  -  -while  as   half    a  -  fraid    To  join  our  summer  greeting  ?     Or    do    they  on  -  ly    bloom  to     tell  How 
Autumn  leaves  a  -  round  us  cast,  And  then  comes  wintry  weather;  Sure  -  ly  as    the    sum -mer's  day, 

all     on  earth  pass  cold  -  ly  by,     'Tis  but    a     win  -  try  sea  -  son  ;  And  friendship,  love  and  ro  -  ses    too,  The 


E=&I~=^=£ 


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ttt.     *TTT*r 


brief    a     sea -son  love  may  dwell?  Or  do  they    on  -  ly  bloom  to  tell  How  brief    a     sea  -  son  love  may  dwell? 
Friendship,  too,  will  pass  a  -  way,         Sure-ly     as     fhe    summer's  day.         Friendship,  too,  will  pass  a  -  way. 
spring-time  shall  a  -  gain   renew,  And  friendship,  love,  and  ro  -  ses  too,  The  spring-time  shall  a-  gain   re  -  new. 


HOW  SLEEP  THE  BRAVE ! 


^==*+=j :*=:%=l==ftq_- I J q===*:f=3==^<l_^qp=^:|==j===; 


101 


1.  How   sleep     the    brave,     who    sink    to     rest,       By      all    their    coun  -  try's    wish  -  es     blest!    When 

2.  By     Fai    -    ry  hands    their   knell    is     rung,     By    forms    un  -  seen     their    dirge    is      sung ;     There 


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Spring  with  dew  -  y     fin  -  gers    cold,    Returns    to     deck    their   hallowed  mould,   She    there  shall  dress,    She 
Hon  -  or   comes,  a     pil  -  grim  gray,  To  bless  the    turf   that  wraps  their  clay,    And  Free  -  dom  shall,    And 


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She    there,     she 


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there    shall    dress 
Free  -  dom     shall 


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sweet   -    er        sod        Than      Fan  -  cy's      feet       have     ev 
while        re  -  pair,  To        dwell      a        weep  -  ing    her 

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mit      there. 


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IN  THE  EYE  THERE  LIES  THE  HEART. 


1.  Thro'  the  eyes  the  heart  doth  speak,  To  each  look  thy  sazo  be  turning,  YV  hen  with  love  thy  soul  is  burr.ing.       And 

2.  'What  a  joy  one  look  can  give,  From  the  eyes  where  love  is  dwelling,  When  two  hearts  *vith  rapture  swelling,  111  each 


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thou    thy     fate  wouldst  seek.  v        Read    the    Ian  -  guage    of    the    eye,  There  is  truth    in    all    its   glan  -  ces, 
oth  -  er        on     -     ly     live.  Hope,  with  glow  -  ing  tints  doth  shine,  Earth  to  them  is  full     of    gladness, 

£*-•         ■#-■#-■#■         .,                           _  •#-"      m 
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Far  moie  truth  than  wis- dom  fan  -  cies,     Lo  !     with  -  in     its  flash  -  es   lie.     Thro'  the     eyes    the    heart  doth 
Free  from  sorrow,    care   or     sad  -  ness,      All !      the  light  of  love 's  divine.      Thro'  the    eyes,  &c. 


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lc  the  Eye  there  lies  the  Heart 


i  "     "  "  f  Vl  '  ^ 

To  each  look  thy  gaze  be  turning,  When  with  love  thy  soul  is  burning,  Thro'  the  eye*  the  heart  doth  speak. 


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IS 


THE  OFFICER'S  FUNERAL. 


-g.tt^-t44-'4M^- 


Hark  !  to  the  shrill  trumpet  call  -  ing,  It  pierceth  the  soft  summer  air  !  Tears  from  each  comrade  are 

Sleep,  soldier  !  tho'  many  re  -  gret  thee,  Who  stand  by  thy  cold  bier  to-day,  Soon  shall  the  kindest  for- 

•i.But  tho'  hearts  that  now  mournfor  thee  sadly,  Soon  joyous  as   ev  -  er  shall   be,  Tho'  thy  bright  orphan  boy  may  laugh 


*  ? 


/ 


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-b 1 1 r *t 1 S- fc- 1 N K--, 1   f-ff'fft'  .1    T- a w- 


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fall  -  ing,  For  the  wid  -  ow  and  or  -  phan  are  there  !  The  bay  -  o  -  nets  earthward  are  turning,    And  the 

get  thee,  And  thy  name  from  the  earth  pass  a  -  way,  The  man  thou  didst  love  as    a    broth  -  er,      A 

glad  -  ly,  As    he    sits    on    some  comrade's  kind  knee,  There  is  one  who  shall  still   pay   the    du  -  ty,      Of 


104 


The  Officer's  Mineral. 


:J:ig4:S:^Li?_ 


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drum's  muffled  breath  rolls  around  ;   But  he  hears  not  the  voice  of  their  mourning,  S'or  awakes  to   the  bu  -  trie's 
friend    in    thy  place  will  have  gained ;  Thy  dog  shall  keep  watch  for  an  -  oth  -  er,  And  thy  steed  by  a  stranger  be 
tears    for  the  true  and  the  brave,  A»  when  first  in  the  bloom  of  her  beau  -  ty,      She     wept  o'er  the  sol  -  dier's 
0 __ ,.«2 T * e 0'—0    , wf^r-r— it- 


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0.^-0.  5"* — 9\ ' — f- 


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sound But  he  hears    not    the    voice    of    their    mourning,  Nor  a  -  wakes    to     the  bu  -  gle's  sound. 

reined,...      Thy...   dog    shall    keep  watch  for       an  -  oth  -  er,      And  thy     steed  by    a    stranger    reined, 
grave As  when   first    in      the    bloom   of    her    beau-ty,       She...     wept  o'er    the   soldier's  grave. 


ROCK  OF  LIBERTY. 


— * — 0 *- — *.- — «'—»■ 


mm 


\j- -w  -w            -w      -r-wr        -w                                                                                                                                                                                             ■,, , 

O     the  firm  old  Rock,  the  wave-worn  rock,  That  braved  the  blast  and  the  bil  -  low's  shock.  It  was 

Thou.,  stern  old  Rock,  in    the  a  -  ges    past,    Thy  brow  was  bleached  by  thp  war  -  ring  blast.     But  liiy 

Then.,  rest,  old  Rook,  on  the  sea-beat  shore,  Thy    sires  are    lulled  by  the   break  -  er's  roar,      Twas 


:a- 


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Rock  of  Liberty. 


10.') 


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— 1 1 r=-r= ' #— I » »- #      J £' * # 0' #"J 0 M 1 * 


i      U"  "if     i    ,  V  b — 0 

a       bar  -  ren  shore,    And    it  laughed  with  scorn  at      trie       o  -  cean's  roar  ;   '1  was 

win  -  try      toil     with     the     wave    is     o'er,       And    the     bil  -  lows    beat  thy...  base     no    more;    Yet 

hymns  were  heard,  O'er   the    star  -  tied      cry  of      the       o  -  cean    bird  ;    "l\vas 


born  with  Time  on 
win  -  try  toil  witl 
here    that    first    their 


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here  that  first  that  Pil  -  grim  band,  Came  wea  -  ry  up  to  the  foam  -  ing  strand,  And  the 
count -less  as  thy  sands,  old  Rock,  Are  the  har  -  dy  sons  of  the  Pil  -  grim  stock,  And  the 
here  they  lived,    'twas  here   they    died,       Their      forms    re  -  pose      on     the    green  hill's   side,     But   the 


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Tree    they  reared   in   the    days    gone  by,     It    lives,     it    lives,     it    lives,     it    lives,  and  ne'er   shall    die. 

0- 


-0-'—0 


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THE  STARS  AND  STRIPES  OF  OLD. 


1 .  We  are    a       band  of      freemen,  \\  ho  love     our  na  -  tive    land, 

2.  The  re-bel     host   may    gather,     With  sav  -  age    fu  -  r/     fight, 

3.  They  mock  our  peace  -  ful    la  -  bor,  They  scorn  our  peaceful    toil  ; 


To  save  it  from  re  -  bel  -  lion,  M » 
But  they  can  ncv-er  con-auer!  Our 
But    on  their  vain  Dre  -  ten  -  sion.    J  u«. 


4.  Our  fa  -  there  fought  for  freedom.    We  will    preserve   their   land  !     Un  -  bro  -  ken,  un  -  di  -  vid  -  ed,     It 
fr 1 M  .      r-]—  ,  N — ; ^-t-!      N       "in — i c=       "At 


m  i\ 


-ft., — «-:«-c 


*    ^   5   *    Mi  yf^     *     *♦'    *•  *  —  1    [1    I      l» 

come  with  heart  and  hand,  We  left  our  homes  behind  us,  "When  Sumter's  tale  was  told,  lo  ral -ly  round  our 
strength  i<  in  our  right.  We  fol  -  low  on  triumphant,  Where  on  the  breeze  unrolled.  Waves  high  our  glorious 
blow  shall  soon  re  -  coil  ;  The  men  they  have  de  -  rid  -  ed,  Shall  o'er  their  homes  un  -  fold  The  banner  they  have 
shall     for  -  ev  -  er  stand  !    Un  -  til   'tis    re  -  u  -  nit  -  ed,     We  ne'er  a  -  gain   will    fold     The  banner  float  -  ing 

Hi  —  — . ! h T—  — T—       — •- 


CHOBCB. 
-0-  -*■  -9-  "#■.-#■  / 

ban  -  ner,     the     Stars  and    Stripes  of     old  !  Hur  -  rah  ! 


3?3=£ 


— *>• '  ^  r 

~-i • #    P 

-* * *-+. 


Strip- 
ban -ner,  tne  Stars  and  Stripes  of 
scout -ed,  the  Stars  and  Stripes  of 
o'er    us,      the     Stars  and    Stripes  of 


old! 
old! 
old! 


Hur  -  rah  ! 
Hur  -  rah  ! 
Hur  -  rahj 


Hur 
&c. 

&c. 
Xc. 


rah! 


ring    out     the     crv,     Hur- 


i^^^^=e«iSSiggi|ifg=gg^yr=g 


The  Stars  and  Stripes  of  Old. 


107 


iil^illililillilfOTfiPp 

an  -  ner        for    -    ev   -    er      shall      wave,     Nor    part       with    ne'er       a        star ! 


rah! 


Our       ban  -  ner 


er      shall      wave,     Nor    part      with    ne'er 
t.        *.        +. 

:N— JiT- b= 

-Y-, h — —» - 

V  I  V 

THE  BEGGAR  GIRL. 


EE=E=E 


-fd— »-— »— HI 


— j^ — « — a — -» — e — *-! — « — s — *-= — 0 — j — «- — _^ — « — j « — u 


l.O-  ver  the  mountain  and  o  -  ver    the  moor,  Hun  -  gry  and  bare  -  foot   I    wan  -  der  forlorn  ;     My 

2.  Call  me  not   la  -  zy,  and  beg  -  gar,  and  bold  enough,  Fain  would  I  learn  both  to    knit  and    to    sew  ;    I've 

3.  Think  while  you  revel  so    care  -  less  and  free,  Se  -  cure  from  the  wind,  and  well  cloth  -  ed  and  fed,  Should 


tc± r=e_ ±-£=P — £ — P > — ^-±— 


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v—^—«  -  %—*—* — FFg; — r — f — s:—  *— *H--fe — * — S— *- — •— FFg;— J*-g— *-*-F 

fa  -  ther  is  dead,  and  my  mo  -  ther  is  poor,  And  she  grieves  for  the  days  that  will  ne  -  ver  re  -  turn  ! 
two  lit  -  tie  brothers  at  home — when  they're  old  enough,  They  shall  work  hard  for  the  gifts  you  be  -  stow  ! 
fortune   so  change  it,  how   hard    it    would    be,  To     beg      at      a     door    for    a     mor-sel     of    bread! 


ICS1 0±_  0 0 0 1 — 0 1 


m 


The  Beggar  Girl. 


Pi  -  ty,  kind  gentlemen,  Friends  of  hu  -  man  -  i  -  ty,     Cold  blows  the  wind,  and  the  night's  coming  on  ; 


-J »L 


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■$=£. 
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Give    me    some    food     for    my      mother,    for   cha  -  ri  -  ty,     Give  me  some  food,  and  then  I    will  be  -  gone. 


i 


THERE'S  MUSIC  IN  THE  AIR. 


¥^mmmmmm0mmw^m 


z 


1.  There's  mu 

2.  There's  mu 

3.  There's  mu  ■ 


sic 
sic 
sic 

i 

t 

-0 


the 
the 
thy 


air, ....  When  the  in  -  fant  mora  is  nigh, 
air, ....  When  the  noontide's  sul  -  try  beam 
air, ....  When  the  twilight's    gen  -  tie  sigh 


I  ^-1 

And  faint  its  blush  is  seen, . . 
Re  -  fleets  a  gold  -  en  light . . 
Is     lost     on     evening's  breast, . 


__-_ — , . 0 0  _ m »i     —~m 


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|-T— «-  0  —  0—f  0 —  *'T        *—  *r 


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There's  Music  in  the  Air. 


109 


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x 


'fl 


^^m 


.(» — 


SE^r-: 


On    the    bright  and  laugh  -  ing  sky  ; 
On     the      dis  -  tant  mountain  stream  ; 
As      its      pen  -  sive  beau  -  ties    die  ; 


» — » — T5.— 3.— r — 

Many   a  harp's  ex  -  tat  -  ic    sound,  With  its 

When  beneath    some  grateful  shade,  Sor  -  row 

Then,     O  then,  the  lov'd  ones  gone,  Wake  the 


•*■  ■» 

thrill  of 
s  aching 
pure,  ce- 


^fe 


3 * 


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=^fesgp: 


i 


(2d  time,  pp.) 


t=i=^9=j: 


joy  pro  -  found,       While  we  list    en  -  chant  -  ed  there      To   the    mu  -  sic  in    the 

head  is    laid,  Sweet  -  ly  to      the      spi  -  rit  there  Comes  the    mu  -  sic  in    the 

les  -  tial  song,        An  -  gel  voi  -  ces    greet    us    there,    *In    the    mu  -  sic  of    the 

£fv       +n  feu  fe^     &*    £<^       g£«  ±~ 


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air. 
air. 
air.    (•  La»t  line,  Rail.) 


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JUANITA.    (Pronoune.4  Wantut.] 


^ — J— S-:=Ji±:5:-=tr=*: 


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1.  Soft 

2.  "When 


o'er    the    foun  -  tain, 
in       thy     dream  -  ing, 


Lin  -  g'ring  falls  the       south  -  era     moon  ; 

Moons   like  these        shall     shine       a  -  gain, 


^^*-S^.F4—  SpS 


« ^ — H— ^ -I-  — — i f1 W^ — #■ 


S=fe 


"1-i. 


o'er    the      moun  -  tain 
day  -  light    beam  -  ing, 


Breaks    the    day  too 

Prove      thy    dreams      are 


soon ! 
vain. 


L^zyva~^^p-^^^^i 


--i-T-'m 


=*3 -'  *=  *  ^ 


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Juanlta. 


Ill 


^=^=i 


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£ 


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J=S  . # — J S 


V 


In    thy     dark 
Wilt  thou    not, 


eye's     splen  -  dor, 
re    -    lent   -    ing, 


Where       the  warm         light     loves     to     dwell, 
For        thine    ab      -      sent    lov    -    er    sigh, 


1+ 1 ,-U*— 0 — I — 1-0 — I — I — — 0 — i — 1—2 — i — >— 1 — -H 

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Wea  -  ry    looks, 
In     thv    heart 


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yet       ten    -    der, 
con  -  sent    -    ing, 


Speak  their  fond        fare 
To         a     prayer      gone 


r 


well  ! 
by? 


:r^=: 


112 


Juanlta. 


Ni  -  ta  !    Jua  -  ni  -  ta  !     Ask  thy  soul  if   we  should  pan  !  Ni  -  ta  !  Jua  -  ni  -  ta  !     Lean  thnu  on  my  heart  ! 
Ni  -  ta  !    Jua  •  ni  -  la  !     Let  me  lin  -  ger    by    thy    side  !  Ni  -  ta  !  Jua  -  ni  -  ta  !       Be    my   own  fair  bride  ! 


-J -J- 


Ask  thy  soul  if   we  should  part !  Ni  -  ta  !  Jua  -  ni 
Let  me  lin  -  ger    by    thy   side  !  Ni  -  ta  !  Jua  -  ni 

P  J       J  -*. 

* 

i 


Lean  thnu  on  my  heart  ! 
Be    my   own  fair  bride  ! 


;=ffe=il 


lis 


c- 


KITTY  CLYDE. 


SHB^e 


--O 4 


1.  O       who     has     not 

2 .  With  a  bas  -  ket     to 

3.  How  I  wish  that.... 


seen  Kit  -  ty  Clyde, ....     She    lives    at    the    foot    of    the      hill In     a 

put    in     her     fish Ev'ry  morn  -  ing  with  line  and     a      hook,....    This.... 

I      wag    a      bee, I'd      not    gath  -  er   ho  -  ney  from   flow'ers,       But  I'd 


-+ — 


^ M m-^ZM 0 #_. 1-0 C — I 1 a^1-* * #-!-«- — 0  —  *^i- — i -> S-*J-* w ' — "- 


sly    lit  -  tie  nook,  By  the    bab  -  bling  brook,  That  car  -  ries  her  fath  -  er's  old  mill 

sweet  little  lass.  Thro'  the  tall,   heavy  grass,  Steals  along  by  the  clear  running  brook  ; . . . 
steal  a  dear  sip,  From  Kit  -  ty's  sweet  lip,     And  make  my  own  hive  in    her   bower*. . . 


O     who  does  not 

She  throws  her  line 

Or      if      I      was 


Kitty  Clyde. 

love  Kitty  Clyde,..  That  sunny-eyed,  rosy-cheek'd  lass,.. 
in  -  to  the  stream, . .  And  trips  it  a  -  long  the  brook  side . . 
some  little  bird, ...     I  would  not  build  nests  in  the   air, . . . 


113 


T^'" 


±=h 


N      S.  j- 


mm 


With  a  sweet  dimpled  chin  That  look'd  roguish  as 

O....     how    I      do  wish    That..       I     was  a 

But  keep  close  by  the  side     Of. . . .   sweet  Kitty 


m 


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sin,  With  al  -  ways  a  smile    as    you  pass...  Sweet  Kitty Dear  Kitty My  own  sweet  Kitty 

fish.  To  be  caught  by  the  sweet  Kit  -  ty  Clyde. .  Sweet  Kitty,  Dear  Kitty,  My  own,  &c. 

Clyde,  And  sleep  in  her  soft  silk  -  en   hair . . . 


« — ' 


*=£ 


-- 


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tee£^ 


«t 


Clyde..      In      a     sly     lit  -  tie  nook,  by  the  bab  -  bling  brook,   Lives  my     own    sweet    Kit  -  ty     Clyde. 


33=25 


3=£ 


0 


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2-1 


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114 


GENTLE  RAY  OF  SUNLIGHT. 


-#■     '     '    ^r      ■*    -#■  w  -0     ' 

1.  Gen -tie    ray    of    sunlight  gleam  -  ing  From  the  por  -  tals     of    the    sky,     "With    ce  -  les  -  tial     glo  -  ry 

2.  Tell    me,    is    it    not    thy    mission,  On  life's  dismal     path  to   shine  ?     To     give    man     a       fee  -  ble 


•beam    -   ing,     Full  of  light,    and   life,  and    joy, 
vis  -  ion  Of  those   heav'nly   rays    divine  ? 


Gild  -  ing    ev'  -  ry    hill    and    mountain,     Smil  -  -  ing 
Yes  !    to  soothe  af  -  fee  -  tion's  pil  -  low,     And ....     to 


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*   *     3 

on their  rug  -  ged  side.     Cheering    ev' -  ry   crys  -  tal    foun  -  tain,  'While  their  sparkling  wa  -  ters   glide. 

ban  -  -  -  ish    earthly  gloom,     Thine  to  cheer  time's  fleeting     bil  -  low.       As       it     hears    us      to    the    tomb  ' 


m 


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PESTAL,  OR  THE  PRISON  SONG. 


116 


P; 


1.  Yes!    the   die    is    cast!     The  turbid  dream  of     life    is     waning, 

2.  Hark  !  the  fa  -  tal  bell !  Each  passing  hour,  the  dungeon  waking, 

3.  Yes !    the   die    is    cast !  &c. 

V— a » t-!-» •  l    i- 


The  gulf  will  soon  be  past,  The  soul  im- 
Chimes  a   sad   farewell,     In     solemn 


:-e±=3 


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___ — r_  w w 1 — _ a 


'-r^=r 


-• —  ii — L 1- 


mor  -  tal  joy    at  -  tain  -  ing  ; 
tones  the  silence  break  -  ing. 


mmiwm 


Tints,  then,    I      fall,    my    na  -  tive  land  to   save ; 
Fell  u  -  sur  -  per,  know  thy  sav  -  age   ty  -  ran  -  ny 


£- 


0- 


V 
Shall   I    lire    a    slave  ? 

Soon  will  set  me  free ; 
-J? t- 


* — *~r 

— *-\ j*4^ 

— > 1 1 1 r- 

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p£*£E 


'     V  /       "'  --  V      *     V      [i 

No  !  the  free  and  brave      Will  scorn  to  yield — my  country's  flag  shall  wave  A  -  round  the  patriot's  gTave  I 

Thwarted  shalt  thou  be,  For  I  shall  rise  a  -  bove  thee    in     e  -  ter  -  ni  -  ty,     Im-mor-tal  life  thou  giv'st  to  me 


•The  martyrdom  of  Col  Pestal  by  the  Russian  Government,  has  been  rendered  immortal  by  the  etfnmsite  melodv  he  scratched  on  the  wall  of  hta 
dungeon,  with  a  link  of  his  chain,  ou  the  night  previous  to  hlsexecutlon.  The  poet  has  attempted  to  peatray  the  emotions  by  which  the  unfortunate 
vatriot  wat  actuated,  in  his  last  hours   when  he  couiuoscd  this  beautiful  uueloxlF 


.  NELLIE  DEAN 


Nellie  Dean. 


117 


r — -tv-±=g: 


-+—. i- 


qd--«-- 


Sleeps  in  death  the  gen -tie  Nel  -  -  lie, 
Ev  -  'ry  heart  with  wild  a  -  dor  -  -  ing, 
And        the  soul  that  woke  her    beau    -    ty, 


Nev  -  er  -  more  to  stray  with  m». 
Nev  -  er  -  more  a  -  las !  to  rill. 
Now    shall    wake    it    nev  -  er  -  more. 


9: 


*=?*=* 


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t  i  nil     [TT7     }     is   ^   J5     [5733  i  r 


f 


DO  THEY  THINK  OF  ME  AT  HOME? 


1.  Do  they   think  of    me    at    home,     Do  they     ev    -     er    think  of    me?       I    who  shared  their    ev  -  'ry 

2.  Do  they   think  of    me    at    eve,       Of    the    songs      I    used    to     sing  ?     Is    the    harp      I     struck  un- 

3.  Do  they   think  of   how    I    loved      In    my     happy,  ear  -  ly     days  ?     Do  they  think  of    him     who 

— ^^-z^fH^i-p— ^Z^ZZfjZ^ZZZzlzZZ^ZZf 


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grief,       I     who    mingled      in    their  glee  ;  Have  their  hearts  grown  cold  and  strange  To  the  one  now  doom'd  to 
touch'd,  Does  a    stranger  wake   the  string  ?  Will  no    kind    for  -  giv  -  ing  word  Come  a  -  cross    the    ra  -  ging 
came,  But  could  nev  -  er    win  their  praise  ?    I    am      hap  -  py     by    his    side,     And  from  mine  he'll  nev  -  er 


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118 


Do  they  think  of  me  at  Home  ? 


3H — ! F-»-rf--ar     4     «    ita:    L    l.   1— 


roam  i       1  would    give      the  world  to  know, 
foam  ?    Shall  I     nev  -  er  cea6e  to  sigh, 

roam.     But  my    heart      will     sad  -  ly  ask, 


Do  they  think  of  me  at  home?"  I  would  eive  the  world  to 
Do  they  think  of  me  at  home  ?  "  Shall  I  nev  -  er  cease  to 
Do  they  think  of  me  at  home?"  But  my  heart  will  sad  -  ly 


—        I  '     9v    »-\-^JLJjr$  I"    ^    mi — py  j  "| 


T~ 

know,  "  Do  they  think  of 

sigh,     "  Do  they  think  of 

ask,       "  Do  they  think  of 


*      -*■  '  *'   ■*■       Tf 


me 
me 
me 


home  ? " 
home  ? " 
home?" 


4— J  \  m  « — «a :::3- 


HOME'S  SWEET  HARMONY. 


ALLEGaKTTO 


f 1 ^ ^ 1 1 ^  ^ -t 1 ^ W -^ ^  -, ^ ^ 1 1 ^ ^ 1 T- 

.     The  lark  may   sing   her  sweet  -  est  song.     As     ri 
Deep  in     the  woods  the  night  -  in  -  gale      At  mic 


As     ris  -  ing  from  the  wav  -  ing  corn, 
At  midnight  hour  mav  tune  her  lav, 

-0 0 


On    soaring  wings  she 
May  pour  up  -  on     the 


Home's  Sweet  Harmony. 


119 


i — ^ — — i — j-j  1-0 — 0 — », — 


HOT  TOO  FAST. 


skims  a  -  long 
lis  -  t'ning  vale 


f 
t  •  i 

To     wel  -  come    in      the      ris  ■ 
Her  love  -  liest  streams  of     me 


i — T*- f9^ — '—* — \ t-^ : ±- 1 — ^ ' — r 

J — \—t-0  w 1—3— J i— »-L-f1— * 2 -x-*. 41 — * #— c 


ing  morn. 
lo  -  dy. 


5* 


■jta=s=E=q: 


:Jr 


^tJT 


0-    b 

But  her  loveliest    song  is  naught  to 
But  her  midnight   lay    is  naught  to 


me, 
me, 


Com- 
Com- 


-\ — i — »— -k-* — ^-1 


^=^=3: 


£ 


#— J— -# J--^—  * — * * — *-X-*i— i — i — *-^=i-. — J.— £ #-3-^ — £— -«. J 

weet  hi 
weet  hi 


pared  to  home's  sweet  har-mony. 
pared  to  home's  sweet  har  -  mony. 


1 


But   her   loveliest    song  is 
But   her    midnight  lay    is 


naught  to 
naught  to 


me, 
me, 


Compared    to  home's  sweet 
Compared    to  home's  sweet 


3*3E3E 


-*. — »^— * — * 


:=pi 


-Itz: 


iuff~  1    !    '  i  — : — J n — ' — I    III 


har 


ny. 


mmmm 


Sweet  are  the  songsters  of  the  spring, 
And  of  the  summer's  sunny  days  ; 

And  autumn's  feathered  warblers  sing, 
In  rapturous  strains,  their  sweetest  lays. 

But  the  joyous  songs  of  bower  and  tree, 
Are  naught  beside  home's  harmony. 

But  the  joyous  songs,  &c. 


When  time's  dark  clouds  aoove  us  lower, 
And  life's  dread  winter  o'er  us  comes, 

'T  is  then  we  feel  your  masic  power, 
Ye  songsters  of  our  hourts  and  homes. 

For  the  dearest  joys  on  earth  to  me. 
Are  found  in  homo's  sweet  harmony. 

Yes,  the  dearest  joys,  &c. 


120 


OUR  FLAG. 


Words  by  Dr.  0.  W.  Holmes. 


L.  Louis. 


1.  Washed  in  the  blood  of  the  brave  and  the  blooming,  Snatched  from  the  al  -  tar     of     in  -  so  -   lent      foes, 

s.r»— J  -4 a— J ,J— * •'— 'S-ira-T? J — *—  i-i ^ — fi 


K 


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i 


Burn -ing  with  star-fires,    but    nev  -  er    con-sum-ing,     Flash  its  proud  rib  -  ands     of      li  -  ly    and  rose. 

,  (  Cho.  next  page.) 

(*_£■-* H ,-1  - 1 B- 


2. 

Vainly  the  prophets  of  Baal  would  rend  it, 

Vainly  his  worshippers  pray  for  its  fall ; 
Thousands  have  died  for  it,  millions  defend  it, 

Emblem  of  justice  and  mercy  to  all: — 
Cho. — Justice  that  rendeth  the  sky  with  its  terrors, 

Mercy  that  comes  with  her  white  handed  train, 
Soothing  all  passions,  redeeming  all  errors, 

Sheathing  the  sabre  and  breaking  the  chain. 


3. 
Borne  on  the  deluge  of  old  usurpations, 

Drifted  our  Ark  o'er  the  desolate  seas; 
This  was  the  rainbow  of  hope  to  the  nations, 

Torn  from  the  storm-cloud  and  flung  to  the  breeze. 
Cho. — God  bless  our  flag  and  its  loyal  defenders, 

While  its  broad  folds  o'er  the  battle- tit-Id  wave, 
Till  the  dim  star  wreath  rekindle  its  splendors, 
Wash'd  from  its  stains  in  the  blood  of  the  brave ! 


CHORDS. 


Our  Flag. 


121 


w- — i — *}—$—\ — &» — Hi — *■ g — ^-H ^tf — * — tf — i — 


1.  God  bless  our  flag:,  and   its    loy  -  al      de-fend-ers,     While  its  broad   folds  o'er  the    bat  -  tie  -  field   wave, 

2.  Jus  -  tice,  that  rend  -  eth  the  sky  with  its  ter-rors,      Mer  -  cy,    that  comes  with  her    white-hand -ed   train, 


3.    God  bless  our  flag,  and  its    loy  -  al     de-fend-ers,    While  its  broad  folds  o'er    the    bat  -  tie  -  field  wave, 


iff^i^=B=iill^E3il^i^^ 


3^ 


Till   the    dim   star-wreath   re  -  kin  -  die    its  splendors,  Wash'd  fiom  its  stains   in    the    blood    of    the  brave! 
Soothing    all    pas  -  sions,   re  -  deem  -  ing  all    er  -  rors,  Sheathing    the    sa  -  bre,  and    break  -  ing  the   chain. 


Till  the    dim  star-wreath   re  -  kin  -  die    its  splendors,  Wash'd  from  its  stains   in    the    blood    of    the  brave ! 


iSH 


£S 


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MY  SOUL  TO  GOD,  MY  HEART  TO  THEE! 


4! 


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L=rf=3t 


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is    now  spread    to      the       wind," 
not      the      ma  -  rl  -  ner's     song, . 

'-0 — P— 


Said  the    Bri  -  -  -  ton     with     glis  -  ten  -  ing 
That    mer  -  -  -  ri    -    ly      peals     o'er    the 


— — t- 

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eyes,  I       go if   perchance  I  may    find., 

sea,  "  The  soul ....     to    the    sea-gods    be  -  long, . 


Jt 


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The  wealth   that    for  -  tune    here     de- 
"We'll  give    our    hearts    to    mirth    and 


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We  yet  shall  meet — O    dry  thy  tear, 

But    he,      in  trembling  and    in    fear, 


0     heed    my    prayer,    weep 
For  -  gets   not    home       far 


not    for 
o'er  the 


SI J i-p 


frs- 


Il^E^g 


My  Soul  to  God,  my  Heart  to  thee ! 


123 


God,    my    aoul    to     God,     my    heart    to     thee 

£  J>  J. 


V-*- 


E!: 


-,s> 0-. 


mm 


tr 


^ 


He  wanders  o'er  many  a  sea, 

And  gathers  his  treasure  of  gold ; 
Returning,  how  gladly  had  he 

To  her  his  tale  of  fortune  told  ! 
O'er  the  grave  he  reads  in  woe, 

"  Farewell,  my  son,  O  weep  for  me; 
J:  In  heaven"  above,  as  here  below, 

My  soul  to  God,  my  heart  to  thee."  i| 


JUST  TWENTY  YEARS  AGO. 


1.  I've  wander'd  to  the   vil  -  lage,  Tom,  And  sat  be  -  neath   the  tree,    Upon  the  school-house  playing-ground,  That 

2.  The  old  school-house  is  chang'd,  dear  Tom,  The  benches  are  replaced      By   new  ones  ve  -  ry   like  the  same     Our 

- i-0 , 1 0 L_, 0 €-!_, 0 U 0 L 


-•.- 


:*=£ 


EEBE3 


sheltered  you    and    me ; 
pen-knives  had  defaced  ; 


— fr — V r  i     *        N * fcr j— 


But  none  were  there  to  greet  me,  Tom,  And    few  were    left      to     know, 
The  same  old  tricks  are    in    the  wall,     The    bell  swings  to      and      fro, 


That 
The 


-— — ^:rf-  —  i- r 


played  with  us       up  -  on     the     green,     Just     twenty  years    a  -  go.    Chorus. -Twenty      years     a  -  go ! 
""i  -  &ic's    just    the    same,    dear    Tom,  'T  was  twenty  years     a  -  go.  Twenty      years     a  •  go  ! 


a 


A- 


i  *      t- 


3^3 


SUA 


-i *— — 


-4- 


-«i 


just  Twenty  Years  Ago. 


Vlo 


:«=^M 


Twenty    years     a  -  go  !     That  played  with   us      up  -  on     the     green,    Just    twenty     years    a   -   go. 
Twenty     years     a  -  go  !     The    mu  -  sic's    just    the    same,  dear  Tom,  'T  was  twenty     years    a   -   go. 


j;|=p=_-#,  — W 


</--    >   ■■  V * > — « — * *• — * * *i 


=3 


-?- 


II 


Die  river  's  running  just  the  same, 

The  willows  on  its  side 
Are  larger  than  they  were,  dear  Tom, 

The  stream  appears  less  wide  ; 
The  grape-vine  swing  is  ruined  now, 

Where  once  we  played  the  beau, 
And  swung  our  playmates,  boys  and  girls, 

Just  twenty  years  ago. 
Twenty  years  ago,  &c. 


Some  now  are  in  the  church-yard  laid, 

Some  sleep  beneath  the  sea, 
And  few  are  left  of  our  old  class, 

Excepting  you  and  me. 
But  when  our  time  shall  come,  dear  Tom, 

And  we  are  called  to  go, 
I  hope  they  '11  lay  us  where  we  played 

Just  twenty  years  ago. 
Twenty  years  ago,  &c. 


FADED  FLOWERS. 


•0       -0-.  -0-       -0-        '     -0- 


m 


.» 


i 


-** 


-tpt 


=^3: 


the  flowers  that  I  saw  in  the  wildwood 
Oth  -  er  ro  -  ses  may  bloom  on  the  morrow, 
O  !  how  dark  looks  this  world  and  how  dreary, 

0 0- 

0X~0- 


-0— 


I^T! 


Have  since  drooped  their  beautiful  leaves, 
And  ma  -  ny  a  friend  have  I    won, 
When  we  part  from  the  ones  that  we  love  ; 


And  the 
Yet  my 
But  there's 


Faded  Flowers. 


na  -  nv  dear  friends  of    my  childhood,  Have    slumbered  for    years    in  their  eraves !  O  !     tne 


friends  of    my  childhood,  Have    slumbered  for    years    in  their  graves ! 

part    but  with    sorrow,    When    I     think      of    the    ones    that  have  gone ; 
ry,  And  friends  meet  with  lost 

Jt-J *- 


and  the     wea 


O! 
Tis 

And 


—  0 — #.  -* mi— b-a — 2 JT*-1  -s — #^-«  — y.  t**  ^-I-g — ?-*-#D 


bloom  of  the  flow 
won  -  der  that  I, 
heav  -  en     I     can 

~  P  *  * 

-P--  -^=P 


rs  I 
bro 
but 

-* 


r — st 

re  -  member, 

-  ken  hearted, 

re  -  member, 


And   the   smiles    I    shall  nev  -  er  -  more  see  ; 
And     strick  -  en  with  sor  -  row  should  be  ! 
When  from  earth   my  proud  soul  shall  be  free, 
_# _ , — .._  _«. 


For  the 
We  have 
That  no 

*- 


B1T1RD.  ** 

cold     chil  -  ly     mists    of    De  -  cember,  Stole  my  flow'rs  and  com  -  pan  -  ions   from  me. 

met,     we  have  loved,  we  have  parted,  My  flow'rs,  my  com  -  pan -ions,    and  me! 

cold     chil  -  ly     winds  of    De  -  cember.  Can    part     my     com -pan -ions    from  me! 


THE  BATTLE  PRAYER. 


Music  bv  Hoimcl. 


127 


im^^^m^^^^^m^^m^^^^^ 


1.  Father!    I   bend  to  thee,     Life,  it    was     thy      gift,  Thou  now  canst  shield  it,    From  thee  it  came,  And  to 

2.  Father!    I    trust  in  thee,  When  midst  the  battle's  strife,  Death  did  surround  me,  E'en  at  the  cannon's  mouth, 

3.  All    I    give  back  to  thee  !  When  at   thy    call,    I  my    Life  then  shall  yield,         When  in  the  cold  tomb    My 


S 


— r    B»     *•  F        -0- 


■■*?. 


vr 


m- 


-TT.j     I  a 


P-f2 


-M- 


3. 


■-»- 


-Q— 


---fjfi 


thee...      I  yield  it;     In     life  or  death,     Forsake 

Death  has  not  found  me.       Father,  'twas  thy  will !     I    trust 

fate  shall  be  seal'd,  Father,     my   soul      take    un 


not  me. 
in  thee. 
to     thee ! 


Father,  I  bend  to  thee. 
Father,  still  guide  thou  me. 
Father,    for  -  sake    not    me. 

i ^ 


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pg 


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3=PCT 


ALLEUMTTO. 


-0 ' 0 


MAY  OF  THE  VALLEY. 


-V 


4  -     © 


--V 


©.- 


^1-n — * — >-•—#! 


sweet  May   of    the     val  -  ley,    Light-hearted,     joy  -  ous    and  free,  With  blithesome  song,   she 

ly      song     of    the    wild  bird,  That  wakes  the  sweet  fo  -  rest  rose,  The    sparkling  brook,  and 

her     light     step    re  -  pos  -  es,      In    wood  -  land,  cot  -  tage,  or  hall,  Though  joy     resounds,    Or 

1  -'   '  i    ,    -i 


4—JUU, 


0    0    0 


2  0--*=F 


3^E3EE^3^=3=g 


-—&- 


E&= 


bounds  a  -  long,  O'er  the  dew  -  y 
sha  -  dy  nook,  Where  the  vio  -  let 
for  -  tune  frowns,     Wei  -  come    she      to 


lea, .... 


grows, 
all. . . . 


The  pearl  -  y     stream    of 
The    star     of      eve      as 
And     as     the     tones     of 


the    wood  -  land,    The 
it       lin     -     gers      A- 
-    tion      Are 


£i=t 


-?- 


k 


— •- 


:a^;zr? 


H  -T,T     j 


m 


SHE 


^5 


gen  -  tie  -voice  of  the  gale, 
long  the  vine-covered  dale, 
borne  a  -  way  on    the  gale, 

W— — 0 O 0- 


-#-- 


E 


-*  -j- 


-fv 


The     flow'rets    gay  Seem  all     to     say,      May   is    the  dar  -  ling  of   the    vale. 

All     wake  the  lay  That  seems  to    say,       May   is    the  dar  -  ling  of    the    vale. 

They  swell    the    lay  That  seems  to    say,      May   is    the  dar  -  ling  of    the    vale. 


lis  M  i  *  i— *  A  i-T  j  r-iff-A 

\—*3 1 — i 1_ L_a ta 1-. 


&f 


i 


CIIORTJS.     After  the  ast  verse,    tpeat  pp 
I       I  * K 


May  of  the  Valley.  129 

j, 0 1 1 0 0 a 0 1 -j 1 0 0  _ 0 0 0  _L 

a  -0-     -0-     -0-       -0-       -0- 


9- 


Yes,  hark  !    to      the     mu  -  sic      steal  -  ing 


Far      on      the    sure  -  mer  air,        Joy  -  ous  -  ly   swell  -  ing, 


1 H U 1 1 1 a'- 1 1 H 1 \-. <- 


T=T- 


:3= 


— • 0 a d 5 5 0 

— g 1 m. 0 9. — i . 


0- 

■-I 0- 


3=5= 


5 


glad  -  ly    tell  -  ing,      May    is      good     and    fair 


r,         Th 


he    voi  -  ces    sweet    of     the    wood  -  land,     The 

*.        *.        4L        4L        ft 


r=r 


@ 


May  is    the  dar  -  ling  of   the    rale. 


mur-mur  low  of  the    dale;    They  float  a  -  way,    But  ev  -  er    say,     May  is    the  dar -ling  of   the    rale. 


f=f 


•y — * 


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£ 


f=T=f=rrf=r=^ 


-y — y    y    y  ■ 


r 


130 


Words  by  limn  Bisrxow.  Es<j 


JONATHAN  TO  JOHN. 


1.  It    don't  seem  hard  -  ly  tair,  John,  \\  hen  both  my  hands  was  full,     To  stump  me    to     a     fight,  John,    \oux 

2.  Who  made  the  law  thet  hurts,  John,    Heads  I    xcin, — dit  -  to,  tails  t     "J.    B."   was  on     his  shirts,  John,    On- 


cou  -  sin,    tu,  John  Hull  !     Ole  Un  -  cle     S.,     sez    he,   "  I    guess,    AVe  know    it     now,"    sez    he, 
less     my  mem  -  'ry  fails       Ole  Un  -  ele     S.,     sez    he,  "  I    guess,   (I'm   good     at    thet,)"    sez    he, 

a  —0 0 — * — *-  . — »  »--#-#-, — i \ \, — i \ 1 1 — B 4 


rz-i~\ 


^ — 2^ # — #»f — #-3—  ^ — 0 9 — 9-j—0m<—=-10 — «_j — , — * — 0 j —      d  —  « — X    » — 


li  -   on's     paw     is       all       the       law,     Ac  -  cord 
pauce  for    goose  ain't    jest     the    juice     For     gan 


I  ... 


in'       to      J.     15.,     Thet's  fit    for   you  an'  me!" 
ders  with    J.     B.,     No  more  than  you    or    me !  " 


^E=;^miMMM^=^immmiW3miM 


i 

We  own  tne  ocean,  tu,  John : 
You  mus'n't  take  it  hard, 

Ef  we  can't  think  with  you,  John, 
it's  just  your  own  back-yard. 

Ole  Uncle  S.  sez  he,  "  I  guess, 
Ef  thet's  his  claim,"  sez  he, 

"  The  fencin'-stuff  '11  cost  enough 
To  bust  up  friend  J.  B,, 
Ez  wal  ez  you  an'  me  !  " 


Jonathan  to  John. 

4. 

We  give  the  critters  back,  John, 

Coz  Abram  thoueht  't  was  right ; 
It  warn't  your  bullyin'  clack,  John, 

Provokin'  us  to  fight. 
Ole  Uncle  S.  sez  he,  •'  I  guess 

We've  a  hard  row,"  sez  he, 
"  To  hoe  jest  now  ;  but  thet,  somehow, 

May  happen  to  J.  B., 

Ez  wal  ez  you  an'  me  !  " 

THE  EVENING  BREEZE. 


131 


«. 


Shall  it  be  love  or  hate,  Jo  n  ? 

It's  you  thet's  to  aeciuc ; 
Ain't  your  bonds  held  bv  Jtotu.,  John, 

Like  all  the  world  besiuj  ? 
Old  Uncle  S.,  sez  he,   "  I  guess, 

Wise  men  forgive,"  sez  he, 
"  But  not  forget ;  an'  sometime  yet 

Thet  truth  may  strike  J.  B., 

Ez  wal  ez  you  an'  me  !  " 


— *-  -i— 1^-0— # V3-r— f— 0— *•   ♦ — i — * — ,_a__L__i__^irj_-# ^_c 

Gen  -  tly,  gen  -  tly  sighs  the 
d.  c. — Good.,  night,  the  eve  -  ning 

-^gff-*-£=£:i=g=J--J:=*-- 


Gen  -  tly,  gen  -  tly  sighs  the    breeze,     Like    a     whis  -  per    thro'    the     trees,     Like  a  voice    of   ser  -  aph 
d.  c. — Good.,  night,  the  eve  -  ning   breeze     Seems  to   whis  -  per    thro'    the     trees,    Now  the  woodland  murmurs 


:t=t- 


"ij— i* # — « * 


;hs         the     breeze, 
,r         murs    cease  ; 


bright,     Sing  -  ing     to     the    world  "goodnight."    Gen-tly,  gen   -  tly      sighs 
cease ;       All    is    sweet    re  -'pose    and    peace !     Now  the  woodland     inur 


Like     a 
All      is 

-*  — 


The  Evening  Breeze. 


p^ 


gh^jrfTp-fyfhfl 


* 


-1-- 


3g-j-1=|rrx 


whis  -  per    thro'       the     trees,  Like   a      voice   of    ser  -  aph       bright, 
sweet    re    -    pose     and   peace  !  We  must  whis  -  per  now  good     night, 


Sing  -  ing      to     the  world  "good 
We  must    whis  -  per  now,  good 


m 


F=r= 


*  # 


=t 


mm 


whis  -  per     thro' 
sweet   re  -  pose 

PP 


the     trees, 


and 


=* 


peace 


Like   a   voice    of    ser  -  aph     bright,         Sing  -  ing 
We  must  whis  -  per  now  good  night,         We   must 


JJU4  4,-444 


— ^ 


— P- 

— i — 


g=f= 


^ — / 


"3— g  -i 7 


H^l] 


'good.,     night,"  Sing -ing     to      the     world  good  night,     good  night,  good  night,  good  night ! 
good.,     night.     We  must  whis  -  per    now,  good  night,     must  whis  -  per  now,     goodnight. 


...       .  •**■ 


to      the  world,  good  night.     Sing  -  ing    to      the    world  good  night,     good  night,  good  night,  good  night, 
whis  -  per  now,  good  night,    We  must  whis  -  per     now,  good  night,    must  whis  -  per    now,    good  night. 


wm 


;t  _ 


h*   ,   m   A. 


--* 


3=*: 


V- 


[  i      if 


m 


The  Evening  Breeze. 


133 


p   p      let  Voioe. 


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m^m 


p^aw 


#♦-»■ 


fe?-"E 


Ev  -  'ry       hill      and     ev  -  'ry        glade,  In    the       twi  -  light  seems   to       fade, 

.S55_,55i _  J53_JIIi_  -Eg   CP 


While  the 


felfa=iEp? 


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h- 


E^E^M 


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fe 


ti*=zTttt& 


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*-£- 


^EE=EEEE 


2d  Voice. 


i^BEE^^i 


whis  -  p'ring  breezes    say  O  -  ri  -  zons  for  close  of    day.  Hush  !  the  birds  are   gone   to 

JH3  555  rzzz  SXH  533 J?  £  CH  ?         r^Ui+i 


rest O'er  the  earth  night's  sa  -  ble  vest 


#7*  ■*-— 1 #v-#H-< 0 0 0 


Hides  her  beauties   from   our      sight We  sweet 


— # — I «- 


— ft- 


£3 


The  Evening  Breeze. 

A    itMfO. 


m 


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"V               j—                           >ia. 
*.«n ^^ — I ^""n — I r 


friend,  We.  sweet  friend,  must  breathe  good  night !  Gooa  nigni,         good  night, 


~?~ 


azrzz: 


good  night,  good  night,  good  night. 


D.  C.  "  Good  night." 


DEPARTED  DAYS. 


ALLtOBITTO    AFFCTDOSO 


ese 


1.  Sweet  voi  -  ces        from  the  spi  -  rit     land....       I     hear,     Now 

2.  When  twi  -  light's     shadows  veil    the     qui    -  -  -    et    earth,   And 

3.  When  far     from      those  most  dear  a-  while....     we   part,       In 


-i — ^      s  | 


-E-zr I-r»l-*-»--r-r-rr—  I — hi — p 


breath  -  ing 
ear    •    ly 

stran  -  ger 

-0- 


pure  and  ho  -  ly 
stars  be  -  deck  the 
lands     to     find      a 


With  heav'n  -  ly  tones  a  -  wak  -  ing  mem  - 
When  friend*  are  gath  -  er"d  round  the  home  - 
When      long       and       wea  -  ry     days     op  -  press.... 


-  ries    dear, 

-  stead   hearth, 

the  heart, 


cTr 

And 
And 


Departed  Days. 


135 


*        0      ^i=c 


loved     and    ~long     de  -  part  -  ed       days They     come 

cares      of         day     are   pass-ing      by They     come,     &c. 

in  the       throng  we  walk    a    -    lone They     come,     &c. 


be  -  loved     ones,     from    the 


«feS 


'& 


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H^EEE£ 


dis 


tafit      shore,     Where     joy il  -  lumes     with       gold  -  en      rays,. 


And 


0—       —  -*— r* — 


^ — — v 1 — • 1 


^B: 


^ 


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soft  -  ly      in     each  sorrowing  heart.. .   they  pour     Sweet     mem'-  ries        of       de  -  part  -  ed     days. 


*£* 


136 


CHORUS,  ad  10>. 


Departed  Days. 


-a-.. 


:^EE^ 


= 


eg 


They    come,       be  -  loved    ones,  from    the     dis  -  -  tant   shore,    Where    joy...     il  -  lumes   with   gold  -  en 


zsS=£=f: 


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53 

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#•—  0- 


-0  — 


They   come,       be  -  loved    ones,  from    the    dis  -  -  tant   shore,    Where    joy ...     il  -  lumes   with   gold  -  en 

^» — 0 0'- 0'--\      I        ! !y— ^^^ x—P 


ieiP 


3 


*^: 


J     J— ji 


rays,        And    soft  -  ly      in   each  sorrowing    heart    they  pour  Sweet  mem'ries    of      de  -  part  -  ed    days. 
V 


rays,         And    soft  -  ly      in   each  sorrowing    heart     they  pour  Sweet  mem'ries     of      de  -  part  -  ed   days. 
P 


C*; — &■•■ — #•- — m'- #i — 0'  —  0 0 — 0 «,- 


KJ~  This  Chorus  mav  be  omitted,— or  the  part  of  the  Song  having  the  air  of  the  Chorus  ma;  be  omitted  and  the  Chorus  sung,-  or  all  may  be 
lung  in  Vie  order  here  givia. 


WHAT  IS  HOME? 


137 


=h  r-3 


^? 


1.  Home's  not  made    of  pul   -  ace  walls,  Tho'   with    pic  -  ture^    hung  and     gild  -  ed  :  Home  is  where  af- 

2.  Home's  not  mere  -  ly  roof     and    room?   Home  needs  something    to      en  -  dear       it  ;  Home  is  where  the 
S.  Home  i  it    may     be  but       a      name,       O   -  ver  which    the    mem'  -  ry     lin  -  gers ;  Smile  or  tear,      or 

-*■#--•-       -ft- 


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-j ' — — » -0 —  c 9 e * — [■ 

T — »— ?=*=q  -g — 7"~'7 — g-3     r=?  =  l~ ?EE 

■   L-  I- 1 . 1 1 f. '- 1 1 I "- J 1 i- 


I 

fee  -  tion  calls,     Filled  with  shrines  the  heart  hath  build  -  ed  ! 
heart  can  bloom,  Where  there's  some  kind  lip     to      cheer    it ! 
ho  -  ly    flame,  Wrought  by  love's  re  -  sist  -  less    fin  -  gers ! 

,.f     T.    ff-  .  * — »—* — t-j£ — * — * 


the 


Home  !  go  watch  the 
What  is  home  with 
Home!     it      is        a 


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& 


31J3 1 


f-r— ' ' 1- K 1 U_S- J y, J 


faith  -  ful 
none  to 
pre  -  cious 

■0-       -0- 
— Z '•- 


dove, 
cheer, 
word, 


*— i~ 1— f 


Sailing  'neath  the  heav'n  above  us  ;  Home  is  where  there's  one  to  love,  Home  is. . .  where  there's  one  to  iove  us  ! 
None  to  welcome,  none  to  meet  us  ?  Home  is  sweet  and  only  sweet,  Where  there's  one  we  love  to  greet  us  ! 
On  the  lov  -  ing  heart  en  -  gra  -  ven,  Home's  a  sweet  and  sacred  chord  Join- ing. .  kin  -  dred  souls  in  heav  -  en! 


— £L£_£Lj£ 


■0-       -0-'     -0-       T* 


____(_.—-, . — 1-, P-j-< 0 0 »rT~i    1 j--      |       i     l  | m-t    i  -r- >-- -' [■-»-; — *  r —  *f~n 


138 


THREE  FISHERS  WENT  SAILING. 


Words  by  Ret.  C.  Kixgslet. 


J.    IIl'IXAII. 


1.    Three    fish  -  cr8    went    sail  -  ing     oat      in    -    to      the    west,      Out      in    -    to      the      west    as      the 


fHIli 


son        went    down :      Each  thought  on      the 


—  -S ■/- 


J=*= 


wo  -  man      who       loved    him    the    best,       And    the 

■0- 

0 0  —  T—  # 


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v — >»— F 


TJT«  POCO  BALL. 


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Si 


them        out         of 


Hi-p # # — 1— # # # 0 L 


I  -*■ 


z 


the     town.      For    men      must     work,    and 


chil  -  dren     stood     watch  -  ing 


I 


Three  Fishers  went  Sailing. 


139 


^_^-J  — #^ — -4-0. * <p0-i\  — 4— *-P*j» 0 


5r 


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* 


3E: 


wo  -  men  mast  weep,        And  there's    lit    -    tie      to        earn,    and    ma  -  ny        to      keep ;    Though  the 


^nrrg— d£==£. — f — ~fi^, qpp ft -gr-=g-qrr# ? — ^-i         W- 4— \- 

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. — | ♦ , b*  _T_J , 


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1 


Three  wives  ?at  up  in  the  light-house  tower, 

And  they  trimmed  the  lamps  as  the  sun  went  down ; 
They  looked  at  the  squall,  and  they  looked  at  the  shower, 
And  the  night-rack  came  rolling  up  ragged  and  brown  ! 
For  men  must  work,  and  women  must  weep, 
Though  storms  be  sudden  and  waters  deep, 
And  the  harbor  bar  be  moaning. 


3. 
Three  corpses  lay  out  on  the  shining  sands, 

In  the  morning  gleam  as  the  tide  went  down, 
And  the  women  are  weeping  and  wrineing  their  hands, 
For  those  who  will  never  come  back  to  the  town; 
For  men  must  work  and  women  must  weep, 
And  the  sooner  it's  over  the  sooner  to  sleep, 
And  good  bye  to  the  bar  and  its  moaning. 


HO 


'TIS  MIDNIGHT  HOUR. 


k 


1.  "lis  midnight  hour,  the  i 


mmmm^mmmmmmw 


r  sr  vr   '      * 

moon  shines  bright,  The  dew-drops  blaze  beneath  her  ray,     The  twinkling  stars  their 
2.  Tis  midnight  hour,  from  flow'r  to  flow'r,     The  wayward  ze  -  phyr  floats  a  -  long,     Or     lin  -  gers  in        the 


y      — , »-r-» — »-r-#-i * — r-* — *^-*-t — -* — * — * — *  t — *  -  »      0  ^  0  i — 0~r* — 0  ■=  p-c 


-5,,   ^~~ O 1 Nr r 1 , \ f=V 1 V Or r 


trembling  light     Like  beauty's    eyes     dis  -  play  ; 
sha  -  ded  bow'r,   To    hear  the  night-birds'  song; 


Then  sleep  no  more,  though  round  thy  heart   Some 
Then  sleep  no  more,  &c. 


0-9-0—9 1         *  * f #-^ 


JfcJT  S*  .  == 


HIT.    .  \  AD  LIB    S 

— 5fc    — if—*1 — i 


ten  -  der  dream   may    i  -  dly  play,  For  midnight  song  with  ina  -  gic  art,  Shall  chase  that  dream  a  -  way. 
-0    — 0 — 0 — 0-T ?^r*—*—&-j — #— -#— #-^#  T — -*-*-*— 0—0— i 


0 — 0—0 — 0  T — *-»-*— 0—0—r 0  — » — * — *-[—  *^f—^ — n 

— 0  | — — — 0—  4- — 0  - — —0  —4-  — -  -g-r       i-  a  —4-  —r-0  —0  „M 


NEAR  THE  BANKS  OF  THAT  LONE  R'Yrr. 


W, 


^lp^^iPpp|Ep^l|pi^pig 


1.  Near  the  banks    of     that  lone  riv  -  er,     Where  the  wa  -  ter      li  -  lies    grow, 

2.  Like  the   stream  with     li  -  lies    la  -  den,     Will     life's  fu  -  ture  cur -rent   flow, 


Breathed  the  fair  -  est 
'Till       in  heaven  I 


flower    that  ev  -  er    Bloomed  and  fa  -  ded       years    a  -  go. 
meet    the    maiden,     Fond  -  ly     cher  -  ish'd      long    a  -  go. 


How     we    met,  and    loved,  and   part  -  ed, 
Hearts  that  love  like    mine    for  -  get    not ; 


w^^^^^mg£$$=£sim 


None  on  earth  can  ev  -  er     know. . . .     Nor  how  pure  and  gentle  -  hearted,  Beamed  the  mourned  one  years  a  -  go. 
They're  the  same  in  weal  or    woe And  that  star  of  mem  -  'ry  sets  not      In     the   graves    of     long   a  -  go. 


lit 


OLD  FRIENDS  AND  OLD  TIMES. 


^ 


-JL 


===*l£G 


^ 


— p 


^= 


-1-a>  _ =L^. 


1.  Think  -  in?     of        old 

2.  O  '«.fa    the      old 


times, 
friends 


Hopes       ne'er  to       be, 
no     more    see. 


K 


ik  -  ing     of         "Id         friends, 
the.-e     a        kind       thougnt 


1*1  U^1  JjT1  JT?  JT?  J7?  iEQSj    i  i  JT?J7T 


I 


^-^ 


-N- 


E 


fcfct= 


--t?_ 


j=M*==^ 


Far 
Ev 


o'er    the    lea ; 
-  er        for    me  ? 


Dis  -  tance        can    change    not  Dear        ones      like  you ; 

If  there's     but    one  hope,  One         wish,     tho'    vain, 


2a 


1 Li rt    '    ' 1 lH © ^ 1 *-> 1 — 


UPlHilg 


if 


■?»- 


For  -  tune  es   -   trange    not 
If     there's  but     one       sigh, 


Hearts  that    are       true, Thus 

I'll  not  com  -  plain Thus 


in     the       twi  -  light, 
in     the       twi  -  light, 


m 


r 


L_ , '  i  i  ' 


Old  Friends  and  Old  Times. 


143 


Fond  thoughts  will   -tray 
Tears        oft     will  stray, 


Back         to     the 

Think  -  ing     of 


old 
old 


homes,       Homes       far 
friends,      Friends      far 


o — 
a  -  way  ! 


f!H=ii=i 


0  — «>• — i-» — «-,—■-»  — * — 1  0 — gn — -* —     -j       -gi — |-* — *-- 1  j-~g-  t — * — * 


— -s 


M 


— 1^- — ^tS-— 


J, 


El==g 


CHORUS,  ad  lib. 


i§: 


Homes    far 
Friends   far 


a  -  way, 
a  -  way, 


Far,    far      a  -  way,     Homes    far      a  -  waj, 
Far,    far       a  -  way,     Friends  far      a  -  way, 


Far,     far       a  -  way ! 
Far,     far       a  -  way! 


3E 


f1 


1 , 1 — 1  I j 1 — U 1 — 1 1- — I — I 1 1 — 1 j U — I — I—    — ■ 


Far    a  -  way, 


Far    a  -  way, 


BLANCHE  ALPEN. 


bow  -  er  ;    Of  winds  t: 
float ;         But    have    y 

—0 — #_t — i_#_ffl 


1.  You    speak    of    sun  -  ny  skies    to     me,     Of      o  -  range  grove    and     bow  -  er ;     Of  winds  that  wake  soft 

2.  You     tell      me    oft    of     riv  -  ers  bright.  Where  gold -en     gal  -  lies      float;         But    have    you    seen    our 


!S!liIpE^pp==£pI 


a 


i44 


Blanche  Alpen. 


me-  lo  -  dy     From  leaf    and     bloom -ing  flow'r; 
lakes  by  night.  Or   sailed    in       al  -  piue    boat  r 


And  you  may  prize  those    far  -  off    skies.    But 
You  speak  of  lands  where  hearts  and  hands  Will 


_ ~_ w — m w — w . 

zzz*zzjizzzzzi~s-~~^~z7Z  _  z «r - ^"d^r^zr : 

-* L==1zZZZt=3-WZSZZ=3-3  —±T.  f        fc 


•    • 


9  '0 


In    sweet  con  -  tent     my     days    are    spent,    Then  where 
But  though  I     find     true    hearts  and  kind,   They're  kind 


fore  leave  my 
er    still     at 


1— »—     ~i     '  — • — '- — ~\- 


home  ? 
home. 


i 


In     sweet  con  •  tent     my     days    are    spent,     Then  where  -  fore    leave       my    home  ? 
But  though  I     find      true  hearts  and    kind.  They're  kind  -  er        still        at       home. 

_  •  —1 L_! !■*_ W !s , !^_ S ^ , 


W** 


I'M  GOING  TO  BE  A  SOLDIER. 


Word*  by  Mm  H.  E.  Beow*. 


^X 


145 

From  th«  "  Sara  Cum.'' 


t—*-~tJ-.—t—i^£±-}-*—*-l=l:—S — . — »  +^*--3P^*    J    t    -J  I 

.    C  I'm  go-ing      to        be        a    sol  -  dier,     Gird    on      my      ar  -  mor    bright,  ) 
' )  And     with    my      lit  -  tie    com-rades,     I'll    take     the  field    and     fight  ;    S    I'll 

up 


-3.ZM1 


— 


H!i! 


nev  -  er   mind   the 
— 0 »  —  0 #— 


Chorus. — Life's   bat  -  tie,     O     life's 


-r—T 


hard  -  ships      nor 


rua: 

1. 


of      the     way ;       I'll       watch    and        toil      and     vrres  -  tie         By 


4  -\\if- 

-0 0- 


bat  -  tie,      'Tis    fought     with      self    and     sin ;       but  Je    -     sus 


is 


C  -P^f 

- — h-» g  0  — 

my     Cap  •  tain,     And 


(Repeat  for  Chorus.) 

a: 


mm 


•eV- 
day. 


un     sure       to         win. 


The  foes  that  will  assail  me, 

Are  subtle,  fierce  and  strong  ; 
The  war  that  they  are  waging 

Will  deadly  be  and  long  ; 
But  I've  a  well-tried  helmet, 

A  swo'd  and  trusty  shu-ld, 
To  quench  the  fiery  arrows 

That  Satan's  hand  may  wield. 
Cho. — Life's  battle,  &c. 


I  know  I'm  small  and  feeble, 

But  Jesus  is  my  head  ; 
He's  wise  and  strong  and  able, 

To  triumph  he  will  lead  ; 
And  when  beneath  his  banner 

I've  gained  the  victor's  crown, 
With  one  long,  loud  ho-anna, 

I'll  lay  my  aimor  down. 
Cho. — Life's  battle,  fce. 


14b 


HOW  CAN  I  LEAVE  THFE  ' 


S 


•ivpuri. 


f»ora«  rrotn  in>  Gennu 


1   How   can 
<?  lilue     is 
3   Would  I 


5E»:-JL J4^^t-^-^-H^-iF--^t--N-f -4^[-»!- ^-  2 1:^ 

r  ^  i 

I        leave    thee  !   From  thee  how  can  I  part  '  Thou  on  -  ly  ha-t    my  heart,  Sifter,    believe, 
a       flower  -  et  Called  the  '•  Forget-me-not,"  Wear  it     up  -  on  thy  heart.  And  think  of  me  ! 
a       bird     were  !   Soon  at    thy  side   to     be,    Falcon  nor  hawk  would  fear,  Speeding  to  thee. 
-0 ^-# *  _#_T_*. 


0-       fi 0 «^ 0-0 0. 


i  n  j_i  j  M  I A  J  t\  ^ 


Thou  hast  this  soul    of  mine,  So     close-ly   bound   to   thine,    No   o  -  ther     can     I  love,    Save  thee   alone ! 

Floweret     and  hope  may  die,  Yet  love  with     us   shall  stay,   That  can-not  pass  a  -  way,    Sis  -  ter,    believe. 

When  by   the   fowler    slain,  I         at    thy     feet  should  lie,  Thou  sadly  should'st  complain,  Joyful    I'd   die! 

•#-■#-  -  -  ,  ■*• 


E 


mmim^Mm- 


ANGELS  WILL  ROCK  THEE  TO  SLEEP. 


^mm 


1.  My   child,  ah   my  child  !  thou  art  wea  -  ry     to-night;   Thy   spi-rit    is     sad,    and  dim  is  the  light ;  Thou  would'st 

2.  "  Backward  ?  "    say  onward  !    ye   swift  rolling    years  ;         Gird  on    thy     armor,    keep  back  thy  tears  !     Count 

+«  .«         .    fj.  J.    ,«    «    ^  J?    aii 


^£^=M^==M^MM 


■¥— 


wm 


A-M. 


«►' 


T 


L-e' 


Angels  will  rock  thee  to  steep. 


147 


siilj^iilii^^gipsg^ll 


Si- 
call    me  back   from   the    ech  -  o  -  less  shore,    To  the   tri  -  als     of      life,   to     thy   heart     as 
not     thy      tri  -  als     nor      efforts      in    vain,    They'll  bring  thee  the  light   of    thy    childhood 


of  yore,  Thou 
again. 


0 — * m-L— <S 


SE£ 


longest      a  -  gain     for     my   fond  lov  -  ing   care,  For  my  kiss     on   thy  cheek,  for  my  hand  on    thy   hair,  But 
Ye  should  not  weary,  my        child,    by   the  way,       But    watch  for   the  .light       of      that     brighter   day  ;  Not 


:i= 


EJHEE 


=t 


3 «-■-#. •- 


angels 
tired 


~f~r 


^ 


=t= 


-(2- g£ 


Ss 


:5= 


around     thee   their  loving  watch  keep,    And    an 
of     "  sowing     for      others       to    reap,"  For      an 


TV  \ 

BEf? 


Sleep 


soft ! 


Sleep 


!==I 


=±5>: 


i.   r    i        r  r 

gels,  my   darling,  will  rock  thee  to  sleep  ! 
gels,  my  darling,    will  rock  thee   to  sleep  ! 


soft! 


Rest 


in     peace, 


i—0- 

rest 


-^--*- 


i=3. 


(&•>= 


peace, 


148 


rS7\ 


&'->- 


-P*    0 

rest  in  peace,  in  peace. 

1 1— M 1+ H u 


Angels  will  rock  thee  to  sleeo. 

3. 
Tired,  my  child,  of  the  "  base,  the  untrue,'' 

O,  I  have  tasted  the  cup  they  give  you, 
I've  felt  the  deep  sorrow  in  the  living  green 

Of  a  low  mossy  grave  by  a  silvery  stream  ; 
But  the  dear  mother  I  sought  for  in  vain 

Is  an  angel  presence,  and  with  me  again, 
And  in  the  still  night,  from  the  silence  so  deep 

Will  come  the  bright  angels  to  "  rock  me 
to  sleep." — Cuouus. 


THE     DEEP. 


_L^_ J. X 


Nearer  thee  now  than  in  days  that  are  flown. 
Purer  the  love  light  encircling  thy  home, 
Far  more  enduring  the  watch  for  to-night, 
Than  even  earth  worship  away  from  the 
light. 
Soon  the  dark  shadows  will  linger  no  more, 
Nor  come  at  thy  call  from  the  opening  door, 
But  know  thou,  my  child,  that  the  angels 
watch  keep, 
And  60on,  very  soon,  they  will   "  rock 
thee  to  sleep." — Chorus. 


Word*  by  Brainard. 


There's 

beauty 

in 

the     deep  : 

— The  wave 

is 

There's 

niusic 

Id 

the     deep 

:— It      is 

DOt 

bluer      than     the    sky 
Id    the  surfs  rough  roar 


the  light  shine  bright  on  high,  More  softly 
the     whispering,  ehel  -  ly  shore — They  are  but 


do      the    sea  gems     glow    That    spar  -  kle      in     the    depths    below  1     The    rainbow's    tints    are    on  -  ly     made     When     on     the 
earthly  sounds  that    tell      Ilow     lit     -     tie      of  the  sea-uyiuph's  shell,  That  sends     its     loud,  clear  note     a  -  broad,     Or     winds     itt 


wa  •  ters     they      are         laid,     And 
softness     through  the     flood,     hcu 


sun      ancl     moon     must      stout  -  ly     shine 
oes  through  groves    with      cho  ■  ral     gay, 


There's  quiet  in  the  deep  : — 
AboTe.  let  tides  and  tempest.*  rave. 
And  earth-born  whirlwinds  wake  the  ware  ; 
Above,  let  care  and  fear  contend, 
Willi  sin  and  sorrow  to  the  end  : 
Here,  far  beneath  the  tainted  foam, 
That  frets  above  our  peaceful  home, 
u  e  dream  in  joy.  and  wake  in  love. 
Nor  know  tbe  rage  that  yens  above 

There's  quiet  in  the  deep. 


t-p  -  on      the         ocean's        lev   ■  el     brine.  There's  beauty         in       the     deep. 
Ana  oms,    en    spon  -  gy     banks  a      way.    There's  mu  -  aio      in      the    deep 


BY  THE  SAD  SEA  WAVES. 


Dolci. 
1.     By  the    sad  sea  waves,       I    listen  while  they  moan  A  lament  o'er  graves     Of  hope  and  pleasure  gone.  I  was 


149 

1 


By  the    sad  sea  waves,       I    listen  while  they  moan  A  lament  o'er  graves     Of  hope  and  pleasure  gone,  i  was 
2.  From  my  care  last  night       By  ho  -  ly  sleep  beguil'd.  In  the  fair  dream  light  My  home  upon  me  smil'd.  O,  how 


;HH 


3r=Jr 


m 


5i£ 


=£ 


young,     I     was    fair,       I      had     once    not      a       care   From   the      ris  -  ing        of    the  morn     to       the 
sweet    'mid  the     dew    Ev'  -  ry    flow'r  that    I     knew  Breath'd  a       gen  -  tie      wel  -  come  back   to       the 


!AU.  _J2±}1±11_JAIA 


pp 


^3=£= 


=^ 


-jpzz 


I 


tMN^^^P-Jqd 


SI 


set  -  ting      of      the     sun ;     Yet 
worn     and      wea  -  ry     child.      I 


I^ET^E^^ 


sea  wave.     Come  a 
sea  wave.     Come  a 


1 


150 


By  the  sad  sea  waves. 


^-;i  i :  M±&&=f=tik&^m&m 


gain,  bright   days     of    hope  and  pleasure  gone,    Come     again,  bright  days,    Come  again,     come      again, 
gain,    dear  dreains,  so     peaceful  -  ly  that  smil'd,  Come     again,  dear  dreams,  Come  again,     come      again. 


j= 


i4 


Eg     i 


LljIo 


ALLEGRETTO. 


THE  SWORD  OF  BUNKER  HILL. 


1.  He       lay     up  -  on  his       dy  -  ing       bed  ; 

2.  The  sword  was  brought,      the      soldier's       eye 


Words  by  William  Ross  Wallaci 


£5 


S 


with    a     fee 
as    he  grasped 


ble   voice  he  called 
the    ancient   blade, 


His    weeping   son         to   him  : 
He   murmur'd  Warrra's   name: 


"  Weep  not,    my   boy  !  "  the 
Then  said,  "  my  boy,      I 


r    I I    !>■'  '  T 


» r- 


ej 


The  Sword  of  Bunker  Hill. 


151 


m^^w^T^^^^^^-^^w-2 


m 


::J=3« 


vet'ran    said,       "  I      bow     to  Heav'n's  high  will — 
leave  you  gold —   But   what        is      richer      still, 


-fr-+- 

-0 

antlers 


But     quickly  from     yon        antlers     bring         The 
I    leave   you,  mark  me,    mark   me  now —      The 


mmmmmmmmM 


3=Ez 


£z3z 


zi—t=nzrz 


>•  I    II  II 

I I I I 


Sword  of 

Sword   of 


zpzzzz*^<s=zzrzzfr0—        | ^zpzzzzzz^zzz^ 


■+- 


But      quickly    from     yon      antlers    bring 
I     leave  you,  mark  me,  mark  me  now — 


Bunker   Hill 
Bunker   Hill 

f"— * — ff-i— t—  r— »—      — "5"— S"- 


The    Sword 
The   Sword 


of 
of 


=1 


m 


Bunker 
Bunker 


Hill." 
Hill." 


3. 
" 'Twas  on  that  dread,  immortal  day 

I  dared  the  Briton's  band, 
A  Captain  raised  that  blade  on  me — 

I  tore  it  from  his  hand  : 
And  while  the  glorious  battle  raged 

It  lightened  freedom's  will — 
For  hov,  the  God  of  freedom  blessed 

The  Sword  of  Bunker  Hill."  :U 


"  O  keep  the  sword  !" — his  accents  broke — 

A  smile — and  he  was  dead — 
But  his  wrinkled  hand  still  grasped  the  blade, 

Upon  that  dying  bed. 
The  son  remains;  the  sword  remains — 

Its  glory  growing  still — 
||:  And  twenty  millions  bless  tne  sire 

Avd  Sword  of  Bunker  Hill.  :|| 


DEAR  OLD  SONGS  OF  HOME. 

?= 1 W-H 


— U ■-J- 1 m—jrr —  x  — m~     m\ ^rf-H         '• 


6     home,  that     sweetest   spot      on  earth,  Thy  name  my  heart's  strings  thrill,     Though     gone     is     er*  -   ry 
The      breezes,      as    they   whis  -  tie     by,     The  bird's  loud,  mirth  -  ful   song,         They   waft     the  same  mag 


-s> — 


^y 


POCO  8TRING. 


if         *• +*     +*  9  p     "^—      — *W      -f  — > 


II 


o     -     ther  joy,     Ye   wake   of    rap  -  ture     still, 
set   -   ic     word     In    mel  -  o  -  dy         a  -  long. 


.1. 


Each    step      a  -  long    the  oft  •  trod   path        Re  - 

The  mur  -  mur     of       the  rip  -  pling  brook.  With 

fSSS   r*TJ  "'ZZZr 

'99 


m 

_«_#!*: 


-» 


I 


w 


^ 


TEN. 

3 -IU-! 


calls   some   child  -  ish   day, 
mer  -  ry       glancing    foam, 


And   brings   to     mind   some   dear  lov'd  friends   For  -  ev  -  er      passed      a  - 
Sings    as        it     spar  -  kles     on      its     way,     The      dear      old     songs     of 


JL_ 


r 


The  Dear  Old  Songs  of  Home. 


153 


I 


m^ 


-* — *-^.- — f^T-1 — ' ^* — — Ej^T1  4. 


to    mind       some    dear    lov'd    friends     For  -  ev  -  er  passed    a  -  way. 

it      spar  -   kles        on        its     way,         The       dear      old     songs       of    home. 


mmmm 


wel    -     come    to    my     heart, 
come  from  cold  and   dark, 


Thawing,    thawing    like      the  snow  ; 
Ye  shall  glit  -  ter      in      the     sun  ; 


-J-  rdt  "^     ■*     "*        l-*t-» 
-1—9-9—9 — mi 


-tJt, — fij^-  -$0,  0-0 
0-0 — fi*-  4 — f*  0-0 


rrinrr*' — : — 9-  ~c 


154 


3?#  2—*-* 


;\ 


-^ 


t|]i 


U  Ye    I  ears! 


=± 


yielded,     And   the    ea- 
cheer  us        If    the  showers 


ly  snow-drop  spring,    And    the     heal 
re  -  fuse   to      fall,         And   the     eves 


-J>--lu 


— : — *  J  ^  -  0 


ins;  fountains     gush, 

that  cannot      weep 


And   the 
Are     the 


UJ1*!     J.  -*■       ■+■  -•■  -m-  -+     -+      0        -0-0-0-0-0     -#■       ■*-  -*•  •*-  -*-     *  ■*-         -5--f--^*-  ■*•     ■«■■ 


2= 


r_r 


zTZztzz: 


. V- 


■wil  -  derness    shall    sing, 
sad  -  dest  eyes     of       all. 

■0-        -0-  •0-0-     ,-*r       -0-  w» 


ye    tears  ! 
ve     tears  ! 


?     V 


3.  O  ye  tears  !  O  ye  tears  ! 
Tdl  I  felt  ye  on  my  cheek, 
I  was  selrUh  in  my  sorrow  ; 

I  was  stubborn,  i  was  weak. 
Yehavegiv'n  me  strength  to  conquer, 

Ana  1  stand  erect  and   free, 
Ana  Know  mat  I  am  human, 
liv  the  light  of  sympathy. 
O  ye  tears  !   O  ye  tears  1 


P 


4.    0  ye  tears  !  O  ye  tears  ! 

Ye  relieve  me  of  my  paini 
The  barren  rock  of  pride 

Has  been  stricken  once  again  ; 

Like  the  rock  that  Moses  smote 

Amid  Horeb's  burning  sand, 

It  vields  the  flowing  water 

To  make  gladness  in  the  land. 

O  ye  tears  1  0  ye  tears  ! 


ye     tears ! 
ye     tears ! 


V         ^JL- 


~ I  — '-jriT  0 


i_* 


#  0  *  # 


z-pc: 


There  is  a  light  upon  my  path  ! 

There  is  sunshine  in  my  heart ; 
And  the  leaf  and  fruit  of  life 

Shall  not  utterly  depart. 
Ye  restore  to  me  the  freshnes* 

And  the  bloom  of  long  ago. 
0  ye  tears  !   O  happy  teais  1 

I  am  thankful  that  ye  flow. 
O  ye  tear*  !  0  ye  tear*  I 


ThE  DEAREST  SPOT. 


ffcaE£==# 


155 

Weiobtm. 

fe=t= 


—  #  .3 — # ^ #_3 — J € #  «_!__« J — -L — ^ #-- 1 — #i » 1 * L 


-#■     "■      *      -*.    w     *  ■+■; 

1.  Tlie    dear   -   est      spot      of    earth        to      me,         Is    home,  sweet  home;  The    fai   -   ry    land    I've 

2.  I've    taught   my     heart    the     way         to      prize      My    home,  sweet  home ;  I've  learn'd  to    look     with 

*.- m d. — *—\— * * *-. • — i — ©•- — «— -i — a d- 


m^El 


jb-z 


X 


^fsi~—  p 


l=t=i=4. 


H?- 


• — i — «. • •- • r 


yz 5 t___rf-_s--i--©j — ^-j-_3_J-* « #; — S-i— 5f — * « #- 

long'd     to      see*      Is  home,  sweet  home.    There  how  charm'd  the  sense  of     hear  -  ing. 


There  where  hearts  are 
lov  -  er's    eyes,    On  home,  sweet  home.   There  where  vows  are    tru  -  ly      plighted,  There  where  hearts  are 


2=vT*-ft— « « «'•- — *-r— ©! — g— i-a.      rf * P* — P-t— P* — P * *-i-4 4 ^ *\~  r 

^lggL-1 1 :p=54rfe— g^q^#P=p:=P^zp^3pi^» pZ^z^==|=4^ii 


As  home,    sweet    home. 


so       cheer  -  ing 

I've     slight  -  ed.     For  home,   sweet    home 


i§M^ 


5=5-1 


— pa-*- 


156 


BREAK  IT  GENTLY  TO  MY  MOTHER. 


If.   bCCKLET. 


^E=giK-C-i-rjv-yf 


1.  See !  ere  the   6un   sinks     behind  those  hills.    Ere     darkness      the   earth    doth    co  -  ver,  i'ou     will 

2.  Oh,  say  that  in  bat  -  tie  I've  no  -  bly   died,  For   Right  and   our     Country's    ho  -  nor  ; 

i  C    -r -i-'—i— 


^A 


Y- U 1 1 — | 


-1 — 0 ! #_ 


:» — r~ 


r- 


'-' 


.-,..- 


§S 


-*— 


fe=ss; 


?T~f  ,'• 


lay       me    low       in       the     cold,  damp  ground,  Break  it       gent  -  ly  to  my       mother !  I 

Thickly  around     fell      our      enemy's     shafts,     Yet     God  saved  our  6tar    -     ry         banner!  My 

I       J  J       J 

J    *  3    4 


-0-,-l>-: — : — 7~^- 


I—i- »     — 


—  »* 

EE: 


yg: 


see       her  sweet,  sad       face    on      me    now,  And     a     smile     doth    o'er        it  hover ;  O 

sis  -  ter, — play  -  mate      of    boyhood's   years,  Will  la  -  ment       her    fall     -     en        brother ;  She  must 


Break  it  gently  to  my  mother. 


157 


rfe^EjTE^Bj 


:* *- 


-*i- 


mmmm^^^i 


to 
to 


God  !     I  would  spare  the    tears  that     will  flow,  Break    it     gent   -   ly 
try  to        sooth    our      par     -     ent's     woe,     Break    it    gent   -   ly 

pp     i  1         i        1    J        $   :    t? 


§S^=E^EE- 


my       mother, 
my       mother. 

■0—0 ._ % — » — «-»  *  »- 

■#— # , « — 0-1   0  X- 


:»— r  -f  ?r  SE 


CHORUS. 


£= 


?R 


Good      bye,     Mj 


-•- 

mo  -  ther 


-#-- 


f" 


J— * *- 


§5@ 


_^« — 0. 


-4- 


ev     -     er     dear ;     Sis  -  ter,       you  loved    your    bro  -  ther ; 
0  m.         g .  ,       P?h       )  h  ♦         -0-         t- 


ee: 


,/- 


= 


;~v- 


9V£± 


to          mv       mo  -  ther. 
*■* S         N  N, 


Comrades, 


take 

_« — 


%      last    farewell,     Break      it      gent  -  ly 


?=? 


-0-*\-*' 


THE  BRIDGE  OF  SIGHS. 


MODF.BATO. 


o     ♦   •*   ■*■   -*■    r    *     ■*■    o      "*■     ♦     •*■     •♦ 


1.  A  -  bove  the   sparkling   wa    -    ters, 

2.  But  not    a  -  lone    in     Venice, 

3.  Who  seeks  for  joy    un  -  cloud    -   cd, 


Where  Ve  -  nice  crowns  the 
Are     joy     and    grief     so 
Must    nev  -  er      seek      it 


tide, 
near ; 
here  ; 


Be  - 
To  - 
But 


hold 

day 

in 


the     home    of 

the    smile  may 

a       pur  -  er 


4-£fS3 


* 


;-?- 


*-■>- j'—sr — 

sor  -  -  row,  So  near 
wa  -  -  ken,  To  -  mor 
re    -  -  gion,     And     in 

--N \ jVn-» 


— #- 

the 

row 

a 


— I- 
bf: 


-?-*-» 

-,*- 


=3=2 


:& 


-•*—? 


iife^L^l 


home  of 
wake  the 
bright  -  er 


:?— 


pride, 
tear; 
sphere. 


A       pa  - 
'Tis  next 
To    lead 

— V 


-— -, 


T"f 


lace 
the 
the 


and       a 

"  house  of 

way       be 


pn  -  son, 
mourning,' 
fore     as, 


z 


5e- 

That 
Bright 


-_*— C 


+-1 


—  «       b — ^ — •--*■/«.-» ' — r * *-x- • a — — »  —  — 1 — 5 — t ' a-±~— ' 


side  each  oth  -er 
Pleasure's  palace 
Hope  unfail  -  iug 


Si^'hs-' 
Sighs. 
SL'ha.' 


rise,  And,  dark  between,  a  link  is  seen,  It  is  "the  Bridge  of 
lies;  'Twixt  Joy  and  Grief,  the  passage  brief,  Just  like  "the  Bridge  of 
flies;        To       E  -  den's  bow'rs  this  earth  of  oura     Is    but    "a    Bridge  of 


The  Bridge  of  Sighs. 


159 


SEp 


r-7 


Row,  gondo  -  lier,  row  fast  row  fast,  Until  that  fa  -  ta!  bridge  be  past.  Row,  gondo  -  lier  !  ttow,  <rondoli  r  ! 
Row,  gondo  -  lier,  row  fast,  row  fast,  Until  that  fa  -  tal  bridge  be  past.  Row.  gondo  -  Her  !  Row,  gondolier  ! 
Fly,  fly,  sweet  Hope,  fly  fast,    fly   fast,      Until  that  bridge  of  sighs  be  pist.   Fly,  fly,  sweet  Hope,  Fly,  fly,  sweet  Hope. 

#— 0 — w—?^pr — * — Tl\    --__» — q-iii^iilzr^-q—q;^  — *:rLszr>-  rrrr  —  — cr.a  i 

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I ....       ..,■■■        ■      ■    —.J.      lJ    J.  ■  ■!.- J . \^J -J ■  \»J 1- J J. J. ,  II 


V-Vr- 


HAPPY  ARE  WE. 


With  Spirit 


E.  A.  Hosmer. 


1.  Happy  are  we,  hunters  free,    Free  as  the  winds  that  roam  so  wide;       Camping  at  night,     Up  with  the  light, 

2.  Happy  are  we,  hunters  free,    Free  as  the  clouds  that  above  us  glide  ;  We  laugh  at  the  worst,  At  hunger  and  thirst, 

./rfci^zzrsr:  *-»t* — >— grsjle * — * — a — Y». — »— *-*rr-* —        -      »— «rF*         «    ~*lf 


Hunt  -  ers    are 
Hunt  -  ers    are 


hap 
hap 


py 
py 


'■&■ 

what  -  ev  -  er 
what  -  ev  -  er 


-  0- 

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be 
be 


55q=E 


tide, 
tide. 


Shout  out  the  oho  -  rus,  then, 
Shout  out  the  cho  -  rus,  &c. 


3^! 


. — i _i — i  — i — i  _  _.  —  __i 

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160 


Happy  are  We. 


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Sound     it    out  loud-cr,  men, 


Sor  -  row    and     care     can  -  not    with    us      a   -    bide ; 


r\.&-)* ' ^     —I ' ' ,_T — ! 1  -»  * 1    f  —  0 


Hunt  -  era     are      hap  -  py    what  -  ev   -   er      be  -  tide 


fHi 


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ho. 


Yo     ho Yo     ho    Yo  ho    Yo     ho . 


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CALM  ME  TO  REST. 


161 


ISHLES8IVO  E  LBOATO. 


1.  Shade    of    my  mother  !  Keep  vi  -  gil  o'er  me,  While     fears  before       me,  And     griefs  attend.     Light   of    my 

2.  Thou     who  un  -  tiring  Lull'd  me  to  slumbers,       In      sweetest  numbers,  Close      to  thy  breast!  Let  memrie* 


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childhood,  Thou  who  didst  love  me,  From  skies  above  me,  Oh  !  guard  me  and  de  •  fend, 
wake  thee,  Look  on       me      smiling,  Sor  -  row  be  -  guil  -  ing,     Calm  me    to       rest. 


Light  of    my 
Let  mem'ries 


X-^g 9  _-* L L. 


S 


jzizbgj — * 


*=** 


■  -o <-?- 


childhood  !  Thou  who  didst  love  me,  Guard     me  from  skies   above,  O!  guard,  O  !  guard     me       and         defend, 
wake  thee;  Look  on    me     smiling,     Calm        me,  calm  me   to   rest,  O  !  calm,  O  !  calm    me to  rest. 


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OVER  THE  SUMMER  SEA. 


an   from  V«iDi. 


1.        O  -  ver  the   summer     sea.  With  light  hearts  gay  and  free,  Join'd  by  glad  minstrelsy,    Gai  -  ly  we're  roaming. 
Swift  flows  the  rippling  tide,    Lightly     the   zephyrs  glide,  Round   us   on   every  side,    Bright  crests  are  foaming. 


fef^fegt 


2.    Li«t !  there's  a  bird  on  high,    Far   in     yon     a  -  zure  sky,  Fling  -  ing  sweet  mel  -  o  -  dy,  Each  heart  to  gladden. 
Hark  !  its  song  seems  to  say,     Banish     dull  care     a  -  way,    Nev  -  er      let     sorrow  stay,  Brief  joys   to     sadden. 


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Fond  hearts  en  -  twin  -  ing,  Cease   all       re  -  pin  -  ing,    Near   us       is     shin  -  ing         Beauty's   bright   smile. 


m 


—  + *  -  t>-J-t 


Fond  hearts  en  -  twin  -  ing,  Who'd  be      re  -  pin  -  ing,    While  near    is      shin  -  ing       Beauty's   bright   smile. 


ROUND.     DAY  IS  GONE. 


— j. ,-q_33c_#  * 


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S 


Day       is     gone.    Night     is   come.    When   the   day      of       life      is        gone Heav'n  !«    oui    Lvtut. 


THE  MOON  IS  BEAMING  O'ER  THt  LAKt. 


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^to  —  ft-,  — /  nri>qr^ii^-^Jzd>jrar^]-J ^-^zr^iz^Ar^r^^x 


2£ 


1.  The  moon  is  beaming  o'er  the  lake.Come,  sail  in  our  light  ca  -  noe !  Sweet  sounds  of  music  we'll  ;iwake,  As  w* 

2.  The  ves  -  per  bell     is      pealing.  From  far  o'er  the  lone  -  ly    tower,  Its    tones   now     gently     stealing,       l'io  - 


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glide   o'er  the    waters       blue, 
claim   it    the      vesper       hour. 


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In     our     light     canoe,     As     merry   we    row,       O  -  ver      the      rippling 
Sweet   sounds     a  -  rise   To      tran  -  quil  skies,    Like    one     of  earth's  sweet 


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sil   -   ver       tide;    While  free   from   care,    Our   spi  -  rits       are.     As        a  -  way         we 
mel    -   o  -  dies ;     Now     sad,    now   gay,      It   floats      a   -   way     On     the     win^s     of 


mer    -    n 
summer's 


sweet 


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The  moon  is  beaming  o'er  the  lake. 


gOe The    moon       is 

breeze The     moon,  &c. 


beaming      o'er     the    lake.  Come   sail 


our     light     ca  - 


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noe  ;  Sweet  sounds  of      mu   -   sic       we'll      a  -  wake, 


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As       we     glide     o'er 


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wa  -  ters     blue. 


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SONG  OF  THE  BOB  O'LINK. 


tLXtuRO  TTTACI. 


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1.  Don't  you     see    me         coming,     coming,      Coming    right       along,    Here's  the  lit  -  tie      grassy   meadow, 

2.  I've   be»»n     winking,    blinking,  prinking,     Ev   -   er     since     the  morn,  Waiting  for   the  men    to     go     and 
f    Bob       o         linkum,      linkum,      ninkuin,    All       in     black   and  gold,  We  must  have  our  breakfast  soon   or 


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Song  of  the  Bob  o'link. 


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-J- 1- 

Where      I        sing      my      song.     I        am     mis  -  ter    Bob       o'        Linkum,     That    I        s'pose   you  know, 

Leave     that      field         of      corn.     Blit  -  sey     Leedle's        waiting,       too,     but     Nev  -  er     makes       a     sound, 

I    shall     have        to     scold.    Pret  -  ty       lit  -  tie       Blit  -  sey     Lee  -  die,     Sit  -  ting        on        the    nest, 


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Blitsey     Leedle      is     my  wife,  she's  Tn   the   grass  below,  Yes,  yes,  yes,  Don't  you  see  me  coming,  coming, 

She's  a     modest     lit  -  tie  thing,  <utu  Wears  a  russet  gown.  Yes,  yes,  yes,  Don't  you  see  ine  coming,  coming, 

Thinks,  if  she  takes  care  the  house,  that  I  must  do   the   rest,  Yes,  yes,  yes,  Don't  you  see  me  going,  going, 

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Coming    right      a  -  long,  Here's     the      lit  -  tie  grassy        meadow      Where    my    folks 

Coming     right      a  -  long,  Here's     the      lit  -  tie  grassy        meadow      Where    my     folks 

Going      right      a  -  long,  There's    a  chance,  the      men     are     off,     and       Now      I'll      stop 


belong. 

belong. 

my     song. 


J  •  ffg-p » * 0 \-  —  —0 0 0 0 0 0 0 0  -\-0 0  |  |  p      H 


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FADING     AWAY. 


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Fading    Away.  167 


morning,  Prom  -  ise 

wild-bird,  Heart       stir 

land        Where     nought   shall 


of 
ring 
de     -     cay, 


day, 
lay, 


we 


While 
E'en        as 
Where     there's 


are 
we 
no 


gaz  -  ing, 
lis  -  ten, 
sor  -  row,         No 


Rose 

of 

the 

gar  -  den, 

Blush  -  ing 

and 

Spring's 

fair 

est 

bios  -  sora, 

Sum  -  mer's 

bright 

Hope's 

fair 

est 

pro  -  mise, 

Charms     to 

be- 

s 


PP  i        "*■    "      -v ,-*•        ♦T        ♦ .*        »T*_ 

"ir^ED. 


168 


Fading    Away. 


day, . 
tray, . 


iHH 


E'en        as 

Au  -  tumn's 
All         that 


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we    pluck 
rich     clus 
is       earth 


thee, 
ter, 


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Fad 
Fad 


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a  -  way. 
a  -  way. 
a  -  way. 


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YES  !     LET  ME  LIKE  A  SOLDIER  FALL. 
— * — 


lilli 


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let       me     like       a       sol  -  dier      fall, 
on  -  ly       ask       of     that     proud  race 


Up  -  on     some       o   -   pen     plain, 
Which  ends     its     blaze     in         me, 


ig 


This 
To 


0     0    i«-| « J «    0     0     0        0  #  — 


iTTs^i^i^^p 


Yes!    let  me  like  a  Soldier  die. 


1C9 


breast       ex  -  pand   -  in^       for     the       ball, 
die,         the         last     and       not     dis  -  grace 


To 
Its 


blot     out       ev'   -  ry     strain. 
an  -  cient     chiv  -  al  -  ry ! 


^^m^^^MU^M^Sim 


Brave,  man  -  ly     hearts 
Tho'       o'er    my     clay 


con  -  fer 
no        ban 


my 
ner 


doom, 
wave, 


That    gent 
Nor     trum 


ler    ones    may        tell,         How 
pet      re  -  quiem     swell,  E  - 


-# ^ -t «-«--« »-*    *—>— 0 L 


170 


Yes  !     let  me  like  a  Soldier  die. 


-#i- 


ttr—p&=j=£—jLJL- 


e'er  forgot,  unknown  my     tomb,  I      like 

nough,     they  mur     -     mur     o'er        my     grave,         He     like 


|E||^|f^i|||:Wi3^^L^ap53^ 


a       sol  -  dier        fell, 
a       sol  -  dier        fell. 


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e'er  forgot,  unknown 

nough,     they  mur  -  mur      o'er 


my   tomb,  I    like    a    soldier    fell, 
my  grave,  He  like    a    soldier     fell, 


I     like     a     sol  -  dier  fell. 
He   like     a     sol  -  dier  fell. 


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JZZZZ 


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-*       •§■  -9-  -9-        -9-    -9r        \ 


J_J  I  m  IJ   kl    nu 


iff^=?=:p^: 


F  * 


MOTHER  DEAR,  0  PRAY  FOR  ME. 


171 


Mother  dear,  O  pray  for  me, When  fresh  in  youth's  bright  home,  Or  when  afar   thy    child  from  thee,  Feels 
Mother  dear,  0  pray  for  me, When  pleasure's  syren     call     Shall  tempt  thy  child   to     wander     free     In 
Mother  dear,  O  pray  for  me, When  all  looks  bright  and  fair,  That      I    may    all    my     danger     see,     For 


i^yp^iPfp|p 


oft      the  cold  world's  frown  ;    O     bow     thy     knee    in   earn  -  est  pray'r   As  none    but   parents  know,  That 
paths   where  he    may     fall ;     When  thorns   be  -  set    life's   de  -  vious  way,  And  darkling    waters   flow,  Then 
sure  -  ly   then  'tis     near  ;  A      mother's  prayer  how  much   we  need,  If    pros  -  perous  be  the  way,  That 


I        may       in     tempta  -  tion's  hour,    Be   kept 
Mo  -  ther     bow   thy   knee,  and  pray,    As  none 


where'er    I     go. 
but    parents  know ; 
paints   with   gold   the   flow  -  ery  mead, Which  blossoms  o'er  our  way. 


Mo  -  ther  dear,    remember 
Mother  dear,  &c. 
Mother  dear,  &c. 


172 


Mother  dear,  0  pray  for  me. 


thy   constant    pray'r 


-.»—    .  !>_...-  M         ■»•»•■         ,,....♦         nn*>*«       _      ^,,    t      _      1«.  TV, of      l[,.ni''n      m««.         frt*  m  n      .    _— _ 


Pray,        O    pray    most   earn  -  est  -  ly     That  Heav'n  may    for     me  c«re. 


SOARING  AND  SINGING. 


IS 


fe^ES^E^E^I^^feil 


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^ 


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1 


1.  Soaring   and   singing, 

2.  Soaring    and    tinging. 


bird     of    the     day,       What  does   thy     full   gush   of    mel  -  o  -  dy     say  ? 
bird     of     the     dav,       Why    from  this  green  earth     awav     and     a  -  wav  ? 

—      '^        '  — — m 


g 


Is      it      a       matin  song,  singing      of    love,     Too  pure   to   be  heard   save   in      regions       above  ? 
Ev  -  er      re  -  turning  thy  song    nover   done.  Pluming  thy  bright  wings  on   high    in      the   sun. 


Too 


i&^- 


j  *  _*. 


Soaring  and  Singing. 


173 


SOLO. 


^^^tf^WsEmm^mtm^t 


"  -  i 

pure     to    be   heard     save    in   regions      above  ?        "  Why  do  I     ca  -  rol     my  song     to     the     skies  > " 

Pluming    thy  bright  wings  on  high    in    the    sun.        "  Why  do  I  soar  ?"  so    the  spi  -  rit      of         love 

ii  it  ii  ii 


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mmm^m^mm 


T  T' 


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^=3=$=3=^m 


-0 


■  Thus       to    my   fan  -  cy   the   song    bird   replies  : 
Seems     to    re  -  ply   from  the      regions      above : 


TRANQUItLO. 


¥- 


-0T 


"  Does   not  the   earth    in  tran  -  quil  -  i  -  ty      rest, 
"  la    there  not     One   who   is        ev  -  er    on    high, 


174 


Soaring  and  Singing. 

A    TtMPO. 


&^fr-»-  ^-^^y^3^'^7^    J*17?113— t1—!-*  g— fr£a=£:=^ 


Man     on     his     pillow,    the   bird   in    his   nest ;    Should  we    not     sing     then    at   morning's  first  rays,     A 
Watching     below   from   his  throne  in  the  sky  ?"And  thus  to     the     sky  -  lark   perchance   it     is    given      To 


:fe- 


-1* 


si 


HH-* — 


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of  thanksgiving,     a      ca  -  rol     of    praise,     Should  we  not     6ing,  then,    at  morning's   first   rays,     A 
>ack  our  tho'ts  from  the  earth  unto  heav'n.  And  thus  to     the     skylark    perchance     it       is    given       To 


song 

call   back  our 


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Soaring  and  Singing. 


175 


d5 — ^ — it 


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song    of    thanksgiving,      a        ca  -  rol     of  praise,  A   song   of  thanksgiving,      a        ca  -  rol 
call    back  oui  tho'ts  from  the  earth   un  -  to  heav'n,  To  call  back  our  tho'ts  from  the  earth  un 


of    praise.' 
to     heav'n. 


EVER  OF  THEE. 


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1.  Ev  -  er      of  thee      I'm   fond  -  ly     dreaming,     Thy  gentle  voice  my  spirit  can  cheer ;  Thou  wert  the  star  that, 

2.  Ev  -  er      of  thee,  when   sad    and      lonely,    Wand'ring  a  -  far,  my  soul  joy'd  to  dwell ;  Ah  !  then  I  felt  I 


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SOLO,  k 


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mild  -  ly  beaming,  Shone  o'er  my  path  when  all  was  dark  and  drear.  Still   in   my  heart    thy  form  I   cherish, 
lov'd  thee    only,    All  seem'd  to  fade  before   affection's  spell.     Years  have  not  chill'd   the   love  I   cherish, 

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176 


Ever  of  Thee. 


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.  .   ,     «..„     ..    .!.„„.       Avi     t,»v  .  Pr     till   life       and     mem  -  'ry        perish, 


Fv  .  -rv    kind  tho't,  like,   bird,    flies     to   thee:      Ah!     never     till   life       and    mem  - 'ry 
TrL     a      S.e  stars  hath  my  heart  been    to    thee:       Ah!     nev  -  er,  fcc. 

\  v 


ct„    I      ton5      hoU.  tar  tomtom..  Morn,  »=«»<*  right,  WW,,        I      =.jb,. 


Can     I 


how  dear  thou  art   to   me. 


•ond-ly     I'm    dreaming,       ever         of      tTee,      Fondly      I'm     dream  -  ing.     ev  -jr ofjhee. 


^^=^1^^^ = 


POOR  OLD  SLAVE. 


177 


mm^mm^mmm^m 


1.  'Tis  just  one  year     a  -  go      to-day,  That     I      remem  -  ber     well,     I     sat    down  by  poor    Nelly's  side.  And  a 

2.  She  took  my  arm,  we  walk'd  along      In  -  to     an      o  -  pen  field,  And  there  she  paused  to  breathe  awhile.  Then 
3.  But  since  that  time  how  things  have  chang'd, Poor  Nelly  that  was  my  bride  Is  laid  beneath  the  cold  grave  sod,  With  her 


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sto  -  ry   she   did     tell ;     'Twas  'bout   a  poor,  un  -  happy  slave,  That  lived  for   many          a  year  ;  But 

to     his  grave  did     steal;     She    sat  down   by  that   lit  -  tie  mound.  And   soft  -  ly   whisper'd  there:  "Come 

father     by    her    side.         I        planted   there,    upon    her  grave,  The     weep  -  ing   wil  -  low  tree ;  I 

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— _ 4 0-  ..     i  :s= u zi -J—ii if — * jza_^=»«=: c 


CHORUS. 

toe 


now  he's  dead,  and  in  his  grave,  No   master     does  he      fear. 

to    me,    father,     'tis  thy  child,"  Then  gently  dropp'd  a  tear. 

bathed  its  roots  with  many  a  tear,  That  it  might  shelter      me. 

■0-  -0-  -0-  -0-  S7\  -0- 


The   poor  old   slave   has   gone 


rest, 


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r 


Se 


i 


f    g  f    C" 


178 


Poop  Old  Slave. 


kJ  w*  LI 


know   that    he       is      free  ;    Dis  -  turb   him    not,  but   let       him  rest,  'Way  down   in       Ten  -  ne    -    see. 

^lO'i'rJI..    ^fJK.A     «i»   F'"a 


— !*— &— r— *    F 


Poetry  by  Johs  G.  Whittieb,  Esq. 


THE  CONTRABAND  OF  PORT  ROYAL. 

=£ rr-r- 


Fiedihakd  MiTn. 


1.  Oh,  praise  an' tanks  !  de  Lord  he  come  To  set   de      people  free  ;      An'      raas'a    tink     it     day  ob  doom.  An' 

2.  Ole    massa     on     he     trabbles  gone,  He   leab  de   land  behind  :     De  Lord's  breff  blow  him  furder     on,  Like 

A        A-     A     AAA       A       4 


4     i  4    •*  •*     l  '■#  4         4  „  4*4        4 

r 


HliS=^!if 


-*. 


we    ob    ju  -  bli  -  ee. 
corn-shuck  in  de  wind. 


De  Lord  dat   heap     de   Red   Sea  waves,    He    jus'       as   'trong     as     den ;         He 
"We   own  de     hoe,     we   own    de    plow,  We     own     de     hands   dat   hold ;      We 


i    i    I  I  i  i  II  . 

i    J    J  '444  4  4  * .    4      4     J     A   4 


-*    3*    •    #    - 


The  Contraband  of  Port  Royal. 


179 


CHORUS. 


^^^3^=^^pE*^p^^^zjrlp 


say  de  word :  we  las'  night  slaves  :  To-day,  de  Lord's  freemen, 
sell  de     pig,    we   sell   de   cow,  But  nebber  chile   be   sold. 


De  yam  will  grow,  de   cot  -  ton  blow,  We'll 


\4_a4    ■*  ^     xj-     j    J    J  44 


j-^r-ni 


SBiS 


£^p££ 


as 


r 


an'  corn :    Oh,    nebber   you 


fear, 

3E 


if     nebber  you  hear 


-■TV*— •' 

De      driver  blow 


his     horn  ! 


11 


S 


•7 — t— t-i —  f- — #- — 5 —     r-  - 


We  pray  de  Lord :  he  gib  us  signs 

Dat  some  day  we  be  free  ; 
De  Norfwind  tell  it  to  de  pines, 

Tie  wild-duck  to  de  sea. 
We  tink  it  wnen  ue  church  bell  ring, 

We  dream  it  in  de  dream ; 
De  rice-bird  mean  it  when  he  sing, 

De  eagle  when  he  sertara. 


We  know  de  promise  nebber  fail, 

An'  nebber  lie  de  word. 
So  like  de  'postles  in  de  jail, 

We  waited  for  de  Lord  : 
An'  now  he  open  ebery  door, 

An  trow  away  de  key  ; 
He  tink  we  lub  him  so  before. 

We  lub  him  better  free. 


180 


MAKE  ME  NO  GAUDY  CHAPLET. 


Andantiso. 


DoMZ.TT' 


Make  mo    no    gau  -  dy    chap  -  let,  Weave  it    of    sira  -  pk 

igii^igy^iiiiis 


Make  mo    no    gau  -  dy    chap  -  let,  Weave  it     of    sira  -  pic    flow  -  ers,     Seek  thcra  in    low  -  ly  val    -    lies, 


.<• m  *i-* » — * * £ 


-h — 


Af  -  ter   the    gen  -  tie    show  -  ers,       Bring  rao  the    dark  red    ros  -  es,       Gay    in     the     sunshine  glowing, 

— q — ^f-**- a-?-f  f- — * — *  — * — m-\-*' — *-?-  -'- 


*= 


=pl 


Bring  me   the    pale  moss  rose-bud,  Beneath  the  fresh  leaves  growing,    Bring  not  tho  proud-eyed  bios  -  som, 


-£>--— —*-%« — «4-^-'— 7  -TT^g^T— ^4-«  —  '-My- s»-g— i — >-P^=t-i  F 


Make  me  no  Gaudy  Chaplet. 


181 


Darling    of    East-em  daughters,  Bring  me  the  snow  -  y      li  -  -  ly,      Floating    on    si  -  lent    wa  -  ters, 

_ ,- P * • -, —-j. j m -.-0'- 0 -,-* «  — -* -j _ _ 


Gems  of    the    low-ly    val  -  ley,    Buds  which  the  leaves  are   shading,        Li  -  lies     of   peaceful    wa  -  ters, 


qnsf. 


I 


^—  *"?- 


ZJ^ 


*     t  *        t?     &     ?~" 1     VT"  *     h     •     I  1        / — 


Emblems  be  mine  un  -  fad  -  ing,        Li-  lies    of  peaceful    wa-ters,       Emblems  be     mine,  be      mine. 


§Sfe^H^^^^^^^=E^£J3J^^S^=g|^g^ 


182 


AWAY  TO  THE  FOREST  GLADE.     (Pic-Nic  Song.) 


CaiEarciXT. 


Words  bj  R*t.  T.  Niwtor  Juwn 
V 


1.  A  -  way     to  the       for  -  est    glade  !  Spread  by  our  Father's  hand  ;    Its     silent   depths   of  gratcfui  sii»de 

2.  Thanks,  thanks  for  the  grateful  boon  !  We     bid    farewell     to     care,  While  here,  beneath    the     sultrv    noon, 

3.  One   day  from  our   toils   we     take,    One   day    to     life   we     give,    One  pleasant  hour,  for  mein'ry's  sane, 


mm^t 


n=d=ifc: 


^ 


rH~h"1 —        J      JS  i  J I    I     N  I  -  J ;>    J       JSi    *    JS— jr       l      >  tt-  R—fr--*— 


Invites     our    merry       band. 
We  breathe  this  cooling  air. 
To   tell     us  that   we     live. 


No     task     in  books,  but   lessons  from  brooks ;  No  leaves  but  those  from  the 
No     task     in  books,  &c. 
No     task     in  books,  &c. 

-Nt — K- 


— S fr  K  I         0    ,    0 r 


i 


maple's         bough, 


And    those     we 


0 

weave 
And  those     we   weave 


3EE^^=3£ 


3-2 =* 


(f  — i— r-    0    g    0 ,J i_JJ 

I,  ■*■•••■ 


for       the 


laugh    .   ing      brow. 


1PI 


HAIL  TO  THE  OPENING  YEAR. 


183 


Words  by  Mrs.  H.  K.  Brows 


Matie  bv  J   L.  Ensign 


■*■♦■•■♦ 


1.  Hail  to  the 
2  Hail  to  the 
3.  Hail     to     the 


op'ning  year !    Hail      to       the    new-born   time !    Lord,    to        thy 
op'ning   year !     The      precious     gift      we     own,  With     many      a 
op'ning   year !     We    greet    its      na  -  tal     morn,  With     pro  -  mis 


E£ 


# 


wait  -  ing  ear 
sorrowing  tear 
es        and     hopes, 


-v ^ N -^ 1 r«— ^-i — 1 * i V~r — r*t       i*^ 1 


raise 

mis   -   spent        sea 
high        re  -  solves 


cheer   -   ful       hymn.        To        thee  we  sing,  to  thee  we    pray, 

sons       flown.         Our       was  -    ted  years,  O  God,         for  -  give, 

up  -  borne.         Lord,     we  would  spend  this       year        to      thee, 

_J5 — J_' — _._,_._  *    j  *    *  *    * 

^ —  F^ F — =—  \-.-0~i — 0- 


K  V  N  ■#-  J  -F-  ■*-  ♦ 

EE^^=gE^gE!zfel5rEiE£^^E^=!EM-F-=r 


li^iiEiili^-ii|l§^^!B 


O         God, 

And     teach 
In       works 


$mm^ 


who     giv'st 
us  bet 

of  love 

-t c 


each 

ter 

and 


year, 
how 
pu 


each  day. 
to  live. 
ri     -     ty. 


I 


God  of  the  opening  year  ! 

God  of  each  passing  dnv  ! 
O,  hear  our  youthful  prayer, 
And  grant  us  grace  alway, 
To  shun  the  paths  of  vice  and  sin, 
And  heav'n's  blest  life  on  earth  begi». 


NEVER  FORGET  THE  DEAR  ONES. 


-i     ; ft  ;     , ft ^l    '   '    ~fn — ' ** dfcc 


1.  Nev  -  er       for  -  get      the     dear    ones        Around         the        so  -  cial  hearth,  The   sun  -  ny  smiles     of 

2.  Ev   -   er     their   hearts  are     turn  -  ing        To    thee     when       far         a  -  way,  Thiir   love   so     pure     and 

3.  Nev  -  er       for  -  get       thy     fa   -   ther,       Who   cheer  -  ful    toils      for    thee,    Within       thy    heart  may 


% « *i-» a — f— * • * m~ 


■n^^- 


m 


glad  -  ness,     The     songs        of        art   -   less 

ten   -   der,         Is      with      thee       on        thy 

ev    -     er,     Thy       mo  -  ther's        im  -  age 


mirth ;  Though     oth  -  er      scenes   may   woo    thee,    In 
way ;     Wher  -  ev     -     er    thou     may'st   wander,  Wher  - 
be ;         Thy         sis   -   ter      dear,    and       brother,     They 


Pgzg=i=gE|g 


£E3=* 


=5=t 


:*ut 


:3 *'::_* 


9         i        «>   '    1 ^ — t 


1 t 1    ._*   _.  — 1-0 0 0 3 — Wi j w.j     J 1 0 r I    .    .    .XI 


oth   -   er    lands     to       roam,       Nev  -  er       for  -  get      the     dear    ones   that    clus  -  ter   round  thy  home, 
ev   -   er    thou   may'st  roam,      Nev  -  er       for  -  get,  &c. 
long     for     thee      to       come,      Nev  -  er       for  -  get,  4c. 


* 


m 


-- s — * — f — 


zt 


—*-.- 


0 0 


AJD4ITTIN0. 


tts" 


WEEP  NOT  FOR  HIM. 

-_*•-  e:t— *-=-—  i-i~^3^i 


18o 

>    *,«.  F.  GaCREER. 


■3-#  _  «_*     0 — 0 — h.i_#_# — 0_-0 — 0    0  v.0 — ,._  .-*>-*- j^i# — #.— 0 — 0^0— 0 — u 

1.     Weep  not  for  him,  mother,  Weep  not  for  thy  bov,  He  sleepcth     in     Jesus,    'Mid  bright  hcav'nly  joy.  Weep 


p    b    b    b    b    I 


-*- 


^ 


-•— 0- 


^ 


>-- x—  •>• — r-i 


t,  Fc 


not   tho'  the  clods  Grow  o  -  ver   his   breast,  For     im  -  mortal      he   reigns   in      the      land     of      the   blest. 

*■ 0 m .» 0-r-r* K — m »-. a —  t-0 0 0 0 0 0— i — 0 0 a O- 


^m^mm 


i>  i 


■a *r—  » »-■ — m a-y* » — * — » 0 0— r—  f » j s>-n 

•  I    b    /  ' 


Weep  not  for  him,  father, 

Tho'  he  was  thy  stay, 
And  tho'  in  the  silence 

He's  crumbling  to  clay  ; 
For  God  is  all-wise, 

His  decrees  are  all  just, 
Tho'  our  idols  he  breaks, 

And  they  turn  into  dust. 


Weep  not  for  him,  sister, 

Tho'  forth  from  thy  sight 
His  form  hath  departed 

To  Heaven's  own  light. 
Tho'  his  dear  voice  is  hushed 

In  the  low,  quiet  grave, 
Yet  it  joineth  above, 

'Mid  hosannas  of  praise. 


4. 

Weep  not  for  him,  brother, 

Tho'  he  ne'er  again 
Will  join  in  thy  play, 

Or  will  soothe  all  thy  pain  ; 
But  live  so  to  meet, 

When  life's  toil  vs  o  er, 
Thy  brother,  who  waits 

On  the  bright  shining  shonk 


186 


0,  WE  ARE  VOLUNTEERS. 


Shot  rao  run 
1     "QTTF 


-\ — 


» — M~* — * 


-»  -v--p — ^ — r- 


»        » * * —     * — m 


f    »    V    t     t     ;    J       J      •♦♦■»♦ 

1.  O,    we   are   vol  -  un  -  leers   in     the        ar  -  my      of      the   Lord,    Forming       in   -   to      line      at      our 

2.  The  glo  -  ry     of      our     flag    is      the        emblem      of      the   dove,    Gleaming     are     our   swords  from    the 


2ff2=*r:rir— ♦ 


=*c 


:-: 


_. 


=3: 


-V 


""•4 *~ 


J      -*•     t     ■*■     -*•     5      „ 

Captain's  word ;  We     are      un  -  der    marching       or  -  ders       to     take    the 
forge      of    love ;    We       go     forth,  but    not       to         bat  -  tie      for     earth  -  ly 


•0-        -0-        -0-        -0-        -*■  -0-  *^ 


I 


bat  -  tie  -  field,    And    we'll 
hon  -  ors     vain,     'Tis         a 


AS 


CHORDS. 


~*» ^ ^ N       I  N      hi     |  ; t r~ N — fr      N  ■  ~N — n  — t-  N        h N        N       -i — r 


ne'er  give  o'er  the   fight     till    the   foe  shall  yield.    Come  and  join  the     ar  -  my,  the      ar   -   my   of      the   Lord, 
bright  linmor  -  tal  crown  that   we   seek   to   gain. 


iEgp^r^ia^igi^i 


-*T" 


0,  we  are  Volunteers. 


187 


Je  -  sus    is     our   Captain,  we    ral 


at  his  word  ;  Sharp  will  be  the   conflict  with  the  powt's   of    sin, 


#-—-#- 


:5=S= 


3t 


ts=^&=m\=i±¥r= 


-4 — m • «— m- 


But  with  such   a    leader  we  are  sure  to  win. 


*=* 


3. 
Our  foes  are  in  the  field,  pressing  hard  on  cv'ry  side, 
Envy,  anger,  hatred,  with  self  and  pride  ; 
They  are  cruel,  fierce  and  strong,  ever  ready  to  attack, 
We  must  watch,  and  fight,  and  pray,  if  we'd  drive  them  back. 

Come  and  join,  &c. 

4. 
O  glorious  is  the  struggle  in  which  we  draw  the  sword, 
Glorious  is  the  kingdom  of  Christ,  our  Lord  ; 
It  shall  spread  from  sea  to  sea,  it  shall  reach  from  shore  to  shore, 
And  his  people  shall  be  blessed  forevennore. 

Come  and  join,  &c. 


FAINTLY  FLOW,  THOU  FALLING  RIVER. 


m 


^7*^ 


$-^ 


=* 


1.  Faintly  flow,  thou   falling      river  !    Like  a   dream   that   dies      a  -  way,     Down   the  o  -  cean     gliding 

2.  Roses  bloom,  and  then  they  wither  ;  Cheeks  are  bright,  then  fade  and  die  :    Shapes   of  light  are      wafted 


: *- 


:*= 


EE 


5=S 


X& 


-■*—-  * 


&Z>U 


za^tz 


Faintly  flow,  thou  falling  River. 

-v- 


mm^M^m^m^mmfmmm. 


5  t      *  ' 

ev  -  er,    keep     thy     calm,     un  -  ruffled     way  ;    Time,  with  such      a 
hither,    Then,    like     vis  -  ions,    hur  -  ry     by ;    Quick   as   clouds    at 


ri  -  lent       mo  -  tion,  Floats   a  • 
evening      driv  -  en     O'er      the 


isi^m 


i^SE 


- — *•— r-j-f 


t:^-T'—f — t=tz 


wings   of      air 
colored    west 


To      e  -  ter   -    ni 
Years  are   bearing 


ty  s 
us 


dark 
to 


o  -  cean,  Burying  all      its 
heaven,  Home  of   hap  -  pi 


treasures 
ness     and 


-Z&Z 


-jr 


\ K-t — 1 t, 

=T_  ^._ p  i     fK=ffZ  =— :  i 
t-i ? 5 f-+-g^Jj 


ADIEU  TO  A  TEACHER. 

(To  be  ioog  to  the  music  of  "  Fawtlt  Flow." 


1. 


Though  thou  lear'st  us,  still  we'll  blew  thee. 

Grateful  for  thy  kindly  care  ; 
Through  the  scenes  where  God  may  call  thee, 

Take  our  earnest,  fervent  prayer. 
All  thy  counsels  shall  be  dwelling 

TVep  within  each  youthful  heart. 
Though  thy  voice  no  more  may  utter 

W  ords  of  love  with  gentle  art. 


Up  the  rugged  hill  of  Science 

Thou  ha»t  kindly  led  us  on, 
Toward  the  temple  where  lor  ages 

■Wisdom's  star  has  brightly  shone. 
Though  thou  leav'st  us,  still  we'll  bless  thee, 

Gratiful  for  thy  kindly  care  ; 
Through  the  scenes  where  Goa  luuj  call 

Take  our  earnest,  fervent  pxayci. 


THE  MERRY  MOUNTAIN  MAID. 


i«y 


^m^=mfm^m^^^m^^m 


1.  I'm   a 

2.  I     am 


merry,  merry  mountain  maid,  Roaming  gai  -  ly  thro'  the  glade,  'Neath  the    pine  trees     by    the  stream, 
lov'd.     and       I    love   too,      (Just    as  youths  and  maidens  do  )      Mothers,      you  have  done  the  same, 

— » — i — »— y- 1~*~  * « 


Life    to    me    a      happv  dre.^ti , 
So    'tis     useless   now    to    biau.8. 


Sweet  notes  from  the  woodland  sound,  Golden  sunbeams 
Hark  !    a  footstep — some  one's  near — Yes  'tis  he — what 


-*•  -0-     -*•   4   -*■  ,-e    J     4  4  4  £  *•  *■ , 


fall     around,         Playful     breezes,     as       I      go. 
brought  him  here  ?  Strange  it    is,    where'er   we  stray, 


=S=4 


Thro'  my   waving      tresses   blow ;     In     my   heart    the 
Sure   'tis   in     each   other's   way.     Now   a   merry,  sunny 


S^P^PpipPiN^^ 


L_- * 


T=t=* 


-  f>- 


The  Merry  Mountain  Maid. 


sunbeams  play,  Light     as      air     I     take   my   way,    Singing,     as        I        trip   along,     My     merry,    merry 
youth  and  maid,     We     are   roaming  thro'  the   glade,  Singing,     as       we     stroll   along,    Our     merry,    merry 


s; 


.    J    n      * 


4-   4-     I    •*■     -*- 


5* 


Pi 


mountain   song.    Singing, 
mountain   song.    Singing, 


singing       my     merry, 
sinking      our    merry, 


merry 
merry 


-■ — f — « — * — «,_ 


mountain      song ; 
mountain      song ; 


Singing,        singing    my 
Singing, singing     our 


K:       fc        I  I    JL*.  A.      U±±4 

-#■.        a  -tr  ■      -0r    -0-m-    -+    ■»•+■-+*■ 


-Hrir*=i 


it 


::_-? 


\r-J^ 


* 


—.^— r- 


merry,  merry  mountain  song.  My  merry,  merry  mountain  song.  My  merry,  merry  mountain  song, 
merry,  merry  mountain  song.  Our  merry,  merry  mountain  song.  Our  merry.  merry  mountain  song. 
_      _  J\  |\       —         _  >  > 


FLOW  GENTLY,  SWEET  AFTON. 


J.  E.  Sfouiar. 


191 


4— ■+-*■  O #  -  - 


1.  Flow  gently,  sweet  Afton,    among   thy   green  braes,  Flow  gently,    I'll  sing   thee  a   song   in   thy  praise  :  My 

2.  Thy  crystal  stream,  Afton,  how    lovely      it   glides,  And  winds  by  the   cot  where  my   Mary      resides  !  There, 


eiEs 


£HE 


0 -i— 0 0 0-T-0 0 0—r r 


rt=r 


1 1— 0  s  '    ' 1 — *- 

Mary's     a  -  sleep   by   thy   murmuring   stream  :  Flow  gently,    sweet    Afton,     disturb   not   her  dream.  Thou 
oft      as  mild   evening  sweeps  o  -  ver  the    lea,    Thy   sweet-scented  groves  shade  my  Ma  -  ry   and   me.   Flow 


t=13ggf^^p£g^f 


1^ 


• « 1 — -I—  0 0 —  m — i g  o — *ff 


dove  whose   soft    echo     resounds  from  the   hill,   Thou     green-crested      lapwing,     with     noise     loud     and 
gent  -  ly,   sweet   Afton,     among     thy  gr»en  hraeg  Flow   gently,    sweet   riv  -  er,     the      thtme       of        my 


jjjJEJ 


§  I  *  '"-JL. 


I  I 


-f-^f. 


1!I2 


Flow  gently,  sweet  Afton. 

i 


shrill,  Ye  wild    \>    istling  warblers,  your  music     forbear:     I  charge  you,  disturb    not    the     sluiiibering      fair, 
lays:    V\     ^ !  .  1  \ " ~       a  -  bleep   by    thy   murmuring  stream  :  Flow  gently,  sweet  Afton,  disturb  not   her  dream. 


333 


5b: 


-  .E-L 


&  — 


0 -r-# 9 -T— — -r-9 11 


FADING,  STILL  FADING. 


AKDANTE. 


POETCOCESX. 


-9 #_L«i_#_« J — c 


1.  Fad  -  ing,    still     fad  -  ing;     the      last     beam      is     shining;  Fa  -  ther     in      heaven,    the     day     is       de 

2.  Fa  -  ther     in       heav  -  en,       O      hear     when     we      call ;    Hear,  for  Christ's  sake,  who  is     Saviour     of 


-<s        ::a: 


^— 4— j- 


dining.    Safe  -  ty     and      in    -  no  •  cence     fly    with     the   light  ;    Temp  -  ta  -  tion    and      dan  -  ger     walk 
all ;      Fee  -  ble     and   faint  •  ing,     we     trust     in       thy   might,     In       doubting   and       darkness      thy 


Wsm 


*£=&£ 


*--^ 


fading,  still  fading.  lift 


forth   with   the  night.    From   the     fall       of      the   shade   till     the     morning-bells  chime,  Shield   me   from 
love      be    our   light ;   Let      us   sleep       on     thy   breast  while  the   night  -  taper   burns,     And   wake     in 


§:* 


IBB 


3^=: 


3^i 


i:: 


~& — 0 — ! <&  - 


:&     I     -I- 


CHORUS. 


rt 


dan  •   ger,     and 
thy     arms   when 


m 


save  me 

morn  -  ing 


^j^-p-fe=z=gr=gEpj^JE^&- 


from    crime. 
re  -  turns. 


Fa   -   ther,     have      mer 
Fa  -   ther,  &c. 


Tzjt: 


cy,      Fa  -  ther,     have 


:trrr; 


194 


ORIGIN  OF  THE  HARP. 


i           K         K 

T.  Mooia. 

"J    i    O       k.        r.     I                   »            t. 

n          n 

r  i    i       t     m    \~ 

A\?t  --*-- M--I 1 5: 

9               0               0 

Z  * * E 

# • W" 

0        0        0" 
"0 0 m— 

'■-0 #— 

_#_J m — *_L 

— # — ,    ;-  — 

•Mi — 3 — F F L-F F — —  F > 

*>                \          p             |                l*             b 

1.  Tis   believed      that   this     harp    which   I 

2.  But  she   loved     him     in     vain ;    for       he 

Cte,-2  f-  0— f-f f »-f— • * »- 

M ^         /.l 

now   wake    for  thee  Was   a 
left      her       to  weep,  And  in 

FF=~~n      NT1* — * — »~-\ 

si  -  ren 

tears,    all 

r hr_ 

of 
the 

-  -^# m r •- 

eld,    Who   lived 
night,    her     gold 

—0 \ ^\-f 

*  fra  b  H '     •> — ■*-  - 

—  | / p> # # #— 

1          ^         *> 

• 

_^13 

-  | 0 0  -l 

un  -  der    the     sea.      And   who       of    -     ten      at      midnight   through  the   dark      bil  -  low      roved,     To 
ring  -  lets    to     steep,         Till         Heav'n   look'd    with   pi  -  ty  on  true    love      so        warm,    And 


9£ 


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=o 


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:*___*— c 


to*: 


¥Qt 


i=tsa^f=r=^. 


meet     on      the     gTeen  shore   a   youth    whom    she       loved.    And    who   of  •  ten       at       midnight   thro"    the 
changed   to       his     soft     harp   the      sea  -  maiden's         form.         Till     Heav'n  look'd  with    pi    -    ty  on 


-7»  1-  1 t~  S~S    t 


^ 


Origin  of  the  Harp. 


lvi> 


M L-. — « 0 0 f_ 


— *: 


-a- 


m^r^m 


dark        bil     -    low     roved,        To       meet      on       the    green   shore       a       youth   whom     she    loved, 
true        love        so        warm,     And     chang'd    to      his       soft     harp      the       sea   -   mai  -  den's    form. 


m 


E£EE*E£ 


—jut-A 


3tl=J 


7=t 


=£ 


£=^ 


3. 

Still  her  bosom  rose  fair,  still  her  cheek  smiled  the  same, 
And  her  sea-beauties  gracefully  curl'd  round  the  frame  ; 
And  her  hair,  shedding  dew-drops  from  all  its  bright  rings, 
Fell  over  her  white  arm  to  make  the  gold  strings. 
And  her  hair,  shedding  dew-drops  from  all  its  bright  rings, 
Fell  over  her  white  arm  to  make  the  gold  strings. 


4. 
Hence  it  came  that  this  soft  harp  so  long  had  been  known 
To  mingle  love's  language  with  sorrow's  sad  tone  ; 
Till  thou  didst  divide  them,  and  teach  the  fond  lay 
To  be  love  when  I'm  near  thee,  and  grief  when  away. 
Till  thou  didst  divide  them,  and  teach  the  fond  lay 
To  be  love  when  I'm  near  thee,  and  grief  when  away. 


COME,  YE  DISCONSOLATE. 


DCTTOIC. 


1.  Come,  ye   dis  -  con  -  so  -  late,     wher  -  e'er      ye    languish,  Come,    at    the  mer  -  cy  -  seat  fer  -  vently 

2.  Joy      of    the     des  -  o  -  late.      light       of       the    straying,  Hope,  when  all  oth  -  ers       die,    fadeless   and 


iHH 


EEf£^: 


-i-y-^ 


-I 


19G 


Come,  ye  disconsolate. 


kneel  ;    Here   bring     your    wounded    hearts,    here- 
pure,       Here  speaks    the     Com  -  fort  -  er,  in 


tell 
mer 


your 
cy 


an 

say 


gui&h  : 
-     ing; 


Earth 
Earth 


hath 
hath 


no 
no 


=t= 


—  -& &■ —    ^= 


L" 


'=Mi^=^= 


CHOKUS. 


2>  ti< — 0 ^ — -^ — i 1 -\ -s. , -3 n B  I  a      «-»    .  jT3 — k — Z 


sor  -  row     that  Heav'n  can  -  not   heal.     Here   bring    your   wounded   hearts,    here   tell     your       anguish  : 
sor  -  row     that  Heav'n  ean  -  not  cure." 


sm 


^ZE 


SI 


-•-?--* 


¥- 


C 1 1 *-l #-"-«   -••■—  *-LS5- 


Earth     hath   no     sor  -  row    that  Heav'n  cannot  heal. 


r. — r~ 


m 


Additional  Hymn. 

Father  of  mercies,  when  the  day  is  dawning, 
Then  will  I  pay  my  vows  to  thee : 

Like  incense  wafted  on  the  breath  of  morning, 
My  heartfelt  praise  to  thee  shall  be. 

Yes,  thou  art  near  me,  sleeping  or  waking; 

Still  doth  thy  love  unchanged  remain  : 
Where'er  I  wander,  thy  ways  forsaking, 

O,  lead  me  gently  back  again. 


_ 


CHARITY. 


8.   OlOTEH. 


197 


1.  Meek  ^nd   lowly,  pure     and    ho  -  ly,  Chief  among      the   "  Blessed  Three,"  Turning    sadness    in   -   to 

2.  Hoping     ev  -  er,     fail  -  ing    never  ;     Tho'   deceived,    be  -  liev  -  ing   6till ;    Long     a  -  biding,     all     con 

-£* 


^mm 


.0 Wl 


gladness,  Heav'n-bom  art  thou,    Chari  -  ty !     Pi  -  ty   dwelleth    in   thy    bosom,    Kindness  reigneth   o'er   thy 


,esi 
fid  -  ing  To     thy     heav'nly     Father's  will :    Never   wea  -  ry     of  well-do  -  ing,     Never      fearful      of    the 


:3^E 


^ 


£EtoEE£ 


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-V- 


te= 


heart ;     Gentle   tho'ts      a  -  lone  can  sway  thee  ;  Judgment  hath  in  thee   no  part.  Meek  and    lowly,   pure    and 
end,    Claiming    all     mankind     as    brothers,  Thou  dost  all     a  -  like     befriend.  Meek  and    lowly,   pure    and 


S= 


J— ^ 


Wl 


198 


Charity. 


V}7         g— #.     <  »  Si CI5 -ft-*11 1 7~^^y"~* ' o1 » W'—m-1  <S-3J 


holy,  Chief  among  the  "  Blessed  Three,"  Turning  sadness  in  -  to  gladness,  Heav'n-born  art  thou,  Chaii  -  ty. 


:H 


I — £ 


:*r:: .«_« ^•_«. 


E 


THE  ECHO. 


ALUGRITTO 
lit  DlVlMOU. 


G.  F.  Boot 


r^CS 


■£ir*-* ' — '-* — ^ &r 


^SEi 


3= 


:r3t 


12EE 


=t 


Have  you   eY  -  er    heard     the     ech  -  oes        That   sleep    in      yon  -  der    hill,       Em  -  bow  -  ered        in       the 


2d  Division. 


^ 


-#-?-#- 


V 


w. — *-- 


— E-»   J-I-#__# « JZJ — £ — ^-gJ-#—  # 


5JFEH 


greenwood 


3^ 


So      sha  -  dy      and      so     still  ?         O,      yes,    we've  heard  the    echoes    That  sleep  in     yonder 

0       *.-"=r»jZ3]g7{:-*£r|£g"£^gj=«z=c:  ~i=z  tzl^Z^t^ir^zr^r^t 


— 


The  Echo. 


199 


gj 1 1-0 0 l_l \- ►—  l-i » * -l«J-S> j 0- 


BP3=?PSJ^5 


H #- «- 


hill,    Embowered       in   the  greenwood  So     shady   and    so     still.   Will   they   answer      to     our  call,    To     our 


•zt-t— U.T3#: 


gl— a-y-rfEk^i 


«zizp: 


-# — #  — *      j  M-w-1* ^ 


1st  Div.  and  2d  Div. 


J_-|_ 4_J-ir 


i         ff  ^  pp^  ff^  pp^ 


tones   returning  sing  ?  They  will  answer    to   our   call.  And  sweetest   music   bring.     Echo,   echo,    echo,    echo, 


eg— J |__lz33-77^--ET^=»— '— ^-F^f 


zEa 


iEH£ 


^£ 


ff  pp 

An  -  swer    us        a  -  gain.     An  -  swer      us 


*. 


a  -  gain. 


lS 


3q=f 


iS§ 


-Si: 


V-c 


Wake      the     ech  -  oes      far      and   wide,  From 


d=Z=lz±£: 


£fi 


ilUg 


200 


The  Echo. 


l    side,     Let     th 


.x: 


-A     j        ■ 
-0       I— * 


a 


T7         ■*■•  »7 

for  -  est,    hill  and   mountain    side,     Let     their    softened     numbers     flow    Thro'    the   wood   and  field   below ; 


S^* 


W---XZW- 


ririjjP^g^ 


AY  ake   the      ech  -  oes,    wake   the    ech  -  oes,    wake  the     ech  -  oes.  wake   the    ech  -  oes,    Hear  their  softened 


2*_A ^L 


i=±^±=k 


-0  — 

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ftp  ff  pp 

numbers  flow  thro'  the  wood  and  vale     below,  vale     below,  Thro*  the   wood   and   vale     below,    vale       below 


zrfc 


h:  — ' — 


a^=T- 


^=yu=^zz^T'-*~= 


-* — «&■ 


YE  SHEPHERDS,  TELL  ME. 


201 


tARGHmn    OBAZJ080 

— N 


MiiiiNaai. 


^^*3f 


0- 


— I— 


:*—   =*s 


-?    •*»-•  g"^-» ? : 


Ye     shep     -     herds, 


tell  me, 


tell 


me,     have     you     seen, 


£15=5=1^ 


±:2z:^t 


2 


1-=*: 


3=*- 


'I    » 


202 


Ye  Shepherds,  tell  Mb. 


feE 


tf 


- — > — 3-j^-=t- 


In  shape   and        fca  -  ture 


rq-^ 


beau 


ty's    queen. 


4= 


■ill*   jT^r  '  4^3^  ^  l^^-^L^    •i'zi?   4  Z3? — i'n^ — 


9* 


1 — : 


:§=*: 


y 


0         4 #— 


-*—4 


In 


pas  -  -  to  -  ral,   in     pas  -  -  to  -  ral   ar  -  ray. 


■•■ ^"     ♦ '      ■* ^  TT  ^      ♦ 5-      ■♦ -^      T  T  T 


^ 


p=t 


-< — « — t 


CHORUS. 


Ye  Shepherds,  tell  me. 


203 


-* *r b h- 


7Z3TZ : 


-0  ft 


■SV 


Shepherds,        tell         me,     tell 


tell      me,    have    you    seen,        have       you    seen 


--t- 


X 


My 


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P»l              k_                   L 

K 

b 

k 

K 

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^ 

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=j=^m 

Flo 

*      9         «    J 
-   ra        pass    this 

■way? 

Tell 

i — 'h- 

me, 

have 

you 

seen        my 

H* 

Flo   - 

— 0 — ^ — 0— 

ra      pass    this 

-f —  II 

way  ? 

p£3_JZL_ 

-• £ *— 

^ K1 — ' 

\ 

■    ? 

— 1*» — ' 

_L_       ^ 

L+f 

-ir ^ ^ 

■  >- 

HE  DOETH  ALL  THINGS  WELL. 


?ES 


Jt=it 


» C H1 — j-i — 0 #.- — 0 0 0 0 * 0—0—f 


^m~ 


^Tir^j^ 


1.  I    remember  how     I  lov'd  her,  When  a    lit  -  tie  guileless  child,   I     saw  her    in    the     cradle,  As  oh0 

2.  Months  passed — that  bud  of  promise  Was  unfold  -  ing  ev*  -  ry  hour,  I  tho't  that  earth  had  ne'er  smil'd   Up  - 

3.  Years  fled — that  lit  -  tie    sister  Then   was  dear   at>  life    to   me,  And  woke  in  my  unconscious  heart  A 


F-Ffr4~^#-  X — tl a — a 


S^ 


=*E 


-#; 0  ■-- 


** — V 


n 


204 


He  doeth  all  things  well. 


look'd  on     me  and  smil'd.  My  cup     of      happiness     was     full,     My    joy    words     cannot       tell,  And     I 

on  a      fairer   flow'r,    So  beau  -  ti  -  ful    it   well  might  grace  The  bowr'6  where  angels     dwell,  And 

wild  i  -  dol  -  a  -  try,       I  worshipped   at   an     earthly  shrine,  Lured  by    some      ma  -  gic   spell,  Forget  - 

-Hi 


■  • — »*=,* — 


— " — m »j  ■ 


^n^m ' 


bless'd  the  glorious   giv   -   er,     "  Who  doeth   all  things  well,"  And  I  blessed  the  glorious   giv   -   er,     "  Who 
waft   its   fragrance  to  His  throne  "Who  doeth  all  things  well,"    And    waft   its  fragrance     to  His  throne  "  Who 
ful     of  the  praise  of      Him     "  Who  doeth   all  things  well,"  Forgetful       of    the  praise   of      Him    "  Who 


v—V—s — * —  m  -a — # — 


doeth 
doetn 
doeth 


all 
all 
all 


things  well." 
things  well." 
things  well." 


ife^jg^=#=r=a 


4. 

She  was  the  lovely  star  [shone. 

Whose  light   around   my   pathway 
Amid  this  darksome  vale  of  tears 

Thro'  which  I  journey  on. 
Its  radiance  had  ob.>c"-"d  the  light 

Which  nuuu  nis  tnrone  doth  dwell, 
|| :  And  I  wander' d  far  away  from  Him 

"  Who  uoeth  all  things  well."  :J 


5. 
That  star  went  down  in  beauty, 

Yet  it  shineth  sweetly  now 
In  the  bright  and  da/zling  coronet 

That  decks  the  Savior's  brow. 
She  bowed  to  the  Destroyer, 

Whose  shafts  none  may  repel, 
fl:  But  we  know,  for  God  hath  told  ua, 

m  He  doeth  all  things  well."  -\ 


COMIN'  THRO'  THE  RYE. 


20.*i 


-Jm: 


^M 


— — J> 


1.  If        a      bod  -  y        meet       a 

2.  If         a       hod  -  y         meet        a 

3.  A  -  mong  the  train     theie        is 


Ma 


1 — ^ 


-?■-+ 


-#-• 


bod   -    y,     Com  -  ing       thro'     the       rye ;         If        a        bod     -    y 
bod    -   y,     Com  -  ing        fra'       the     town ;       If        a         bod     -    y 
a       swain     I       dearly      love      my  -  sel' ;       But   what's   his   name, 


PTt"frfe£3^3gj 


, — .%. 


kiss        a        bod     -     y     Need 

meet       a        bod     -     y     Need 

or  where's  his    hame,         I       din 


a  bod  -  y  cry  ?  Ev' 
a  bod  -  y  frown  ?  Ev' 
na     choose    to        tell.     Ev' 


j — 0i. 


ly        las  -  sie      has      her    lad  -  die, 
ry        las  -  sie,  &c. 
ry        las  -  sie,  &c. 


^fe 


it- 


l^^^SH^S^^ 


*sfc 


—-<--<- 


Nc 


*_  IT*' ff— {— tr * 


V 1 


£ 


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r=^ w~ — n- 


one,  they  say,   ha'e  I ;    Yet 


a'       the    lads   they   smile    at       me,    When   comir>g      thro*     the    rye. 

-*- 1* ; 1 ?- M -; Kc-i 1 . .-. 


206 


THE  SWITZER'S  FAREWELL. 


M  !»«!§. 


^^m 


-h—T 


_«iz — 0. 

— i 


«=V 


TT "2=3 


1.  Adieu,     dear  land,     with   beauty     teaming,  Where  first   I     roved,       a        careless     child;     Of    thee     ray 

2.  Far   from  my   home       I     soon  must   wander,     In     stranger-land        be   doom'd   to    dwell ;    O  !    best     ue  - 


L-* 


Eeee==E? 


h* q 


-» 3 


^^E: 


heart     will  e'er     be   dreaming.  Thy  snow-clad  peaks   and  mountains  wild.  Dear  land  that   I      cherish,       O 
loved,     my  heart  grows  fonder  While  thus   I   breathe     my  last      farewell.     Re  -  ceive   this  last   to  -  ken,     I 


~&3 


•=i=Xr- 


-V- 


long   mayst     thou     flour  -  ish  !       My 
leave    thee,     heart  -  bro  -  ken  :      Our 


mem'  -  ry    must    per   -   ish      Ere      I  for   -   get       thee, 

part  -  ing       is       spo  -  ken  :      Beloved       one,       fare  -  well ! 


W'tirtz 


:*=*=: 


-=£ 


i^B 


HOW  BEAUTIFUL  IS  THE  SEA. 


207 


ALLEGRETTO. 


J.  w.  Cbubt. 


Z&ZfTl—M. 0 j € *       *U? * 'C'fe-  * * f-r—f-l-J-.   0—-*nj^-0 ^ S 0- 


1,  How   beauti  -  ful      is 

2.  How   beauti  -  ful      is 


the      sea   When   the        sun      is       shining    bright,     And     ev'     -     ry  wave  that 
the      sea      At  night,     w'nen  Cyn  -  thi  -  a's    beam       Reflects  far      o  -  ver     the 


^-p-ft-* — * — * — * — * — * 


3=a 


-9.-6- 


3^5Et 


■f*--f — srf- 


=tv--N 


±Zii-3j= 


C=i 


*&=& 


bounds    Is      sparkling   in      the    light !    How   beauti  -  ful      is       the 
waves       A      glitt'ring   sil  -  ver  stream  !  How   beauti  -  ful      is      the 


—  t?  &* 

sea   When  the       sun     is     shining 

sea    At   night,  when   Cynthi  -  a's 


^gEEE^ 


'  f  f.  Z — *— •■  -r—  * rf -f 


bright,    And      ev'    -    ry    wave   that    bournls     Is      sparkling      in      the   light !    When  ev'    -     ry   breeze  that 
beam        Reflects    fai      o  -  ver      tne     waves      A        glitt'ring      sil  -  ver  stream  !  'Tis      then     that      I     would 


0'     #— .    # 


f » 


:  F3E±E*E*;  ±:£:r£=^ 


-V  •   0 


4-g-f   r  r — r  j 


208 


How  beautiful  is  the  Sea. 


blows 
glide 


Up 
Up 


on 
on 


the       pob    -    bly 
thy       tran  -  quil 


b 

strand,     Comes     bounding         o'er       the       deep      From 
brca>t,     While     all         the     storms     are     hushed      So 


m 


7X==t=T- 


JC1 


#- 


;Jee£ 


many       a        dis  -  tant      land. 
peace  -  ful  -  ly       to        rest, 


How    beau  -  ti 
How   beau  -  ti 


ful 
ful 


IS 

is 


the 
the 


sea     When   the     sun      is      shining 
sea       At     night,  when  Cyn  -  tru  -  a's 


y.  ?  \ 


—j 


sg^^g^^^^fe^^fejy 


bright;        And  ev" 

Lmuiu         lte  -  fleets       far 


ry      wave 
o     -     ver 


that     bounds 
the        waves 


Is 

A 


spark  -  ling       in         the      light. 
glit  -  t'ring       sil     -     ver    stream ! 


THE  MURMURING  SEA. 


209 


1st  Tote*. 


Glotu. 


%£E*=$E?EE 


— ES! 


|S3 

-A — ^ — »- 


:t± 


S3^S3? 


^:: 


1.  Murmuring   sea!  beau  -  ti  -  ful   sea!     How     I       love  to       list    to    thy     mel  -  o   -   dy,     When     the 

2.  Murmuring   sea !  beau  -  ti  -  ful   sea !         I       no   more  shall    sail  o'er  thy      waters      free ;      But       I 


t  t     n  t 


•  -•'—  0  J-# 0 0 0  —  0—0 ±^0   0 — % 0 0 0— 


•*■-#-•*■-»•-*■ 


W^iTs 


l^B^^Sfe^fefe 


?  ?  ? 


3*r£±: 


£=t< *=fi=gE*rft*=' — *— *— «rg=E: 


^=£e^ef 


— —  / 


winds   are   still        in   their   rock  -  y      caves,    And  the   sweet  stars  glance  on   thy   purple     waves  :    And  the 
watch   the  ships      till  they     fade  from   sight,    And  my       fan  -  cy      follows  their  trackless   flight :    And  my 


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210 


The  Murmuring  Sea. 


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sweet  stars  glance   on     thy    pur  -  pic   waves  :  Tis     then     I     dream     of      the      dis  -  tant   land,  Where   I 
fan  -  cy       fol  -  lows   their   trackless     flight :     Bounding    a  -  way       to     their      destined     mart,    To      the 


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land     so   dear      to       my   lone  -  ly     heart,    O  !     dear  -  er     than      ev   -   er       it     seems      to     me,     As       I 


The  Murmuring  Sea. 


211 


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iuse  on     the     shore   of    the    murmur  -  ing   sea !      As    I      muse    on     the     shore  of    the    murmuring   sea  ! 


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212 


The  Murmuring  Sea. 


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muse     on   the   shore  of    the     murmur  -  ing   sea  !         the    murmur  -  ing,  murmuring     sea !     Beauti  -  fui 


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Btauti  -  ful      sea !  beau  -  ti  -  ful      sea !       O !      murmuring,       murmuring      sea ! 


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The  Murmuring  Sea. 

Ueauii  -  ful, 


213 


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THE  GRADUATE'S     FAREWELL. 


Andante  i  sostenlto. 


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1.  How  sad  mid  the  sunshine  that  gladdens  this  scene.Comes  the  tho't  that  to-day   we  must  part ;        That  the 

2.  But      fondly   our  tho'ts  will  return     to   the   spot   On   the  wings  of    remembrance  borne   up ;        And  our 


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The  Graduate's  Farewell. 


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bond  which  af  -  fee  -  tion  has      ev  -  er    kept  green   Must   be     severed      to  -  day   in    the      heart ;         That  we 
hearts  shall  re  -  joice,  while  we    cherish      the     lot    That      permits     us    to  drink   of    this       cup.  Then  fare 


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meet  in   this   home        of  our  childhood  no  more,  As  we   lov  -  ingly     meet      to  the  last ;       That  we 

well     to   our  school,     and  farewell     to   the  friends   Who  have  lighted  our  path  -  way  with        love  ;      Tho'  to  - 


The  Graduate's  Farewell. 


215 


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nev  -  er        a  -  gain     on    this    time  -  bounded   shore,    May      u  •  nite    in    the    songs      of    the      past ! 
day     we    must   part,    yet   our  prayers  will   as  -  cend    That   our  school  be    u     -     ni   -   ted     a   -   bove ! 


GRADUATE'S    FAREWELL. 


(Written  by  Mart  Jake  CHCROBttL,  Chelsea,  Mans.) 


Toward  the  summit  of  knowledge  together  we've  climbed, 

Cheered  onvwrd  by  teacher  and  friend  ; 
And  though  rugged  the  path,  yet  the  fruits  we  shall  find, 

For  nur  care  will  repay  in  the  end. 
By  the  light  which  the  past  o'er  our  pathway  has  shed, 

We  have  learned  of  the  future's  rich  store  ; 
And  though  gladly  we  still  would  be  thitherward  led, 

We  must  now  say,  Farewell  evermore. 


Tho'  unhidden,  now  comes  the  sad  thought,  we  must  part 

From  the  scenes  that  long  years  have  endeared. 
May  the  spring  of  pure  love  e'er  renew  in  the  heart 

All  that  bitter  regret  may  have  seared. 
And  bidding  farewell  to  our  teachers,  who  e'en 

In  our  joys  and  our  sorrows  have  shared, 
Let  us  bravely  go  forth,  in  the  future  to  glean 

Of  the  harvest  their  roil  has  prepared. 


21G 


Words  by  Florence  Piect. 


ROCK  ME  TO  SLEEP,  MOTHER. 


F.  Mater. 


1,  Backward,  turn  backward,  O    Time,     in  your  flight, 

2.  Backward,  flow  backward.  O     sad        tide  of  years, 


§g 


Make  me  a   child  again,      ju«t      for  to-ni^ht ; 
I      am  so    weary    of        toils     and  of  tears. 


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Moth  -  er,  come  back  from  the    ech    -   o  -  less  shore, 
Toils     without  rcc  -  ompense,  tears     all    in    vain, 


Take     me   a  -  gain     to  your  heart    as    of     yore ; 
Take  thoin.  and  give  me  my  child  -  hood  a  -  gain. 


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Kiss     from  my  forehead  the  furrows     of    can1, 
I    have  grown  we  irv     of  dust  and     dc  -  cay. 


Smooth  the  few  silver  threads    out       of 
Wen  -    rv    of    flin<_'in<r  mv       soul-wealth  ' 


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"31 


Rock  me  to  sleep,  Mother. 


217 


U  A  TEMPO. 

^iieiiii^r^llieeiiiiiliii^l^i^lpltl 


O    -    ver  my  slum  -  bers  your  Iov  -  ing  watch  keep,        Ro'k     me  to  sleep,  mother,  rock  me    to    sleep. 
'Wea  -  ry    of    sow  -  ing  that    oth  -  ers  may  reap,  Rock     me  to  sleep,  mother,  rock  me    to    sleep. 

jm  nm  rjTj_  rr^jT^'  i  i  ±"1  nn 


LT~- 


CHORUS. 


> 


=q_J JV 


1.  O  -  ver    my    slumbers  your  lov 

2.  Wea  -  ry    of    sow  -  ing    that   oth 

3.  Slumber's   soft    calm  o'er  my    hea 

4.  Come  from  the   si  -  lence    so    long 


m 


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ing  watch  keep, 
ers  may  reap, 
vy  lids  creep, 
and    so     deep, 


Rock 
Rock 
Rock 
Rock 


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CBE8.  JL.  A-       ■*-       >    . 

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me  to  sleep, 
me  to  sleep, 
me  to  sleep, 
me  to  sleep, 


i 

mother,  rock  me  to  sleep, 

mother,  rock  me  to  sleep, 

mother,  rock  me  to  sleep, 

mother,  rock  me  to  sleep. 

— * — -»vr-» ~ »— r : n 


i 


3. 
Over  my  heart  in  the  days  that  are  flown, 

No  love  like  thine,  mother,  ever  has  shone, 
No  other  wo^hip  abides  and  endures, 

Faithful,  unselfish  and  patient  like  yours, 
None  like  a  mother  can  charm  away  pain, 
From  the  sad  soul  and  the  world"  weary  brain, 
Slumber's  soft  calm  o'er  my  heavy  lids  creep, 
Rock  me,  &c. 


4. 


Mather,  dear  mother,  the  years  have  been  long, 

Since  I  last  hush'd  to  your  lullaby  song, 
Many  a  summer  the  grass  has  grown  green, 
Blossom'd  and  faded  our  faces  between  ; 
Yet  with  strong  yearning  and  passionate  pain, 
Long  I  to-night  for  your  presence  again  ; 
Come  from  the  silence  so  long  and  so  deep, 
Rock  me,  &c. 


218 


HER  BRIGHT  SMILE. 


With  Expression. 


Mm^m^immmmwwmi 


1.  'Tis  years  since    last    we  met, 


--U-.-^L 


mmmM 


— 1 1—  o a 


And  we    may 


not      meet    a  -  gain  ; 


Weiohtok. 
I    have 


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strng  -  gled     to     for  -  get,  But  the   strug  -  gle  was    in    vain, 


For  her    voice         lives    on    the 


IS 


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breeze,  And  her    spirit      comes  at    will;  In    the    mid   -   night — on  the    seas  — 


Her 


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Her  Bright  Smile. 


219 


bright  smile  haunts  me  still 

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For  her    voice        lives  on    the  breeze,        And  her  spi 


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will; 


In    the      mid   -   night — on  the    seas- 


Her    bright  smile  haunts  me  still. 


mm 


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CL^r^^ 


At  the  first  sweet  dawn  of  light, 

When  I  gaze  upon  the  deep, 
Her  form  still  greets  my  sight, 

While  the  stars  their  vigils  keep  : 
When  I  close  mine  aching  eyes, 

Sweet  dreams  my  senses  fill ; 
And  from  sleep  when  I  arise, 

Her  bright  smile  haunts  me  still. 
When  I  close  mine  aching  eyes,  &c. 


3. 
I  have  sailed  'neath  alien  skies, 

I  have  trod  the  desert  path, 
I  have  seen  the  storm  arise 

Like  a  giant  in  his  wrath  ; 
Every  danger  I  have  known, 

That  a  reckless  life  can  fill ; 
Yet  her  presence  is  not  flown, 

Her  bright  smile  haunts  me  still. 
Every  danger  I  have  known,  &c. 


220 


IN  THE  STARLIGHT.    (Duet.) 


Allegretto. 


Qloteb. 


1.  In  the     star-light,    in      the     star-light,      Let     us      wan  -  der      gay     and     free; 

2.  In  the     star  -  light,    in      the     star  -  light,      At    the      day  -  light's  dew  -  y       close, 

-A-r 


For  there's 
When  the 


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noth  -  ing      in       the     day  -  light 
night- in  -  gale      is       sing  -  ing 


1/ 

Half    so        dear         to         you 
His      last      love  -  song        to 


P 


and      me ; 

the      rose 


Like    the 
In        the 


*-* 


fairies      in     the     shadow        Of    the  woods  we'll  steal      a 
calm  clear  night  of    summer,  When  the  breez  -  es     soft    -    ly 


long....     And  our  sweetest       lays  we'll 
play From  the  ght  -  ter       of        our 


'^==^^H^^-t^^^=^==*==^-^^^M=^P 


, 


In  the  Starlight. 


221 


DIM.  HIT.  TEMPO.  > 

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war  -  ble, 
dwelling, 


For  the    nit*ht   was    made    for    song 
We  will    sen  -  tly     steal      a   -  way; 


W'i3n    none    are      by      to       lis  -  ten, 
Wliero  the  sil  -  v'ry    wa  -  ters      mar  -  mar, 

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n     the    star-li?ht,    Let  ns     wan  -  der      gay     and 
a    the    star-light,     We  will  wan  -  der      gay     and 


chide    08 
mar  -  gin 


in 
of 


onr    glee, 
the      sea. 


^JEEEEEEEE: 


In  the    star-lisht,. . 
In  the    star-light,. . . 


0 9_   ±_j    _ff^^ '_^~ 0-  *  r-  —  ^\ 0 ^^*^^5 0  -  I 


let    us 
we  will 


222 


wan  -  der, 
wan  -  der, 


In  the  Starlight. 

. W       *  A  T\  TEMPO.  - 


In    the    star-light in    the    star-light,        Let  us    wan -der    gay    and    free. 

In    the    star-light in    the    star-light,         We  will  wan-der    gay    and    free.. 


^F=T 


-0         O 0'—0-\-^  1 K — brT-— ' 1 — 3— 45j^-« 0— ll 


SOLO  — Tempo  di  Marcia. 


WELCOME  TO  OUR  GALLANT  BOYS. 


M.  Kzilxb. 


mf"            "                     ~  *"                *~ '  — #  —    — -       CEr£-          / 

1.  When  trai  -  tors  strurk  our  ban  -  ner,  And  sought    to  snatch  its    stars,  A        mil  -  lion  sprang   a- 

2.  From  ev'  -  ry  ver-dant    val  -  lev,  From    hill       and  ro  -  sy  bower.  Did     gal-  lant  free  -  men 

Rf**         f*      CI    -   RSRr  I  •*"•"•■            \-0-0r-0r         [♦♦♦         [-»-•"••  RRB         I-*-*"*         !-•"«-«■ 


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round  it, 
ral  -  ly, 


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Bore  proud  -  ly    up     its      bars  ; 
The    na  -  tion's  pride   and    power; 


Brave  pa  -  triots      fell  by        thou  -  sands,      To 

With  hearts     for  Free  -   dom     beat    -    ing,     Right 

•    I      i       i  i       .  i      i 

zjm     &  14    "^m  ♦  14  1  i  * 


Welcome  to  our  Gallant  Boys. 


223 


seal     Re  -  bel  -  lion's  doom ; 
glo-rious  vie  -  t'ry     won. 


Dire     Sla-very's  chains  are 
Let's    give    them    all      a 


bro  -  ken, 
greet  -  ing, 


Our 
Our 


boys    are     com  -  ing 
boys    are     com  -  ing 


fagi^-pi5z:^=^-f-r-j^zg|^-^-3=j^i?E 


-9.-W-B f=-^ 


bome. 
home. 


— T5L 


§£Ei 


Dire     Sla  -  very's  chains    are 
Let's    give    them    all        a 


bro  -  ken, 
greet  -  ing, 


at* 


Our 
Our 


mis 


b? 


boys       are     com  -  ing    home ! 
boys      are    com  -  ing    home  ! 

(Cho.  next  page.) 

19-  ' 


s^m 


3. 
The  fondly  loving  mother 

Sent  forth  her  son  so  dear  ; 
The  maiden  for  her  lover 

Let  fall  the  parting  tear  ; 
Beneath  the  nation's  banner, 

On  land,  and  ocean's  foam, 
They've  vanquished  ev"ry  traitor, 

And  now  they're  coming  horns. 
They've  vanquished,  &c. 


4. 
Their  fame  will  grow  still  brighter, 

Their  names  will  live  through  time ; 
For  Freedom's  stars  are  lighter, 

Her  future  rays  sublime. 
We'll  proudly  tell  the  story, 

The  sire  to  listening  son, 
Of  martial  deeds  of  glory, 

Of  the  boys  now  coming  home, 
Of  martial  deeds,  &c. 


224 


80PBAH0. 


Alto. 


Tenoe. 


Bass. 


CHORDS. 


Welcome  to  our  Gallant  Boys. 


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Crown'd  with  honor's  wreath  of    lau  -  rcls,  Our  brave  boys  are  coming  home  ;  Let    us    give    a    heart- felt 

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Crown'd  with  laurel  wreaths, 


^m^^m^-tmkm^ 


EJ 


Ri^^-»--' 


greeting    To  the    vie -tors    as    they  come,  Letns  give    a   heart-felt  greeting    To  the  victors  as  they    come 


-r—  r       '-i-* t — s -p-i-— ».--•  t-«-« 1—    ;  T  ^— ^-fv-' — ^-g>-#  «_.  j] 

as  they  come. 

■»■■    -2 ■•■• 

2--F—  E-_£yr;rf:gznrdr" 


fcfc* 


as  thev  come. 


"  BEAR  ON  OUR  FLAG  " 


foldfen'  Choruj.  from  "Faust." 
% .—  — 7-n — *r— 4r- 


225 

worae  oy  uharles  Sp»a«ui,  Em. 


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/        Bear      on     our    fl 

Dan  -  ger     shall  m 

*2 ml m* I I 


Bear      on     our    flag    o  -  ver    all     the    land ! 
Dan  -  ger     shall  menace   the    land    in    vain. 


And 
Ev     • 


un  -  to   them   who  be  -  neath  it  stand, 
er    u  -  nit  -  ed      it    shall    re  -  main, 


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Glo  -  ry    for  -  ev  -  er,      and      high    re  -  nown, 
Strong  in  the    faith     of      a        ho  -  ly      right, 


Who  conquer  the  foe,     who  conquer    the   foe,     anu 
With  God  for  their  guide,  with  God  for  their  guid< ,  our 


m 


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tram  -  pie  them  down, 
pa  -  -  tri  -  ots    fight. 


P  On, 

All 


then,         o    -    ver    the 
the        plea  -  sures    of 


9$-  •?— & 


-*-&-, 


field 
home 


in      a        tor  -  rent    pour, 
they  have    left     be  -  hind. 


-& 


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ipnipliii 


226 


"  Bear  on  our  Flag.' 


&-Pl  ¥  J>  H-J—J- 


Tu.m*     *—J±=t=, 


» 1 /  _Z yt  f _ 


Through  the     clash  -  ing    of 
For        the      tri  -  als      of 


swords, 
war 


3£ 


i^lii 


and  the  can  -  non's    roar, 
they  have  all     re  -  signed. 

Ifc- 


For  -  ward, 
Let       the 


-*•- 


±Z 


h. ™ — -_ ?r, — r 


rank    up  -  *        rank, 
trum  -  pet     re  -  sound, 


For  -  ward  !       ' 


mm 

By  va  -  lor    a  -  lone,  by  va  -  lor    a  -  lone,  the    bat    -    tie    is     won.     D.  C. 
Onmen  who  have  vow'd,  onmen  who  have  vow'd  to     con    -    quer    or     fall. 

dd?        rip-  —#• — r* iff r * — vr& tf~ n 

— s 1 ^ *-r — f | ^p— y— u 


. .   till    the    day    is    done ; 
.  •   and  its  note  shall  call 


THE  LORD'S  PRAYER. 


TALLIS. 


-aU[llJ: 


EO-j-Isirfiff  %±*± 


lA  £qg±r 


17      TT 


1.  Our  Father,  who  art  in  heaven,  hallowed  |  be  thy  |  name:  Thy  kingdom  come,  thv  will  be  done  on  learth,  as  it  |   is       in     |heaven.' 

2.  Give  us  this  da;  our dai  •  I  v  |  bread  ;  And  forgive  us  our  trespasses,  as  we  I 

forgive (    those  who  |  trespass  a- (gainst  Di. 

3.  Lead  u«  not  into  temptation,      But  de-     |   liver    I  evil ;  Por  thine  is  the  kingdom,   And  the  I 

us  from  I  power,  and  the I    glorv.  .for-|ever.  .and  |  ever.     A  -  If  EN. 

a ——A.  <2-T_c a T_(2 — ^-r-O a-T.a-,-&.. 


9:fe 


m&$=z 


^T~i^T~~?  ^-l-^—ti 


CHANT.—"  My  God,  my  Father." 


227 


3 « — I — a — L- 


1.  My  God,  my  Father, while    I  stray, 

2.  Though  dark  my  path,   and....  sad       my  lot, 

3.  What  though  in  lonely grief      I  sigh, 

4.  If  Thou  should'st  call  me to        re  -  sign 

6.  Let  but  my  fainting heart   be  blest 

6.  Renew  my  will  from day      to  day, 


§il 


— p •-•■,-« — 


— 15- 


n§iie 


5 

Far  from  my  home,  in. . . 

Let  me  be  Ptill,  and 

For  friends  beloved  no... 
What  most  I  prize,  it.... 
With  Thy  sweet  Spirit... 
Blend  it  with  Thine,  and. 


life's  rough 
mux-  mur 
long  -  er 
ne'er  was 
for      its 
take    a- 


— |5==3s: 


m 


?= 


g: 


B= 


way,  O  teach  me  from  my heart 

not,  Or  breathe  the  prayer  di-   ....  vine  - 

nigh,  Submissive  would  I still 

mine;  I  only  yield  Thee what 

guest,  My  God,  to  Thee  I yield 

way  All  that  now  makes  it hard 


— i— as.     r     a~rz 


— i- 

to 

iy 

re 
is 
the 
to 


-GO 

say, 
taught, 

ply. 

Thine  ; 
rest ; 
say, 


"Thy 
"Thy 
"Thy 
"Thy 
"Thy 
"Thy 


mm^^^^^^=^^m^m 


r 


will 
will 
will 
will 
will 
will 


=t=: 


be 
be 
be 
be 
be 
be 


77 

done.1 
done.' 
done.' 
done.' 
done.' 
done.' 


t_r_ 


-©-.-■■■ 


228 


CHANT.—"  Hear,  Father,  heap." 


1.  Ilear!  Father,  hear  our  prayer  !  ) 

Thoa  who  art  Pity  where I  sorrow  pre-    |  vailetb, 

2.  Ileal  !  Father,  hear  our  prayer! 
Wandering  ui. known  in  the 

8.   Dry  thou  the  mourner's  tear  ! 

Ileal  tbou  the  wounds  of  time- 
4.   Hear!  Father,  hear  our  prayer  ! 

Long  hath  thy  goodness  our 


Hope  to  de-  |  spair. 


land,  .of  the  |  stranger, 
hallowed  af-  |  fection ; 
footsteps  at-  |  tended  ; 


Thou  who  art  Safety  when  mortal  help  I 
tuilrth,  Strength  to  the  feeble,  and. . .  \ 

Pe  with  all  travellers  in  sickness  or  dan-  I 

gar,  Guide  thou  tb<ir  path,  guide  their  I  feet  from  the  |  snare. 
G'ant  to  the  widow  and  orphan  pro-  \ 

tection,  Pe  in  their  trouble  a )  Friend  cv  -  er  I  near. 

lie  wirh  the  Pilgrim  whose  journey  is  I 

ended  ;   When  at  thy  summons  for. .  |  death  we  pre-  |  pare. 


Hear  '  Father, 
Hear'  Father, 
Dry  thou  the 
Hear '  Father, 


-—  S> 


1111111=^11 


iiHipEeno 


I  hear    our  prayer! 

s  bear    our  prayer! 

•  mourner's   tear! 

♦hear    our   prayer!— A  -  MEN. 


mammmm 


CHANT.—"  Thy  will  be  done  !  " 


Thy  will  be  |  done  !  ||  In  devious  way 
The  hurraing  stream  of  |  life  may  |  run  ;  II 
Yet  still  our  grateful  hearts  shall  lay,  | 
Thy  will  be  |  done. 


Close  by  repeating  the  first  two  measures — "  Thy  will  be  done." 


Thy  will  be  |  done !  ||  If  o'er  us  shine 
A  gladdening  and  a  |  prosp'rous  |  sun,  !| 
This  prajer  will  make  it  more  divine  —  | 
Tby  will  be  |  done. 


Thy  will  be  |  done!  ||  Though  shronded  o'er 
Our  |  path  with  I  gloo  n. j|  one  comfort — one 
Is  ours: — to  breathe  while  we  adore,  | 

Thy  will  be  I  done. 

BowEi.va. 


CHANT. 


229 


\Hiy  Tbe  Cbant  and  Melody  should  be  6UDg  alternately. 


FINE. 


;;fcii£:=;Li::.=r 


1.  When  floating  on  life's  troubled  1 

sea,     Bymrmsand j     tempests    driven, 

3.  Her  hallowed   influence  cheers  1 

llle'shouis    Of  sadness )    and    cf     gloom; 

5.   She   bids  the  anguifhed   heart  I 

rejoice,    Though  earthly J    ties    are    riven, 

<B T-fS—  -ff-T-ffl- 


m&w- 


-> — 4-S>— 1— C-- 

-i 1 1 


lit  pe  with  her  radiant  fin- 1 

gerpoiDts    To I  brighter    scenes  in    heaven 

She  guides  us  through  this  J 

vale  of  tears.  To I  joys    be  -  yond    the    tomb. 

We  still  shall  meet  again,  I 

In j  yon  -  der    peaceful 

rtrzrfc 


heaven.  —  A    -    MEN. 


2.     She       bids 
4.      And      when 


^^b-Tf-jtT^rrp— -p: 


5-«-+-#-* m •i-H—  *— 4  — »i 0 m 

*-#    X J-* * 0i— ' 0 1 ' * 


-jr=r:~fc 


life 
days 

_# 


to 
are 


cease, 
o'er, 


:t=: 


■-o-.-y- 


The 
And 


trou  -  bled 
life's       last 


breast        be 
hour      draws 


calm; 
near, 


fcc 


— I- 


1**4- 


0 +^-l 1 P— »- P 


balm.  D.  0. 

tear.  d.  o. 


230 


Pio  Adagio. 


:b— = 


CAST  THY  BURDEN  UPON  THE  LORD. 


From  "  Eujah." 


nd     He     shall  6us  -  tain     thee ;     He 

i     > 


pp    Cast    thy      bur  -  den     up  -  on      the     Lord ; 

.» 0  — _ 0  .-,.~a. 


CEE8  ^^^4    J       P 


ne-ver    will    suf  -  fer    the    right  -  eous    to    fall;  He  is....  at  thy  right  hand.  Thy  mer  -  cy,  Lord,  is 

Alto— lie. ...  is     at 

ft   £   JL     ♦   ♦  ■  -*'  -  '       ■ 


• 
•#-  -s>- 


bo',-i* — k««^ *  '-# 1 — ~l-0   -n.^-i—** 0^-0—0—0 — 0-\— L-ir-» — | 0~>-0  —  0-0zM>-& :a 

Z+  cU.I  '       LJ        **  DIM.  '-J       *f    "  p\  <l?    I 


great, 


And  far  a  -  bove  the  hiav'ns 


Let  none  be  made  a  -  shamed, 

*■  Wf-  .♦ EL 


That  wait  upon  Thee  ! 


EVANS. 


231 


Derived  from  Schicht. 


-m 


Je 


i--a- 


sus      lives,     my      trust       on       high !     There    a 
i 


— 3-|-^:Ei=^nj= jrz^qrj 5=1 


fuge 


will 


he 


yield . 


C5- 


me  ; 


-fftt- 


^^il=iii:^i!iEi:=ii^ll=3H^ 


This    sweet    hope     shall      all       de  -  fy, 


i^®* 


-e©~ 


And      from       ev'  -  ry      harm       en    -    shield....      me; 


U. 


fyS~0 ?'~T~"ffr T~^ g--.-«g— r o-j—o jg-T-ri i°'~T      :~*~»l~T'g 1 


I    i 


II  CRES CRES , 

-Sit— -<-— — — i — t-Tt-t J- -4---^ — n-i  -T- ^—  l—si-- — ffl-'T^^1^^©^?11^^^^-— I- 


Me 


^ 


dark'n  -  ing  thoughts  ap  -  pall ; 


■f 

Mer  -  cy'8     smile      is 


1 


all. 


cv5 


^ 


,— rr\ — ,— »  . —  —  t— o 9 — t—  5s 


■a -r- — g- 


lis 


232 


HEROLD. 


1.     Humbly  at    thy     foot  -  stool  kneel  -  ing,    Hear  us,     ho  -  ly     Fa  -  ther,  pray!    Thou  whose  eye  has 


sitl^piglpsl^iSpr^i: 


--V 


-»— 


Wilt  thou,  bless -ed      Sa  -  viour, 
Let    the      grace  of      thy    pure 


■watched  us    sleep  -  ing,     Safe  -  ly      keep   us      thro'    the      day  ; 


i>       I 


1st  time. 


2d  time. 


— -— * 0— J-* gp-rW    ^Jy2.i-j>y    yi-gM       May  we  dwell  with 

y         '  ^  S  Mav  we  ioin  with  sera 


guide  us,  Cleanse  our  thoushts  from   ev'  -  ry  stain, 

spi  -  rit         Be    our     soul's     de     -----     -     light  and  aim 


!^lb|2-!z^-fe£ 


w^rnm 


is  over, 
thee  above ; 
May  we  join  with  seraphs  hymning 
Praise  to  thee,  thou  Grd  of  love  ; 
There  with  har]>s  and  angel  voices, 
May  we  swell  a  ceaseless  song, 
~a'~\  |  Ever  happy,  ever  holy, 
t — •"  Thou  our  God,  and  heav'n  our  home. 


ST.  BRIDE'S.    S.  M.    (Minor.) 


233 


I    want  a     god  -  ly     fear, 
A     spi  -  rit  still  prepared, 


A  quick,  dis  -  eern  -  ing    eye, 
And  armed  with  jeal  -  ous  care, 
ft- 


That  looks  to  Thee  when  sin    is     near, 
For  -  ev  -  er     standing     on    its    guard, 

A     -    " 


fii^sjfcpii^ii^^i^i 


tempt  -  er      fly. 
un  -  to     prayer. 


Z. 1 — J — i 1 — J — I 1 — J — e-JJ 


MORNINGTON.    S.  M. 


1.  From  earliest  dawn  of    life, 

2.  To    learn  and  do   thy  will, 


mmmmm 


Thy  goodness  we  have  shared ; 
O     Lord,  our  hearts  incline  ; 

TJHMMTffc=ftl^F 


fl  JTj      ]j      T 1  , PP?"^-"^ "t"^~hTT~F] — nil      7 1 11  mile  taught  thy  word  of  truth, 

Mfc^lfezj33Ei^-ErPJS§=rai-^lJ       May  weSthat^ord  receive; 


f"    t?    «•    rr 

And  still    we    live    to  sing  thy  praise,  By  sov'reign  mer  -  cy  spared. 
And  o'er   the    paths  of    fu  -  ture  life    Command  thy  light  to  shine. 


And,  when  we  hear  of  Jesus'  name, 
In  that  blest  name  believe  ! 


O,  let  us  never  tread 
The  broad,  destructive  road, 

But  trace  those  holy  pathg  which  lead 
To  glory  and  to  God  ! 


234 


HAYDN'S  HYMN.     (Austrian  National  Air.) 


=IIIi=Eii^=^1iL=:=£3 


Life's     trou  -  bled 
Thy       Spi    -    rit 


wa  -  ter8,        Rude  -  ly       toss'd    by        ev'  -    ry       tide ; 
giv    -  en,  Till         the       voyage  of        life        is        past, 


§!frEg^g=g 


Guide    us,       in 
Safe  -  ly        to 


DIM.  I 

fant      sons    and      daugh  -  ters, 
the        port       of        heav  -  en, 


CRE8. 

O'er       the     bil 


c, '.- 


Bring      our     wea    -    rv 

'-JU 


DIM. 

lows         far      and     wide. 
souls     at         last. 


# 


i 


mm 


11 


13 


Martin  Lctkis- 


HUGUENOTS. 


Harmony  by  J.  S.  Bach.       235 


iHl|i?igl!ii^!iiIf 


-~o- 


IliaS 


! 


Send       out       thy  light     and  truth,  O 

Break      not       the      na  -  tions  with  thy 

Be     -     fore       thee  ev'    -    ry        i      -  dol 

The        ful    -    ness  of  the  Gen    -  tiles 

i 


God,  With   sound   of      trum    -    pet, 

rod.  But     draw     them      as      with 

fall ;  Rend     the   false     Pro  -  phet's 

call,  Be       Is    -    rael     saved,     let 


i 

from  a  - 

cords  of 

veil  of 

Ja    -  cob 


=?*===&== 


-— i—i— ,5 — ©— 1-« — ftg— x— s— ^-a-3— i — ^— 1-« — -s?— c-s—j  ©.I,.© — -j-i— © — -. 


p  1*" 


9—\ 


£rj 


Jus  -  tice    and      mer  -    cy    meet,  The   work     is       well     be  -  gun,     Through  ev'  -  ry  clime   their  feet. 
Thy    king  -  dom     come    in  -  deed ;  Thy  church  with    u  -  nion  bless,     All     Scrip  -  ture     be      her  creed, 

•&■  -ft-       „  „  _   •*• ■<*»■ & 


— ©- 


jg|SSB_j_E_£S_B 

_+. 1 — ■»•— s «-i 1— i 1 — J- 1 — J- — i ■ — (- 


:__cz 


—TZ^ZZl 


Who 
And 


will        be 
right  -  eous 


done, 
ness. 


=^JU--,- 


HH 


236 


ASCRIPTION. 


Prayer  from  "  Der  FreiaehuU." 


1.  Gra  -  cious    source    of 

2,  All      our      hopes      on 


ev'    •    ry       bless  •  ins,     Guard     our     breasts    from     anx  -  ious     fears; 
thee      re    -    clin  -  ins,     Peace,    com  -  pan  -  ion        of        our       way  : 


^fef^: 


-0 

32 — j. 


^m=^mm=<mmmm 


V         V  I  L         S»  "**^  y*       *      f 

Let        us        each    thy      care        pos  -  se*s  •  ins,       Sink       in  -  to the      vale    of       rest. 

May      our       sun,     in      smiles       de    -    clin  -  ing,       Rise       in    ev    -     -     -     er     -    last  -  ins     day. 


pos  -  sess  •  ins, 
de    -    clin  -  ing, 


vale    of       rest, 
last  -  ing      day. 


2gg 


^-J-^— -»--! " "-J-^-'-H-rsar-^-- 


i 


4-rr— 

■fl4 — 


SANCTUS. 

CBES. 


Arranged  from  Orlando  Gibbons. 


-« -ft- 

Ho  -    ly, 


Ho  -  ly, 


o  -  -  -  ly     Lord    God      of  Hosts  !  Heav'n 

4--i    r    r^|  IV.eL^zzgrqrigcd 


~-5>- 

-ft- 


^=F 


ly     Lord    God      of  Hosts !  Heav'n  and  earth  are    full     of      the 
©--.—*-  g-gr-i-e— j— g; — ^-r- S *£--,— © »- 


SANCTUS.    (Concluded.)  237 

s  i  —  m--\—@ e— 4 — #=i — «-#-]—« &—\— o-\— &  -4-«— -H 

g£ — #_j__e — ._g_-i_p_* — s — ' — q — -g— J I_q,-J._0 IJ 

Thee,     O      Lord  most  high. — A  -  men. 

iililllilii 


CORONATION.    C.  M. 


=i=r=: 


■4- — i-t-« — * 

1.  All  hail  the  pow'r  of    Je  -  sus'  name,  Let   angels   prostrate     fall ;    Bring  forth  the  roy-  al     di  -  a 

2.  Ye    chosen    seed    of    Is  -  rael's  race,  —  A  remnant  weak  and  small, — Hail  him,  who  saves  you  by  his 

3.  Let  ev' -  ry   kin  -  dred,  ev' -  ry  tribe,    On  this   ter  -  res  -  trial  ball,     To     him   all     ma  -  jes  -  ty     a 


r5s=4 


I 


-| 1 l 1 \~0 0 D 0— \—  0— * 0 0 — + .--I— -0— , 0 1 1 M-- J 1 ( 


■  dem, 
grace, 
scribe, 


-0-+  -#■*-#■      ■*•  *w-»-#-   -n. 


And  crown  him  Lord  of 
And  crown  him  Lord  of 
And  crown  him  Lord     of 


D:l 


Bring  forth  the  royal  di  -  a  -  dem,  And  crown  him  Lord  of 
Hail  him,  who  saves  you  by  his  grace,  And  crown  him  Lord  of 
To      him   all   ma  -  jes  -  ty   as  -  cribe,  And  crown  him  Lord     of 


all, 
all, 
all, 


•&• 

all. 
all. 
all. 


llE^IS^i£lg§^Iii 


~er 


-a- 
-\ — 


a. 


I 


Maestoso 

*&^E 


RUSSIAN  NATIONAL  HYMN. 


f  III  * 

1.  God,  the     all-mer  -  ci  -  ful !  Earth  hath  for  -  sak  -  en     Thy  ways  all  ho  -  ly,    and     slighted     th)'  word  ; 

2.  So     will    the    peo    -    pic,  with  thankful  de  -  votion,   Praise  Ilim  who  sav*d  them  from  peril  and   sword; 


si_l  a  g— g— f  I  eg— ^— S-i~?s— e —      -HI— g  i-g: -„—  fit  g:  .l_^|,j-      i  — f  i  PL^r 


Bid  not  thy  wrath,  in    its     tcF^  ror,     a  -  wa  -  ken  ;     Give  to     us     par  -  don  and  peace,  O     Lord  : 
Shouting  in  cho  -  rus  from  o  -  cean  to     o  -  cean,     Peace  to     the    nations,  and  praise  to  the  Lord ! 

h.  .  -z.  *  *-  «  ^ .^l — j — «-'r,p  * — □*— m 


=:=u=v=&=e 


q- 


:» 


STT- 


-I— ' 

-| — r 


1 


WINTHROP.     L.  M. 


-- » 


qpprgczi       J    I 


~g=i-£: 


Dr.  Gree.n 
j  I- I       |   ■■ 


~e> — '— a— ' 


To     God,  whose    good  -  ness    cease  -  less    flows ; 


^         -»■       <*+£         J 


mmm 


WINTHROP.      (Concluded.) 


-, 1 1— , 1 1—, (TV— • 1 T 1 

i=2 «_dz:Sr=::g;±:S-Jr^— i^e 


239 


Who   dwells   en.  -  throned    a  -  bove    the     skies,     And    life      and      health      on       all 


I 
be  -  stows. 


>r-i— P 


i& 


*<**E=<L 


mmmmmm 


P--,—  P- 


S—r- «- 


P- 


^  p 


IS 


CHORAL.     "  How  glorious  beams." 

tnf       ORES f 

0- 


mf 


tillr 


S 


-9 


1.  How  glo  -  nous  beams  the  mom-ing  star!    What  rays  from  God  its    risings  are!     We  praise    its 

2.  From  God  there  beams    a    bliss  -ful  glance,    As     oft      as        I      his    countenance,     By    fer  -  vid 

heav'nly  burn  -  ing.     Ray  of   the  Lord  through  deeper  night,     On     dark  -  ened  souls  thou  flash  -  est 
faith  dis  -  cov  -  er.       O  !  Je  -  sus,  thou,  my   high  -  est  good !    Thy  word  and     spi  -  rit,     bo  -  dy, 

W  s*  f 


"(3T 


^=£Sxr7 


■o— 


light; 
blood, 


x; 


Who    for    the    truth    are 
My  whole  soul  quick  -  en 

f 


^^m 


yearn  -  ing. 
o    -    ver. 


; 1 — e— 

Thy     word, 

Strengthen 


Je  -  sus ; 
Thou    me, 


Full    of 
My    Re  - 


— eg*- 


3=[ 

— 9 — r 


lus  -  tre, 
deem  -  er. 


Guides  and  frees     us, 
That,  poor     dreamer 


ja — i 
Life    ex  -  tend  -  ing, 
On    earth's  pleasures, 


All 


our 
may 


no  -  blest 
rise    to 


praise     trans  -  cend  -  ing. 
heav'n  -  ly       treas  -  urea. 


240 


CHRISTMAS  CAROL. 


II    >    CHE1RFD1_T.  CSV  J.  C.  WmB. 

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1.  Joy  !  joy  !  joy  !  Come  sing  with  us   the  sto  -  ry     Of  Christ,  the    Lord      of      glory,    Kuril     on     Christmas 

2.  L:st  '  list  !  list !  The     little  lambs  were  sleeping,  While  shepherds  round  were  keeping  Watch  on  Chri-tmas 
3. Hark  !  hark  !  hark  !  An  angel   choir    is     singing,    And     nearer     earth      is   bringing   Joy      on     Christmas 


mmmmm^mm 


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morning  ;  Im  -  manuel  is  his  nanTe,  From  heav'n  to  earth  he  came 
morning ;  When  lo  !  a  light  is  seen,  Their  eyes  the  shepherds  screen 
morning  ;  The  shepherds  quake  with  fear,  And,  kneeling,  gath  -  er     near 


ZJ=Z* 


i      tH-glg   »  I  I       W- — I       U  I  I— fc 


On    that  Christmas      morning. 

On    that  Christmas      morning. 

On   that  Chri.stmas      morning. 

-I-     -      *-  -*T- 


CH0RC9. 


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Joyfully,   joyfully,    sing  the  song,      Merrily,     merrily,    loud   and  long,  This  song    of    Christmas  morning. 


;  v-  g  #~f     #~f     f~f 


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List!  list!  list' 
An  angel  now  comes  near  them, 
And  cautiously  they  greet  him 
On  that  Christmas  morning ; 
Glad  tidings  of  great  joy 
I  bring  without  alloy, 

un  this  Christmas  morning. 
Joyfully,  &c. 


Christmas  Capo!. 

Look  !  look  !  look  ! 
So  suddenly  around  them 
The  heavenly  hosts  are  shouting, 

On  that  Christmas  morning  ; 
They  sing  of  peace  and  love, 
Good  will  from  heaven  above, 
On  this  Christmas  morning. 
Joyfully,  &c. 

NO  NIGHT  IN  HEAVEN. 


241 


6.         Shout !  shout  1  shout ! 
In  songs  both  loud  and  joyous. 
All  swell  the  happy  chorus. 

On  this  Christmas  morning ; 
For  Christ,  the  Lord,  is  King, 
Let  earth  his  praises  bring 
On  this  Christmas  morning. 
Joyfully,  &c. 


in  Heav'n — no  gathering  gloom  Shall  o'er  that  glorious  landscape  ev  -  er    come, 
in  Heav'n — no  dreadful  hour       Of  mental  darkness,    of         the    tempter's  pow'r, 
in  Heav'n.  Forbid  to  sleep,  Those  eyes  no  more  their  mournful     vi  -  gils     keep, 
in  Heav'n — no  sorrow's  reign,  No  secret  anguish,         no     cor  -  po  -  real    pain, 
in  Heav'n,    but  endless  noon,  No  fast  declining  sun   nor     waning    moon, 


No 
A- 
Their 

No 
But 


-* 


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tears  shall  fall  in  sadness  o'er  those  flowers  That  breathe  their  fragrance 
Dross  these  skies  no  envious  clouds  shall  roll,  To  dim  the  sunlight 
fountains  dried,  their  tears  all  wiped  away,  They  gaze  undazzled 
shivering  limbs — no  burning  fever  there — No  soul's  eclipse — no 
there  the  Lamb  shall  yield  perpetual  light,  'Mid  pastures  gTeen,  and 


— * 

through  ce  -  les 

of  th'enrapt 

on      e  -  ter  - 

winter      of 

waters   ev  - 


*=m^M 


tial  bow'rs. 
ured  soul, 
nal     day. 
despair, 
er  bright. 


242 


PORTUGUESE  HYMN.    lis. 


1.  The  Lord  is    my  Shepherd,  no  ivnut  suoll    I     know;     I     feed  in  green     pastures,  safe  fold  -  ed,   to  rest; 

2.  Thro'  the  valley  and  sha  -  dow  of  death  tho'  I  stray.     Since  thou   art  my    Guardian,    no     e  -  vil     I     fear  ; 

3.  Let  goodness  and  mer-  cy,  my  boun  -  ti  -  ful    God,     Still  fol  -  low  my  footsteps  till  I  meet  thee  a  -  bove  ; 


* 


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He  lead  -  eth  my  soul  where  the  still  wa  -  ters  flow. . . .   Restores  me  when  wand'ring,  redeems  -when  oppre>>'d. 
Thy  rod  shall  de  -  fend  me,    thy   staff  be  my   stay....     No  harm  can  be  -  fal  with  my  Comfort  -  er  mar, 
I     seek,  by  the  path  which  my  fore  -  fa  -  thers  trod. . .  Thro'  the  land  of  their  sojourn,  thy  kingdom  of  love, 


_ii; 


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Restores  me  when  wand'ring,  redeems  when  oppre>s'd. 

No  harm  can  be-  fall  with  my  Comfort  -  er  near. 
Thro' the  land  of  their  so-journ  thy  kingdom  of  love. 
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EXHIBITION  HYMN.-W.  T.  Adaks,  bq. 
Our  Father  in  heaven  !  we  bend  at  thy  throne, 

Imploring  the  blessing  thou  only  canst  girt. 
Look  down  on  thy  children,  O  uiake  us  thine  own ! 

Anil  teach  us  more  wisely,  more  nnbl)  to  live. 
Be  with  us.  0  Father!  thi*  glad.  fe*t*l  dav, 

To  guide  us  and  bless  us  with  light  from  boo¥»  • 
Inspire  us  with  wisdom  thy  law  to  obcj*i 

And  fill  our  young  hearts  with  tUj  peace  and  thy  lov». 
Wherever  we  go.  may  we  rest  on  thine  arm, 

Assured  thy  protection  is  all  we  can  tieed 
That  thou  wilt  uphold  ua.  preserve,  us  from  ham 

And  aaf«  to  their  Uome  wilt  our  w&iuag  toal*  i     , 


OLD  HUNDRED.     L.  M. 


243 


Be  thou,  0  God,  ex  -  alt  -  ed  high ;  And  as  thy  glo  -  ry  fills  the  sky.  So  let  it 
From  all  that  dwell  be  -  low  the  skies,  Let  the  Crea  -  a  -  tor's  praise  a  -  rise;  Let  the  lte- 
E  -  ter  -  nal    are      thy    mer  -  cies,  Lord,     E  -  ter  -  nal     truth     at  -  tends  thy  word ;    Thy  praise  shall 


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be    ou  earth  displayed,     Till  thou  art  here    as    there  o  -  beyed. 
deemer's  name  be  sung,  Through  ev'ry  land,   by     ev'  -  ry  tongue, 
sound  from  shore  to  shore,  Till  suns  shall  rise  and  set  no  more. 


1 1 — •*-, 1 L  -© — ' ■»■ ■(— 


3= 


THE  TRUE  FRIEND.    L.  M. 


There   is      a  friend,  a  se  -  cret  friend, 
A  friend,  who,  watching  from  above, 


4^:— 2-"  O — » »^f-. 


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In     ev'  -  ry  tri  -  al,     ev' -  ry  grief.  To  cheer,  to  counsel,     ami  de-fend,     Of    all  we    ev  -  er    had 
Whene'er  in  er  -  ror's  path  we  trod,   Still  sought  us  with  reproving  love,  That  friend,  that  secret  frier 


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JOY  TO  THE  WORLD.     C.  M. 


to  the  world,  the  Lord  is  come !  Let  earth  receive  her  King;    Let    ev'  -  ry     heart....  pre  -  pa»*   him 
to  the  world,  the  Saviour  reigns  !    Let  men  their  songs  employ  ;    While  fields  and  floods,  rocks,  hills  and 
more  let    sin  and  sor  -  row  grow,   Nor  thorns  infest  the  ground;   He  comes    to     make...    his  bless  -  ings 


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room,  And  heaven  and  nature  sing,  And  heaven  and  nature  sing,  And  heaven,  and  heaven  and  nature  sing, 
plains,  Repeat  the  sound  -  ing  joy,  lie-peat  the  sound  -  ing  joy,  Re  -  peat,  re  -  peat  the  sounding  joy. 
flow,    Far   as  the  curse    is  found,    Far    as     the  curse  is  found,     Far     as,    far    as....   the  curse  is  found. 


^#— Ef 


5^B 


EVENING  HYMN.— (Tune,  Hamburg.) 


Hither,  bright  angels,  wing  your  flight 
And  stay  your  gentle  presence  here  ; 

Watch  round  and  shield  us  through  the  night, 
That  every  shade  may  disappear. 

How  sweet,  when  Nature  claims  repose, 
And  darkness  floats  in  silence  nigh, 

To  welcome  in  at  daylight's  close, 

Those  radiant  troops  that  gem  the  akj  1 


To  feel  that  unseen  hands  we  clasp, 

While  feet  unheard  are  gathering  round,- 

DO* 

To  know  that  we  in  faith  may  grasp 

Celestial  guards  from  heavenly  ground  ! 

0,  ever  thus,  with  silent  prayer 

For  those  we  love,  may  night  begin, 

Reposing  safe,  released  from  care, 
Till  morning  leach;  the  sunlight  in. 


PETERBORO'.     C.  M. 


245 


yq— I 44— I— I— d— <H-s) U-|qp=|=I=i^^=1= -H-J Lq=fc=F 


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1.  Once  more,  my  soul,  the  ris  -  ing  day      Salutes  thy  wa  -  king  eyes,  Once  more,  my  voice,  thy  tribute  pay, 

2.  In  the  glad  morn  of  life,  when  youth  With  generous  ar  -  dor  glows,  And  shines  in  all  the  fair  -  est  charms, 


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BEETHOVEN.     S.  M. 


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3. 


To    Him. 

That  beau 


who 
-  ty 


n  Deep  on  thy  soul — before  its  powers 
a—  Are  yet  by  vice  enslaved — 

^L     ^         Be  thy  Creator's  lofty  name 
the  skies.         And  character  engraved. 
4. 
True  wisdom,  early  sought  and  gained, 
In  age  will  give  thee  rest ; 


rules 

can     dis  -  close. 


"~3~jl  O  then,  improve  the  mom  of  life, 
±-<9— U      To 


make  its  evening  blest ! 


1.  While  my  Re  -  deemer's 

2.  To      ev  -  er  fragrant 

3.  Dear     Shepherd,    if     I 


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•&-.     -0-      -*■      -*■      -m-  '      *      *      ■     ■*-  -#•-#■""       -<y-. 


near,      My     Shepherd     and    my  Guide,    I     bid  farewell    to      ev'  -  ry  fear,    My  wants  are  all  sup  -  plied 
meads,  Where  rich  a  -  bun  -  dance  grows,  His  gracious  hand  indulgent  leads,  And  guards  my  sweet  repose, 
stray,     My     wand'ring  feet     re  -  store  ;     And  guard  me  with  thy  watchful  eye,  And  let  me  rove  no   more. 

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DUDLEY.     Us. 


1.  Acquaint  thee,  O    Bpi  -  lit,  acquaint  thee  with  God,      And   joy  like  the    sunshine  shall   beam   on  thy  road  ; 

2.  Acquaint  thee,  ()    spi-  rit,  acquaint  thee  with  God,      And    he  shall    be  with  thee  when  fears   are  a  .  broad, 


■9 0—0- 


,._<2- 


r. 


^JN-M^t 


—    ■»  -r     ^    ^r- 

ly    bed. 
af     death. 


And  peace  like  the  dew  shall  descend  round  thy  head,   And  sleep,  like  an  an  -  gel,    shall  vis 
Thy  safeguard   in  dan  -  ger  that   threatens  thy  path,    Thy  joy   in    the     val  -  ley     and     sha 


-  it     thy    bed. 
dow     of     death. 


g — • — f-\-° — f — »---; — I — fc"  1  g,~  i~T~i ri"0 — f — #  - 


Rewards  Of  Early  Piety.—  ( Tune,  Greenville. J 


God  has  said,  "  Forever  blessed 

Those  who  seek  me  in  their  youth — 
They  shal1  rind  the  path  of  wisdom, 
And  the  narrow  way  of  truth  :  " 
Guide  us,  Saviour, 
Guide  us,  Saviour, 
In  the  narrow  way  of  truth. 


Be  our  strength,  for  we  are  weakness ;  !  Then,  when  evening  shades  shall  gather 


Be  our  wisdom  and  our  guide ; 
May  we  walk  in  love  and  meekness, 
Nearer  to  our  Saviour's  side  : 
Naught  can  harm  us, 
Naught  can  harm  us, 
While  wt  thus  in  thee  abide. 


We  may  turn  our  tearless  eye 
To  the  dwelling  of  our  Father, 
To  our  home  beyond  the  aky— 
Gently  passing 
Gently  passing 
To  the  happy  laud  on  high 


GREENVILLE.    8s  7s  &.  4. 


247 


FINE. 


Gently,   Lord,  O  gen  -  tly  leud    us,  Thro'  this  low  -  ly  vale  of  tears  ;  ) 

O     re  -  fresh  us,     O     re  -  fresh  us,      O   re  -  fresh  ua  with  thy  grace.  J  And,  O  Lord,  in  mer 


cy  give  us, 


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D.  C. 


Thy    rich  grace  in    all  our  fears. 


:SEE 


0 — »- 


H^g^i 


£ 


Though  ten  thousand  ills  beset  us 
From  without  and  from  within, 
Jesus  says  he'll  ne'er  forget  us, 
But  will  save  from  ev'ry  sin  ; 
Therefore  praise  him, 
Therefore  praise  him, 
Praise  the  great  Redeemer's  name. 


O  that  I  could  now  adore  him, 
Like  the  heavenly  host  above, 
Who  forever  bow  before  him, 
And  unceasing  sing  his  love. 
Happy  songsters, 
Happy  songsters. 
When  shall  I  your  chorus  join. 


THE  CLOSING  HOUR. 


1.  As  -  sembled  at  the  closing  hour,  When  we     a  -  while  must  part,     A     song    of  praise  to  Ood  we  pour,   With  me  -  lo  -  dy  of  heart. 

2.  'Tis     by  His  goodness  we    aie    led     With  •  in  these  favored  walls  ;     And  ev'  •  ry  foot  -  step  here  we  trend,  Thy  goodness  still  recalls. 

3.  In    kindness,  when  we  Sep  -  a  -  rate,  lie  -  gard  our  ten  -der  prayer,  And    let    us,  when  we  meet  a  ■  gain,     A     Father's  blessing  share. 


1— ft-*-*!-*— N1 » 


Ft 


m 


248 


AMERICA.     6s  4  4s. 


1.     My  coun  -  try  !     'tis      of    thee,     Sweet  land  of    lib   -   er    -    ty,       Of    thee      I     sing;     Land  where  my 


2.  My  na  -  tive     country  !    thee,     Land     of      the  no  -  ble     free,       Thy  name     I      love ;       I      low      thy 

3.  Our  fa  -  thers'  God!     to  thee,     Au  -  thor     of  lib   -   er   -    ty,       To     thee    we     sing;    Long    may    our 

---                   ■*■       ••■       ■#-       •*--*-  ■*-■ 

S3 


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m 


:  P^PTl=»i  *    it  i  r  it    i     —I 


fa  -  thers  died, 
rocks  and  rills, 
land  be  bright 


Land  of  the  Pil  -  grims'  pride,  From  ev'  -  ry  mountain  side.  Let  free  -  dom  ring. 
Thy  woods  and  tern  -  pled  hills,  My  heart  with  rap  -  ture  thrills,  Like  that  a  -  bove. 
With  freedom's     ho  -  ly     light :     Pro  -  tect     us       by     thy  might,     Gnat  God,  our  King. 


ag 


:t 


S: 


F-1-F— >— ^1=^=f^— 11 


DEDICATION     HYMN  .—(Tune  America.) 

Wm.  T.  Adams,  E*q.,  (OliTer  Optic) 


Our  fathers'  God  !  we  raise 
To  Thee  «ur  grateful  praise 

And  bless  thy  name; 
For  freedom's  glorious  day, 
Our  country's  peaceful  sway, 
And  wisdom's  kindling  ray, 
Thy  lore  proolaim. 


We  thank  Thee  that  the  spark 
The  Pilgrims'  storm-tossed  bark 

Brought  o'er  the  sea. 
Preserved  through  danger's  night, 
Still  burns  a  living  light, 
In  many  a  temple  bright — 

Hope  of  the  free. 


To  Thee  we  dedicate 
This  "  pillar  of  the  State,' 

The  freeman's  guide ; 
And  may  it  ever  be 
A  temple  reared  to  Thee, 
The  cradle  of  the  free. 

Our  country's  pride. 


CONTENTS* 


Adieu, 

Adieu  to  a  Teacher, 

All  bail !  pleasant  morning,. . , . 

All  togcth-r  again, 

Amtels  will  ro  k  thee  to  sleep,.. 

ADuif  Lawrie, 

Annie  of  the  Vale, 

Away  to  the  f->re»t  glade,   (Pic- 
nic Song.) 

Bear  on  our  Flag, 

Bird  of  Beauty, 

Blanche  Alpen, 

Bonnie  Dundee, 

Break  it  gently  to  my  mother,. 

By  the  sad   sea  waves, 

Calm  me  to  rest, 

Cheer,  boys,  cheer ! 

Comiu'  thro'  the  rye, 

Contraband  of  Port  Royal,. ... 

Day  is  gone,  (Hound,) 

Dear  old  sougs  of  home 

Departed  Days, 

Do  t he?  think  of  me  at  home  ?. 

Ever  of  thee, 

Faded  Flowers, 

Fa  li ng   Away, 

Faintly  flow,  thou  falling  river, 

Farewell,  good  night, 

Farewell,  to  America, 

Flow  gently,  sweet  Afton, 

Garibaldi  Hymn, " . . . 

Gentle  ray  of  sunlight, 

II  ill  to  the  opening  year, 

Happy  are  we, 

H^  doeth  all  things  well, 

Hearts  and  Homes, 

Her  blight  smile, 

H  ime,  fare  thee  well, , 

Home's  sweet  harmony, 

How  beautiful  is  the  sea, 

How  can  I  leave  thee!,  • 

How  sleep  the  brave '. , 

I'd  be  a  our........ 


BOlIn  the  eve  there  lies  the  heart, 
18S!In  the  Starlight, 

79, I'm  going  to  be  a  soldier, 

49l  I  wandered  by  the  brook-side,. . 
146  Jemmy  [Joker, 

S3  Juaoita, 

73  Jonathan  to  John, 

Ijust  twenty  years  ago, 

182 1 Kathleen  Mavourneen, 

228[Kitty  Clyde, 

96  Make  me  no  gaudy  chaplet,. . . . 
143jMay  of  the  Valley, 

63 1  Marseilles  Hymn, 

156  Mary  of  Argyle, 

149  Maryland,  my  Maryland, 

158  My  soul  to  God,  my  heart  to  thee, 
601  Near  the  tanks  of  that  lone  river 

205  Nellie  Dean, 

178  J  Never  forget  the  dear  ones, 

162,0  ye  tears! 

152,0,  we  are  volunteers, 

131  Ode  to  Freedom, 

117  Oft  in  the  stil  y  ni^ht, 

175  Old  friends  and  old  times, 

1-5 1  <  >ngiu  of  the  Harp, 

166: Our  Country, 

187'Our  Flag, 

92!Over  the  summer  sea, 

46  Peace  to  the  brave, 

191 1  Pestal,  or  the  Prison  Song, 

65  Poor  old  slave 

114  Read  me  a  letter  from  home,. . . 
183'  Rejoice  evermore, 

159  Rock  me  to  r-leep, 

203  Rock  of  Liberty, 

39  Say.  what  shall  my  song  be  to- 

218      Dight? 

92  Skatwr's  Song, 

118  Soaring  and  sin  ting, 


102! Sweet  Dreams ,...<<  m 

220  Tell  me  where  do  Fairies  dwell, 
145  There's  mucic  in  the  air 

62  'Tis  growing  very  dark,  mother, 

80,  'Tis  Midnight  Hour, 

110  The  Battle  Prayer, 

130  The  Beggar  Girl, 

124|The  Bridge  of  Sighs 

94The  Cottage  by  the  Sea, 

112  The  dearest  spot, 

180  The  Deep, 

128  The  Echo, 

42 1  The  Evening  Breeze, 

64|The  Exile, 

76  The  Graduate's  Farewell, 

122  The  hour  of  paring, 

111.  Tne  Humming  Bird, 

1!6  The  Maiden's  Prayer, 

184iThe  merry  mountain  maid,. . . . 
163 1 The  Midnight  Moon 


207 
146 
10J 

66 


Softly  now  the  light,. 
Soldiers'  Chorus,  (from  Faust). 
Song  of  the  Bob  o  link, 


The  moon  is  beaming  o'er  the 

lake, 

The  M  urmuring  Sea, 

The  Offleer's  Funeral, 

The  Silver  Chime, 

The  Stars  and  Stripes  of  old,.. . 

The  Switzer's  farewell, 

The  Sword  of  Bunker  Hill,. . . . 

The  Vacant  Chair 

Three  Fishers  went  sailing,.... 

Warblings  at  Eve 

We're  tenting  on  the  Old  Camp 

Ground, 

Weep  not  for  him, 

1041  Welcome  to  our  gallant  boys,. . 

What  is  Home  ? 

When  Johnny  comes  marching, 
When  the  swallows  homeward 

fly, 

Why  do  summer  roses  fade  ?. . . 
Yes,  let  me  like  a  soldier  fail, . . 
Ye  shepherds,  tell  me, 


891         SACRED    PIECES. 

341  America, 

1081  Ascription, tit 

8G  Beethoven,. 

140  Calm  on  the  listening  ear 

127  'Cast  thy  burden  upon  the  Loid, 

10/, Chant  and  Melody 

15SJChant— My  God, my  Father,... 

70i      "        Hear,  Father,  hear,... 

155       "        Thy  will  be  done, 

148  Charity, 

198  Choral— How  glorious  beams,. . 
131 1  Christmas  Carol, 

98, Come  ye  disconsolate, 

213  Coronation, 

75  Dedication  Hymn 

64,Dudley, 

68^  Evans, 

189  Evening  Hymn, 

60  Exhibition  Hymn, 

Fading,  still  fading 

163  Father  of  mercies, 

209  Greenville - 

103  Haydn's  Hymn 

69!Hiirold, 

1C6  Huguenots, 

206  Joy  to  the  world,, 
150 

67 
138 

08 


Morning  and  Evening, 

Mornington, 

Mother  dear,  O  pray  for  me,. 

No  Night  in  Heaven, 

Old  Hundred, 

85  Peterboro,' 

1H5  Portuguese  Hymn, 

222  Rewards  of  Early  Piety, 

137  Russian  National  Hymn, 

71  Sanctus, 

St.  Bride's, 

41  The  Closing  Hour,. 
100  "' 
168 


The  True  Friend, 

The  land  bevond  the  river,.... 

The  Lord's  Prayer,  (Chant,) 

Wiuthrop ,,,,, ,, 


248 
236 
246 

32 
230 
2C9 
227 
228 
228 
197 
•l-'j 
240 
195 
237 
248 
246 
231 
241 
242 
193 
196 
247 
231 
232 
235 
241 

78 
233 
171 
241 
243 
245 
242 
246 
238 
236 
233 
247 
243 

38 
226 
238 


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